domingo, 10 de julho de 2016

Glow in The Dark with Death Valley Girls - An Interview

Raramente a Burger Records dá uma bola fora, e definitivamente o que chega as páginas do TBTCI neste momento é absolutamente foda.

"Glow in The Dark" álbum recém lançado pela insanidade chamada Death Valley Girls é absolutamente obrigatório em qualquer coleção que se preze.

Proto punk, glam, noise, e tudo que se possa imaginar em termos de barulheira. Coloque na receita  NY Dolls, Stooges, L7, Cramps e mais um penca de referências e dá pra ter a dimensão do que se terá pela frente.

Rock and roll em sua forma mais clássica e primitiva, e mesmo assim simplesmente espetacular.


***** Interview with Death Valley Girls *****


Q. When did DVG start? Tell us about the history...
DVG: You know how quick sand works? Well, we started the opposite way. Being shot out of liquid through space! It was really hot at first, then really cold, but that's about all I remember.

Q: Who are your influences?
DVG: Iggy Pop, Roky Erickson, John Waters, Gaye Advert, Mary Woronov among others, We'd like to also add "What" influence's us - Outer space, cryptozoology, hauntings & altered states are also some of our interests we get inspired by.

Q. Make a list of 5 albums of all time…
DVG: That's tough, here's 6...
The Stooges- Fun House
Louise Huebner- Seduction through Witchcraft
Black Sabbath- Black Sabbath
The Velvet Underground- White light/White heat
Anton LaVey- The Satanic Mass
New York Dolls- New York Dolls

Q. How do you feel playing live?
DVG: Like waking vampires after a 1000 year sleep


Q. How do you describe DVG´s sounds?
DVG; Paranormal Rock n' Roll - Music for Space age delinquents -
Twilight Zone make-out music for drive-ins of the future.

Q: Tell us about the process of recording the songs ?
DVG:We play them live in a room and then they get sucked out of the air onto an old reel to reel tape player which our recording commander Major Mark Rains then puts through an old film projector (formally owned by film maker Russ Meyer). After that they are ready to be released to the public.

Q. Which new bands do you recommend?
Gym Shorts
Frankie & The Witch Fingers

Q: Which band would you love to made a cover version of?
Lancelot Link & The Evolution Revolution

Q: What are your plans for the future?
The future is now

Q: Any parting words?
"Glow in The Dark" is a state of mind
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Thanks

https://soundcloud.com/deathvalleygirls
https://deathvalleygirls.bandcamp.com/

sábado, 9 de julho de 2016

Hello Friends with Summer Flake - An Interview


E eis que novamente as águas australianas nos brindam com novos e poderosos sons.

Seguindo uma trilha atualmente não ortodoxa, visto que hoje em dia poucos se atrevem a fazer um verdadeiro e coeso rock alternativo com letras maiíusculas mesmo, conexões fortíssimas com ícones como Juliana Hatfield e Kristin Hersh, mais conhecidas como Throwing Muses, sim a grande conexão aqui ao meu entender é com as Muses.

Estamos falando do genial novo trabalho do trio de Adelaide, Stephanie Crase, Antony Bourmas e Joel Cary, o grande Summer Flake que soltou um pérola chamada "Hello Friends", disco que ao mesmo tempo pode ser ensolarado e denso, cantarolável e melancólico, um verdadeiro tsunami de sentimentos desconexos mas que fazem total sentido dentro do contexto.

Me arrisco a dizer que "Hello Friends" é o melhor disco de rock alternativo que ouvi em muito tempo, aliás como há tempos não se faziam.


***** Interview with Summer Flake *****


Q. When did Summer Flake start? Tell us about the history...
Summer Flake started out of boredom - I had time to kill. I'd been playing drums in Batrider, guitar in Hit The Jackpot, and a little of everything in Avant Gardeners, and all of a sudden, early 2012, members of those bands moved away from Adelaide and I was at a loose end. I started recording bits and pieces of song ideas at home, in private, for fun, and kinda just got to a point where I wanted to share it! The first few Summer Flake recordings are all done myself at home, in private. I played all the instruments and played with DIY recording.

Q: Who are your influences?
When i first started doing Summer Flake, i wanted it to be sweeter than other noisy bands I'd played in. I was thinking of two-chord garage, and doing version of girl group hooks and harmonies, thinking The Crystals, the Shangri Las. I intentionally wrote simple, melodic ballads. But listening back, it's not really very 60s sounding - I can hear all the influences of my 90s upbringing seeping through in the mid-pace rhythm, the distorion, the buried vocals; maybe Helium, The Breeders, The Lemonheads.

Q. Make a list of 5 albuns of all time…
That's hard! I'd probably go with some classics albums that everyone knows and loves, and some teenage- era sentimental listening.
Sibylle Baier - Colour Green
Hole - Live Through This
Neil Young - Zuma
Cat Power - What Would The Community Think
The Velvet Underground - The Velvet Underground & Nico

Q. How do you feel playing live?
I feel great! I'm usually a bit nervous, but something about the experience makes me forget all my worries, all my back pain, all the things I have to do; I usually feel comfortably uncomfortable. I love playing live with the band. I'm currently playing with Joel Carey on drums (he used to play in Wolf & Cub and currently sings in Peak Twins) and Antony Bourmas on bass. I am less comfortable playing solo, but I like doing that now and then - challenging myself, breaking down complicated parts just to one guitar and voice. It's a bit weirder.

Q. How do you describe Summe Flake´s sounds?
Describing bands is hard. I'd say Summer Flake is slow, loud, melodic, sunny but dark. Shady.


Q: Tell us about the process of recording the songs ?
For the Hello Friends album, I demoed the songs alone at home, then got the band involved after I moved to Melbourne. We recorded drums and some other bits and pieces at a small studio one day, and then I did most of the vocals and guitars at my friend Geoffrey O'Connor's small backyard recording studio called Vanity Lair. Geoff recorded and mixed the album over a month; we both had to find time around work and other projects. Some days I would roll in and we'd sit in the backyard and have a 7Elevn $1 coffee and some cigarettes and talk about what we were going to do for a couple of hours, then do vocals for 20 minutes and call it a day. It was pretty relaxed.

Q. Which new bands do you recommend?
I'm playing guitar in a new punk band called The Skids. We don't have any songs recorded, but it's really fun. We recently played with Rule of Thirds, Exek, and Stations of the Cross, who are all great Adelaide and Melbourne bands. I also like Symbolic Order, Superstar, Sarah Mary Chadwick, Wireheads, The High Beamers, Weak Boys, Mope City.

Q: Which band would you love to made a cover version of?
My first release was a digital single with the Beach Boys' ";Til I Die" as the b-side. I like recording covers more than performing them, finding new sounds. I used to always cover "Severed Lips" by Dinosaur Jr, "My Darlin" by Juliana Hatfield, and "No One Wants an Alien" by The Wipers, but haven't done a cover for a while. Sometimes when I play solo I do "Bad Boy" by Caroline King. I also recorded a cover version of a song by Harmony called "Pulse" released on a bonus "Deconstructed" (covers) album that accompanied their album "Carpetbombing". I also did a couple of covers with my old No Through Road band-mate Matt Banham on an EP together a couple years ago, including "Old Fools" by Magnetic Fields. They're pretty loose, I cringe a bit when I hear that EP. I love it and I lovingly cringe.

Q: What are your plans for the future?
We just toured Australia, which means taking 3 short weekend trips away playing in Hobart, Sydney, Brisbane, Adelaide, Ballarat and Melbourne. For the rest of the year we'll probably regroup and write new songs, play local shows with out buddies - business as usual. I would love to tour abroad again one day, but I can't forsee if for 2016/

Q: Any parting words?
Thanks for time. I'd be keen to hear any recommendations of your favourite Brazil bands too!
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Thanks

https://summerflake.bandcamp.com
https://www.facebook.com/SummerFlake

sexta-feira, 8 de julho de 2016

Hypnoanaesthetic with Bilderberg Motel - An Interview


Cidade do Cabo, Africa do Sul, 24 de Maio desde ano era lançado "Rape", novo álbum dos psicodélicos do Bilderberg Motel.

Bebendo na fonte sessentista e obviamente se alimentando de referências a Anton Newcombe e o patrimônio BJM, o Bilderberg Motel, faz aquela psicodelia lisérgica, esfumaçada e com gosto de ácido.

Com o Bilderberg Motel a viagem é garantida, e das boas.


***** Interview with Bilderberg Motel *****


Q. When did Bilderberg Motel start? Tell us about the history...
It started in 2010, basically accidentally. None of us were in bands or had ever been in bands. I had started writing songs to deal with a bleeding heart but realised I needed some people who could actually play instruments. I'm still looking.

Q: Who are your influences?
I think we all have very different influences. The common thread would be revivalist sounds like BJM. The 60's paradigm is obvious, Stones, Kinks, Velvets... But then personally we all kinda have different starting points. I'm a big fan of Fugazi, Sonic Youth etc, Sean is, I'd say, more into a traditional rock 'n roll and blues point, Mel is definitely punker than the rest, and Matt's favourite sound is when his kid goes to sleep.

Q. Make a list of 5 albums of all time…
I think that's impossible. We'll forever regret what we say and it'll keep us up at night, so we'll pass. There are too many.

Q. How do you feel playing live?
It's different for all of us I think. I get nerves and anxiety in a big way, but it's getting better. The rest have a pretty good time I think generally everyone has had some stiff ones before they go on - which can also be a worry. It obviously depends on the show and the sound as well, but I think we've been very lucky. There's only been 2 or 3 shows where I wanted to hang myself.

Q. How do you describe Bilderberg Motel sounds?
We don't really. It's a blend of a lot of stuff, and it can vary from one song to the next. We are obviously categorised a lot as a psych or revivalist band but I don't really see it that way.



Q: Tell us about the process of recording the songs ?
We only ever record live. We don't have the time or patience to layer each thing. So we'll tend to do drums, both guitars and bass at once. Then do the vocals and some lead bits and add-ons after. Also when it's live it feels a little more honest to me. Recording can often get too clean and perfect.

Q. Which new bands do you recommend?
All the good new bands are in the past.


Q: Which band would you love to made a cover version of?
I don't really know. We were doing a cover of Motorhead's Orgasmatron a lot a while back - like a psychedelic version. The lyrics in that song are just the best. Thanks Lemmy.

Q: What are your plans for the future?
Immediate plans are play a couple shows, drop Rope onto a 7', and get working on a new full length, which I don't think is too far off. However, everything always takes us 5 times longer than we originally thought.

Q: Any parting words?
Thanks for thinking of us.
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Thanks

https://bilderbergmotel.bandcamp.com/
http://seangibs.wix.com/bilderbergmotel
https://www.facebook.com/BilderbergMotel

quinta-feira, 7 de julho de 2016

Premiere - Daydreams "Pupper"


E o predileto da casa, Daydreams, projeto criado pelo mente lo-fi de Daniel Crook, volta ao ataque com mais uma pérola do dreampop em formato lo-fi, "Pupper" é o nome do primeiro single que serve como aperitivo para o próximo EP do Daydreams, que tem o apropriado nome "Teenage Feelings".



Não bastasse a música ser absolutamente grudenta e viciante, Dan preparou um video especial pra ela, ou seja, divirta-se.

Points of Light with Sentinel - An Interview


Indie dreampop é um perigoso e escorregadio terreno onde é muito fácil errar na receita e cometer o terrível equívoco de conceber obras descartáveis. Porém, ao contrário, quando se acerta na dose o resultado costuma ser encantador. 

O trio californiano Sentinel, é desses raros e elegantes casos onde sabem exatamente como chegar ao dreampop indie perfeito. "Points of Light", último álbum deles, do ano passado, é uma boa introdução e obrigatória introdução, caso eles soem desconhecidos a você. Mesmo porque o Sentinel esta na estrada desde 2004/2005 lançando material de altíssima qualidade, sempre atestando o selo de qualidade Sentinel.

Experimente agora mesmo.
***** Interview with Sentinel *****


Q. When did Sentinel start?
We started way back in Long Beach, California in 1999, when I Dennis and Tarabud started a side project on a 4 track recorder, all centered around her vocals and my guitar sound.

Tell us about the history...
We have been playing the Bay Area club scene since 2005, but I we go way back, I began playing music in high school when I taught myself guitar and fronted a rock band with some friends from high school. We wrote all original songs and performed in Long Beach and Los Angeles. Tarabud began an interest in music in elementary school learning violin, then later taught herself guitar from a Beatles song book, and all the while joining school choirs all up through High School. When we first started Sentinel as one of my side projects she only sang, but I encouraged her to play bass out of necessity that Sentinel came together for live shows. We have had a few drummers, but Billy has been around the longest, and is now a regular member. He picked up the drums after a few lesson once he moved to the Bay Area from Colorado. Since then he played in several local indie bands till we all met and he joined Sentinel in 2010.

We have played tons of shows with Billy in the Bay Area, and even performed live on college radio! We always struggle to pick the best live set, only cause we have so many songs to choose from our catalog. Eventually we agree on 10 song set.

We could play a two hour concert with all the material we have composed over the years. That would be incredible of course!

Q: Who are your influences?
Pretenders, Echo & the Bunny Men, U2, Cocteau Twins, Smiths, Depeche Mode, Ocean Blue, The Innocence Mission, Lush, The Cars, etc….

Q. Make a list of 5 albums of all time…
Blue Bell Knoll by the Cocteau Twins,
The Joshua Tree, by U2
Killing Moon, by Echo & the Bunnymen,
Nebraska, by Bruce Springsteen
Into The Labyrinth, by Dead Can Dance,
& one more from Tarabud
Glow, by the Innocence Mission

Q. How do you feel playing live?
We feel energized and at the same time transported. It’s wonderful to be on stage sharing our music live with fans and audiences. We always start out a little nervous, but settle into what we do by the second song of our set.

Q. How do you describe Sentinel sounds?
Sentinel, is an indie-dream-pop ruckus of Dennis’ driving guitar melodies and the soothing Tarabud vocals.


Q: Tell us about the process of recording the songs?
Sentinel albums are a labor of pure love, since we do it all ourselves from start to finish. We write the original music pretty much starting with acoustic guitar melody or a piano melody and build from there, chorus/verse or vice versa. Usually lyrics come last. When we have a certain amount of songs we feel good about we begin recording. Mostly we have recorded all our albums in our home studio. Dennis being a pro recording engineer; we get our signature sound from his engineering skills. At the end of that process, we often send completed albums for mastering. Finally, we create the art work or find an artist that would like to have his art on the album! We finally get CD’s printed. For an indie band like us, we often struggle to be heard by the masses, but we have built up quite a following over the years of doing on-line promotion ourselves, and with the support of Podcasters around the world, not to mention DJ support from college radio stations and Bay Area tastemakers like the influential Aaron Axelsen of Live105 FM, somehow we get our music out!

Q. Which new bands do you recommend?
Joy Formidable from UK, In Letter Form from San Francisco, California, Liss from Denmark.

Q: Which band would you love to made a cover version of ?
Lips Like Sugar by Echo and the Bunnymen

Q: What are your plans for the future?
We plan to release a new album which will be much more laid back and dreamy than our previous albums! We will be shifting away from pure rock styling.

Q: Any parting words?
Thanks for sharing our music with your audiences! Real treat to be featured with you!
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Thanks

https://www.facebook.com/sentineltheband
https://sentineldream.bandcamp.com

quarta-feira, 6 de julho de 2016

Cohabitation with Surf Vampires - An Interview


O Brunei, oficialmente Estado de Brunei Darussalam ou Darussalã, é um Estado soberano localizado na costa norte da ilha de Bornéu, no Sudeste Asiático,  e é exatamente de lá que vem os novatos do Surf Vampires.

Dois EPS no currículo, infelizmente pouca valorização e exposição do trabalho dos caras aconteceu, mas o TBTCI vai tratar de dar o devido valor ao sublime e apaixonado dreampop ensolarado dos caras. O último EP "Cohabitation" lançado recentemente é uma pequena preciosidade, evocando conexões com gente do calibre de Beach Fossils e Wild Nothing, sempre com aquela aura de elegância pairando as canções.

Trilha sonora perfeita para dias ensolaradamente apaixonados.

***** Interview with Surf Vampires *****



Q. When did Surf Vampires start? Tell us about the history...
Surf Vampires just started this year, back in April. The name Surf Vampires is just a rechristened name of my previous recording projects which I started back in 2012. The project was then called Beatnik Economy, which was me trying to do this weird post-punk stuff. Then in 2015, I changed the name to Beached, which was just me playing straight indie pop with a mix of psychedelia.

In 2016, the project underwent another name change in the early months of January, under the name of Low Real. It had this Radio Dept dance-y dream pop sound going on and I sent these demos to a bunch of small time labels. Most of the demos got rejected, which prompted me to lay low for a while.

I then started writing again last April, now renamed as Surf Vampires and posted 15 second demos on Instagram. Some of these songs would lay the foundations for Lush. I invited my old schoolmates, Akram, Niyaz and Daniel, whom I’ve been jamming with for some time and got straight into practicing these demos. I wrote and recorded Lush and we literally just printed 30 CDs of it and gave it to our friends for free, hope that the word of mouth between these guys would spread around.

After some positive feedback, I wrote down a couple of more songs in mid-April for another EP we were working on called Cohabitation. After releasing the two EPs in Brunei, we just uploaded both of them on Bandcamp as a digital album with a 'name your price'. Then the project got this small hype going around and that’s basically how this recording project of mine went off.

Q: Who are your influences?
Major influences of mine mostly came from old C86 bands such as the Wake and Obama-era bands like Beach Fossils and Wild Nothing. These guys helped me a lot in my song writing

Studying A Midsummer Night’s Dream during college also helped me in trying to get that dream-like atmosphere. There’s this youthful feeling from that play that kind of got stuck with me every time I write songs.

Q. Make a list of 5 albums of all time…
This is going to be a weird list but here you go
1. Slipknot - Slipknot
2. Blue Train – John Coltrane
3. Nocturne – Wild Nothing
4. Moment Of Truth – Gang Starr
5. Discovery – Daft Punk

Q. How do you feel playing live?
Since the project just started under a new name, we didn’t get much gigs until recently. But when we do get gigs, there’s this weird mix of anxiety and relief when I’m on stage. I’m not sure about the other guys though.

Q. How do you describe Surf Vampires sounds?
Sombre and melancholic, but that gloomy atmosphere is smeared with this layer of nostalgia fueled stories filled with youthful romances.


Q: Tell us about the process of recording the songs?
Lush was recorded by myself while Cohabitation was done collectively. I recorded raw drafts using this white Behringer USB adapter which was plugged into my laptop that was running FL Studio 10. I sequenced the drums in FL since I couldn’t afford a drum kit.

There’s this insane close gap between the two EPs in terms of release dates. We were rushing it so we could promote it locally once everything was done.

The one that took most of the time of the recording process was me making all these raw drafts for the EPs. Then we would just try to re-record them to make them sound polished as possible since we couldn’t afford to rent a studio.

After recording, it’ll be just me sitting in my bedroom listening to these tracks over and over, tweaking with the equalisers and frequencies until I was satisfied with all of them.

Q. Which new bands do you recommend?
I heavily recommend this Bruneian psychedelic folk band called Tropical Hornbills. They haven’t released a load of songs, but they’re worth checking out.

There’s also these Thai bands like Yellow Fang, Desktop Error and Buddhist Holiday. These guys are awesome.

Q: Which band would you love to made a cover version of?
Personally, I would absolutely love do an album of just us re-recording Rubber Soul by the Beatles but in a slow tempo and drenched in this heavily reverberated ethereal sound. It’ll be crazy fun.

Q: What are your plans for the future?
Just try our best to play at shows as much as possible before university starts. I’ve written a couple of songs but I’d feel like I’ll rush things. Maybe just let all this simmer in for a while.

I’m hoping that I get to re-record the songs in a studio and release an album under a label. As of now, we aren’t signed to anyone. And we’re hoping to play in bars or small festivals around Asia since the region here has this crazy following on indie pop. But we’ll see.

Q: Any parting words?
Just a big thank you to Renato Malizia for taking the time to do this interview. I really didn’t expect someone from Sao Paulo to actually notice us since this recording project is so new. God Bless.
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Thanks

https://surfvampires.bandcamp.com
https://www.facebook.com/surfvampires

terça-feira, 5 de julho de 2016

Seagaze Festival - An Interview with Jeff McCollough



O TBTCI abre espaço neste momento para uma bela iniciativa criada e concebida entre dois ativistas incansáveis para propagar a música ao redor do mundo, estou falando de Jeff McCollough (Blackpool Astronomy) e do mestre Greg Wilson (DKFM Shogaze Radio).

Os caras criaram e fizeram a curadoria do Seagaze Festival que terá nada mais nada menos do que quarto dias e acontecerá na LoFi Performance Gallery 429 Eastlake Ave E, # B, Seattle 98109 nos dias 28/29/30 e 31 de julho com um line up absolutamente imperdível.

Confira dia a dia nos links abaixo:


O TBTCI conversou Jeff pra entender o conceito e demais detalhes desse que promete ser um festival absolutamente épico e histórico, afinal não é todo dia que se reúne gente do calibre de LSD and The Search For God, Tender Age, Asteroid #4, Spindrift, Daydream Machine e muitos muitos outros espetaculares artistas,

Se você tiver uma grana sobrando, não pense duas vezes, vá viajar e "viajar" de verdade.

***** Interview with Jeff McCollough (Seagaze Festival)


Q. What is the concept behind the Seagaze Festival?
The concept of the Seagaze festival was to celebrate the shoegaze and psych music of the Pacific Northwest that was truly over looked. Plus it needed to happen. Fuzzy Ball which was another festival years before was great but it was years ago and really had no post-punk bands and honestly Post punk is very important as well. It’s a genre that we all enjoy and it fits with the nature of the festival. Plus creating something beautiful and positive was important along with making it affordable. Also I wanted people who were new to the genres to get a good taste of the best. Maybe broaden some musical horizons. It’s also very much about building a community of artists promoting and supporting each just like the bands did in the early 90’s in the Shoegaze scene and in Seattle and Portland. Tell us how it was born? Greg Wilson and I were online chatting and we both thought it was time. I had wanted to do something like this for a while and he and I both agreed with a few other people it could be done. I asked our friend Mama Casserole who books Lo-Fi performance gallery if we could do it and she was ecstatic and said yes! She would love to have the festival!!

Q. How was the process of curation and selection of bands for the first edition?
We had a basic idea of the bands we wanted. I started contacting the ones I was close to and after talking Tauna of Tender Age she started helping us book more Portland bands. Within a few days we had a very full line up and Mama Casserole seem to be having the same luck with the psych portion of the festival. It just seems like the stars aligned and we were able to get amazing bands. We all felt like it was magic. Maybe it’s the positive nature of what we want. Erik Blood being part of this also really helped. His and Irene’s involvement gave us a big boost and made it seem like this would be a reality. Honestly we feel very lucky to be able to do this and know we have a responsibility to make sure it’s a good time for all involved and who attend the festival.


Q. What is your opinion on the effervescent new scene of bands (shoegaze / psych / post punk) around the world?
Honestly we are excited and thrilled to see how many bands are making great music. Shoegaze has tons of new bands that are capable of making deep intense beautiful music that hits your right in the heart! Just listen to DKFM you will hear them. Psych is constantly expanding into new places. It also seems to be getting bigger some and more prolific which is great. I think the fact people have more access to music gear and recording than ever before is helping all of these genres plus pedal makers like Oliver Ackermann of Death by Audio seem to be expanding things by creating new effects that expand where we can go as musicians. So Psych is going somewhere and getting more intense in some great ways. Post punk is expanding as well and what makes me hopeful is the bands are generally well-versed and intelligent with reverence to those before them. The songwriting is intense and purposeful like that of those before them and the sounds are just as important which means post punk is practicing a lot of the same ideas as Shoegaze. Therefore the genres are starting to mix creating dark gaze, which is very promising.

Q. What are your plans for the future? New editions of Seagaze Festival are already being planned? We want to see how this goes. As with any new idea we need to put it into practice before planning the next one but we believe if it goes well we will back next year and have a better handle on how to make this work even better than it did this year.

Q. Final Thoughts....
We would love to see all of you at the festival. It’s a labor of love for music and the joy it can bring people. It’s about bringing people together and bringing great music into the live of others while helping our fellow musicians grow. I have been lucky to have some help from Omar Rashan (Charlatan) Richard O’Leary (God and Vanilla) Tauna Leonardo (Tender Age) and Jason Markin (The Emerald Down) as well as Greg Wilson of DKFM and Mama Casserole (LoFi Performance Gallery) who have made this all possible.
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Thanks

https://www.facebook.com/seagazefestival
https://www.facebook.com/DecayFM
https://www.facebook.com/blackpoolastronomyband

Eye Of The Storm with Future Theory - An Interview


Seguindo a máxima e a escrita do TBTCI, onde desbravar o submundo dos bons sons é e sempre será a temática dessas páginas, apresento a vocês, o novíssimo quarteto inglês, Future Theory.

Os caras debutaram em Maio colocando o primeiro single de seu futuro EP “Fool’s Dream”, o nome da canção é "Eye OF The Storm". Remetendo diretamente a The Verve quando o The Verve era uma grandiosa banda, os caras vão fundo naquela veia mezzo psicodélica, mezzo gazer, infestada de lirismo e sugerindo viagens particulares.

Atenção para esses caras, pois daqui três dias vem ao mundo o segundo single do EP, "Horses" e a viagem só tende a aumentar.


***** Interview with Future Theory *****


Q. When did Future Theory start? Tell us about the history...
We formed as a band last September at music college as a trio of Chris on guitar and vocals, Jake on bass and Rohan on drums (it was originally a solo project a few months prior to this). Future Theory properly began in the January of this year with the addition of Max on lead vocals and guitar. We’ve been gigging and writing together ever since.

Q: Who are your influences?
The Verve, Radiohead, Muse, Audioslave, The Brian Jonestown Massacre, Queens Of The Stone Age, Kings Of Leon, Coldplay, U2, Pink Floyd, Alt J, Metronomy, Stereophonics, Ride and far too many more to say. We all come from such differing musical backgrounds but we work very well together.

Q. Make a list of 5 albums of all time…
Radiohead-OK Computer
Pink Floyd-Animals
The Verve-A Storm In Heaven
Alt J-An Awesome Wave
Muse-Absolution

Q. How do you feel playing live?
Liberated, energised, important. Playing live, especially with your own songs can be therapeutic and a form of catharsis when both you and your audience are consumed by the power of the music. It’s a method of self expression and there truly is no better feeling when everything comes together well live.

Q. How do you describe Future Theory sounds?
A groovy blend of shoegaze and alternative/stoner rock with hints of psychedelia. We feel as though we’re recreating a retro sound with a contemporary spin on things.


Q: Tell us about the process of recording the songs ?
We generally record a track a day no matter how long it takes, if it takes the entirety of the day then so be it, it's how we like to work. The recording process is like building a house, we lay down a solid foundation with the drums followed by the bass. After that we’re free to experiment and go crazy with guitars, synths and vocals. A solid basis allows us to do really go wild.

Q. Which new bands do you recommend?
DIIV, Wolf Alice, Tame Impala, Swim Deep, Peace, Highly Suspect

Q: Which band would you love to made a cover version of?
It’s never something that has crossed our minds unfortunately, we’re firmly an originals focussed band.

Q: What are your plans for the future?
To release our debut EP we’re currently working on, get famous and live the dream touring the world with our music. More realistically however, we aim to earn a comfortable living through playing and writing our music, this is the ultimate endgame.

Q: Any parting words?
Check out our debut single Eye Of The Storm, available on Soundcloud and Bandcamp. Our new single “Horses” will be out on the 8th July so watch out for it. We’ll also be releasing our debut EP “Fool’s Dream” within the coming months so stay tuned guys. Thanks for interviewing us!
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Thanks

https://www.facebook.com/FutureTheory
https://soundcloud.com/futuretheoryband
https://futuretheory.bandcamp.com

segunda-feira, 4 de julho de 2016

Confusion Moderne with DTCV - An Interview

photos: Mike Postalakis

Lola G. e James Greer formam o duo DTCV, e aterrizam de forma arrebatadora aqui nas páginas do TBTCI, por conta de seu mais recente álbum, o infernal e pegajoso, "Confusion Moderne".

Pense numa alucinante fusão entre Serge Gainsbourg e Wire, algo como se o Pink Flag fosse movido  um toque a´la francesa. "Confusion Moderne" é como uma infecção, vai se alastrando pelo corpo até atingir a mente, e aí meus caros, é estado de internção, porque o vício é eminente.

Pop brutalmente sofisticado, simplesmente delicioso

***** Interview with DTCV *****

photos: Mike Postalakis
Q. When did DTCV start? Tell us about the history...
We started a couple years ago when Lola and James met at a party in Los Angeles and discovered their mutual love for Black Sabbath and Jean-Luc Godard. Lola had a bunch of songs, and James really liked her songs. We played a few shows live, had a blast, destroyed a few guitars, and decided to keep going.

Q: Who are your influences?
Vivienne Westwood, Genesis P-Orridge, Henrik Ibsen…the list is endless, really.

Q. Make a list of 5 albuns of all time…
In no particular order
WIRE Pink Flag
DAVID BOWIE Berlin Trilogy
ARTHUR & THE CROWD Feelings Mutual
SAM SAM SAM We are Sam Sam Sam
MARY SHELLEY The Lost Tapes

Q. How do you feel playing live?
We usually don’t remember it because of a combination of adrenaline and alcohol. Afterwards we often discover unexplained bruises all over our bodies.


Q. How do you describe DTCV´s sounds?
Brutalist pop.

Q: Tell us about the process of recording the songs ?
We go into the studio and record everything as quickly as possible so as to keep the cost down. CONFUSION MODERNE was made in less than three days.

Q. Which new bands do you recommend?
Footling, Dream Wife, Sea Rocket, MC Jammz, Sky City, Lola Violence

Q: Which band would you love to made a cover version of?
We would like to do a cover of Complete Portion Control’s cover of Swell Map’s cover of the Little Richard song "Get Down and Get With It."

Q: What are your plans for the future?
Touring and recording forever and ever and ever. Also, make wine.

Q: Any parting words?
Thank you and goodnight!! Also thanks for taking the time to interview us. We would love to play Brazil someday! It’s one of our obsessions.
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Thanks

http://dtcvband.com/
http://store.dtcvband.com/
https://www.facebook.com/veryfallenworld/

Stoned, Alone with Teenage Wrist - An Interview


Seguindo o caminho escancarado por gente como o Nothing e o Whirr, houve uma verdadeira avalanche de bandas que se propuseram a pegar duas vertentes e fundi-las milimetricamente encaixadas numa junção absolutamente perfeita.

Entenda por essa junção a melancolia dark do The Cure e o barulho noventista de gente como Sunny Day Real State, Smashing Pumpkins e a receita esta finalizada.

Os caras do Teenage Wrist em sua estreia, o EP "Dazed" e também no novíssimo single, "Stoned, Alone" simplesmente levaram os experimentos citados a exaustão profunda de melancolismo e barulheira densa.

Simplesmente perfeito. Escute alto.


***** Interview with Teenage Wrist *****


Q. When did Teenage Wrist start? Tell us about the history...
- We initially got together for the purpose of exploring new boundaries. Marshall and I have been friends since going to the same high school together in Colorado. I had just ended the "Daydream Forever" album cycle for Chain Gang Of 1974, while Marshall had just wrapped up supporting his latest Swing Hero release. I was in a position where I needed to give my mind a break from constantly being in Chain Gang world. I had always been a huge fan of Marshall's work and thought it would be cool if we got together and had some fun writing songs. It took a few months for us to find our stride. To discover what Teenage Wrist was. But once we did, we went for it and wrote the "Dazed" EP. Anthony had been playing drums for Swing Hero, so we figured it would be the perfect fit to have him in the band. It took a little while to find a permanent 4th member, but once we found Scott, we knew he was what the band needed. Here we are now.

Q: Who are your influences?
- We can all safely say that we have the same amount of love for the 90's and the early Emo movement. Personally, I grew up listening to bands like the Smashing Pumpkins, Oasis, Silverchair, My Vitriol...The list goes on and on. We also all have a love for the Emo/Punk/Hardcore scene. We came up in that world as early/late teens. The older you get, you discover new sounds. The discovery of Shoegaze was a pivotal moment. That now plays a big part in what we do, and what we do in all our own separate projects.

Q. Make a list of 5 albuns of all time…
- That's always a very difficult question. Here are a few off the top of my head:
1) The Cure - "Wish"
2) Tears For Fears - "Songs From The Big Chair"
3) New Radicals - "Maybe You've Been Brainwashed Too"
4) My Vitriol - "Finelines"
5) Smashing Pumpkins - "Machina/The Machines of God"

Q. How do you feel playing live?
- We love it. It's been such a nice change from performing live with Chain Gang Of 1974. When I'm touring behind that project, there are so many factors that come into play (laptops, keyboards, etc). Teenage Wrist is pure Rock music. We plug in, turn our amps up really loud, and play our hearts out. It's a beautiful thing.


Q. How do you describe Teenage Wristsounds?
- Loud & beautiful

Q: Tell us about the process of recording the songs ?
- Honestly, it's whatever feels right. We start a lot of ideas that never get finished. I feel that we all have a sense of what will and won't work for our band. We instantly know when a song is special to us.

Q. Which new bands do you recommend?
- XO, Nothing, Citizen, Counterparts, Turnover, Beach Slang, Modern Baseball, The Hotelier.

Q: Which band would you love to made a cover version of?
- Anything by the Pumpkins would be cool. But maybe we'll fuck with everyone and do a Weird Al cover...

Q: What are your plans for the future?
- Honestly, we have no idea. We have a lot of new music recorded, and hope to begin work on a full-length record. We all have our separate projects going on, so sometimes it's a bit difficult to tell what we will do next. But that's the beauty of Teenage Wrist. It started as a side-project, and has slowly turned into a real band." As long as we keep having fun, we'll keep doing this.

Q: Any parting words?
- San Dimas High School football rules!
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Thanks

Isla Nube with Clan de Venus - An Interview


Não é de hoje que o México vem nos brindando com uma infinidade de ótimas bandas, vide, Has a Shadow, Lorele Meets The Obsolete, Car Crash Sisters entre outras.

E agora é a vez dos novatos do Clan de Venus, que ao contrário de seus conterrâneos compõe suas canções em sua língua oficial, deixando seus indie dreampop mais interessante ainda.

Os caras estão em vias de soltar seu primeiro EP, "Isla Nube" e o aperitivo já pode ser conferido na bela "Miércoles".

Abre-se assim um futuro luminoso aos meninos do Clan de Venus.


***** Interview with Clan de Venus *****


Q. When did Clan de Venus start? Tell us about the history...
The band started to form about 3 years ago, although the actual line up wasn´t completed until 2014. Oz liked a band called Candy Colors, a local group. Listening to them made him want to have a band of his own, so he hooked up with Norman. Later after playing with several drummers we found Hugo. Then we took a break and Diego joined. We started to take the band more seriously at this point, and where Norman came up with the name of the band.

Q: Who are your influences?
The influences we had at the moment where we made the songs of the Isla Nube EP went from jangle pop bands to 80's latin american rock bands like Soda Stereo, Caifanes and Silvania.

Q. Make a list of 5 albums of all time…

The Smiths - The Queen Is Dead
Deafheaven - Sunbather
Adan Cruz - Quiérelo
Radiohead - The Bends
Smashing Pumpkins - Siamese Dream

Q. How do you feel playing live?
The recorded songs may sound kind of mellow but our shows are actually quite energetic. That's how we feel the vibes. No mosh pits yet, though

Q. How do you describe Clan de Venus sounds?
They've changed overtime, we don´t really believe in sticking to one sound, we're all about moving forward. Now we've got a rougher sound in the new songs, but the first poppier influences can still be heard in some degree.


Q: Tell us about the process of recording the songs?
With this first EP we are taking more time than we thought we would. We're kind obsessive sometimes, it's a little bit tiring, but it's totally worth it.

Q. Which new bands do you recommend?
Norman: Jesse Ruins, Lightfoils and Wander
Diego: GXN UVE, Adult Jazz and Fews
Hugo: Still Corners, Elliott Smith
Oz: Patio Solar, Adán Cruz gg

Q: Which band would you love to made a cover version of?
We frequently play a version of Beach Fossil's Taking Off. So we guess it'd either them or Mac DeMarco.

Q: What are your plans for the future?
We're releasing our debut EP through the mexican label Emma's House, (who have some pretty cool bands in their roster, check 'em out!) probably mid August.

Q: Any parting words?
Fierro pariente y tiro arriba mi compa.
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Thanks

https://www.facebook.com/clandevenusmx/
https://soundcloud.com/clandevenus
https://soundcloud.com/clandevenus

domingo, 3 de julho de 2016

Shadows with Maston - An Interview


Maston é o projeto feito e concebido pela mente de seu criador que emprestou seu sobrenome ao projeto, Frank Maston.

Um genuíno carrossel de influências, pop barroco, recheado de sutilezas psicodélicas, algo como se o Álbum Branco dos Beatles tivesse sido concebido por Wayne Coyne, ou se o Air se fundisse ao Stereolab, enfim uma combinação improvável e absolutamente inclassificável de gêneros.

É possível que no futuro Frank Maston seja chamado o gênio, o que certamente não iria espantar ao TBTCI.

Experimente adentrando ao universo todo peculiar de Maston no excêntrico debute "Shadows".

Música eloquente e grandiosa.


***** Interview with Maston *****


Q. When did Maston start? Tell us about the history…
In 2011/2012 I made two cassette EP’s (Opal & Voyages) and self released them under my last name (Maston). These were my first experiments as a multi-instrumentalist/producer and essentially the birth of this project.

Q: Who are your influences?
My initial inspiration for Maston…on the first EP’s and on into “Shadows”…was a very specific approach to arrangement and production that I felt like I had noticed in several other artists, and yet was missing from the modern music landscape. For instance there is an area where Brian Wilson’s Pet Sounds & SMiLE overlap a bit with things Joe Meek was doing with “I Hear a New World” and on some of Meek’s horror experiments. I also found some overlaps between sounds associated with Los Angeles & sounds from Italian western/crime/mystery film soundtracks. These somewhat unrelated groups of music kind of coalesced together in my head and guided the aesthetic of my early work. As I moved on into the first LP, the sound of Maston had sort of developed into it’s own thing and at that point I was just making Maston music- not so much thinking of influences or external things.

These days, and with the next record almost done, I find myself inspired by Italian/French film soundtracks of the 60’s & 70’s as well as Library and commercial music from those places/periods.

Q. Make a list of 5 albuns of all time…
I’m not really an “album” guy. I like to make playlists a lot…to sort of curate a mood. As far as complete albums that I like, here’s a few (in no particular order)

Alain Goraguer - La Planete Suavage
Bo Hansson - Magician’s Hat
Broadcast; The Focus Group - Investigate Witch Cults of the Radio Age
Stereolab - Dots & Loops
AIR - The Virgin Suicides

Q. How do you feel playing live?
Generally happy. It’s always strange to take a studio project onto a stage. To add musicians to a project where there is usually only one person working can be a challenge. Conversely it gives an energy to the music that cannot really exist on the records, especially if the musicians understand it. I toured the US and Europe with a good backing band for “Shadows”, but Maston hasn’t played live since 2014.

I’ve been playing keyboards with my friend Jacco Gardner and living in Holland for the past few years. My approach to bringing Maston to the stage in the future has of course been influenced by my experience with Jacco, so it will inevitably feel different in some ways for me the next time Maston tours again.



Q. How do you describe Maston sounds?
Beautiful/Terrifying

Q: Tell us about the process of recording the songs ?
As for Shadows I would write a song on piano and arrange it in my head and then start recording each instrument starting with the drums and usually ending with my vocal parts and the orchestral stuff.

My approach has evolved, perhaps through experience, where I sort of write things in my head without an instrument for a few days and then I’ll record all of those pieces at once.

Q. Which new bands do you recommend?
Sorry I don’t really follow modern music so much. But some friends of mine have bands that I dig…the Allah La’s for instance and Jacco Gardner are both quite good. There is a Swedish band called Death & Vanilla that I think are very interesting. Morgen Delt has a new album coming out which I haven’t heard yet but I’m sure it will be awesome.

Q: Which band would you love to made a cover version of?
Hmmm….nothing really comes to mind. In the past I’ve covered Tyrannosaurus Rex & Lyndsay Buckingham.

Q: What are your plans for the future?
I am currently in Holland, about to mix the record I’ve been making. I’m also working on other visual elements of this project. Once I have everything finished then I’ll start working on a release, and considering we’re almost done it should not be too far in the future. Perhaps more touring after that.

Q: Any parting words?
Goodnight and have a pleasant tomorrow.
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Thanks

https://www.facebook.com/mastonmusic/

sábado, 2 de julho de 2016

Waves with The Good Morrows - An Interview


Psicodelia garageira, melodias sessentistas, freak out musical para embalar toda e qualquer doideira possível, 

Coloque na receita, The Seeds, BJM, Troggs e mais uma série de referências e você terá a dimensão certeira do que é o som dos australianos do The Good Morrows.

O novo single dos caras "Waves", é pegajosamente freak,  a faixa título é qualquer coisa de lisergicamente garagem.

Escute estridentemente alto e expurgue demônios.

***** Interview with The Good Morrows *****


Q. When did The Good Morrows start? Tell us about the history...
It all started as a bedroom project I’d created in 2012. I’d spent a bit of time at home writing and recording some songs and played them to some of my like-minded friends. They liked the sound and before I knew it we were playing these songs at a house party. The reception was overwhelmingly positive and it inspired me to keep writing.

Q: Who are your influences?
I tend to draw most of my influence from 60’s garage groups but am always drawn to a catchy pop song. Our sound often get compared to Brian Jonestown Massacre, The Dandy Warhols and The Beatles which kind of makes sense I think.

Q. Make a list of 5 albums of all time…
The Beatles – Sgt Pepper’s Lonely Hearts Club Band
Yes – Close to the Edge
Sleepy Jackson – Lovers
Rodriguez – Cold Fact
The Strokes – Is this it

Q. How do you feel playing live?
I usually feel a bit nervous before a show questioning if I should even be playing music or singing but as soon as I see someone dancing or singing along my self-doubt tends to fade away and I start enjoying myself.

Q. How do you describe The Good Morrows sounds?
Personally I think we have a wide range of sounds; some of our tunes have surf feel, there are others with a more psychedelic sound, some with a country or folk vibe and other with a more straight forward rock or pop edge. Our live show is usually quite energetic and fast pace but when I’m writing or recording I guess I usually start fairly simple and build up a large wall of sound to try and engage the listener.


Q: Tell us about the process of recording the songs?
It depends on the song really. Sometimes it’s just me with a few instruments recording the songs at home and other times when I think a song should have a more live sound we’ll hire out a studio and engineer and play them live.

I’ve also had the pleasure of working closely with producer Michael Badger (who’s recently mixed the New King Gizzard album) and he always manages to take our songs to the next level and willing to pass on his wisdom.

Q. Which new bands do you recommend?
A must check out is Wesley Fuller. He’s an Aussie guy making a bunch of pop masterpieces sounding somewhere between Temples, Tame Impala and The Shins. Truly amazing stuff!

Q: Which band would you love to make a cover version of?
I always wanted to do a cover of Russell Morris’ The Real Thing. I recorded a demo a little while back but put it on the backburner. I might revisit it later down the line.

Q: What are your plans for the future?
At the moment we’re focusing on writing. We want the next installment to be something special and we don’t want to rush it. We’ll hopefully have something new out in early 2017.
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Thanks

https://thegoodmorrows.bandcamp.com/
https://www.facebook.com/thegoodmorrows

sexta-feira, 1 de julho de 2016

Get It Here with Dear Darkness - An Interview


 

Diretamente e Detroit, Stacey MacLeod, vocais e guitarras e Samantha Linn, bateria formam o insano e doentio Dear Darkness.

Garotas nervosas que promovem um noise recheado de referências, de girl groups, passando pelo punk, evocando Siouxsie Sioux em vários momentos, muito de art noise e explodindo nas riot girls, assim é o frenético "Get It Here" novíssimo álbum delas, lançado a menos de um mês.

Experimente escutar de uma vez só e saia pra rua pra descarregar a energia que o Dear Darkness te passou.

Foda.

***** Interview with Dear Darkness *****


Q. When did Dear Darkness start? Tell us about the history...
Dear Darkness is myself, Stacey MacLeod, on vocals and guitar and Samantha Linn on drums. Samantha and I met while we were still working at Whole Foods Market in 2007. I was cutting fruit, when Samantha came in to say hello. She worked in the bakery department. We learned that we both made music and we formed a band called The Looms and then later, a band called The Heaven & Hell Cotillion. Dear Darkness is just us two and it feels like it's always been that way, even when we were in bands together with other people.

Q: Who are your influences?
I am inspired by the minimalist guitar of Johnny Ramone. Brett Anderson from Suede and Adam Ant inspire me vocally. I wish I could write lyrics like Jarvis Cocker from Pulp, because I love the humor in his words. Todd Trainer from Shellac and Keith Moon from the Who both inspire and influence Samantha as a drummer.


Q. Make a list of 5 albums of all time…
Stacey's Choices: (in no particular order)
1. Different Class by Pulp
2. Suede by Suede
3. Unknown Pleasures by Joy Division
4. The Velvet Underground & Nico by The Velvet Underground
5. The Queen Is Dead by The Smiths

Q. How do you feel playing live?
When we play live, Samantha and I both give everything we have. We want to excite the crowd and we think about holding their attention. We like to really give a show, because that's what we like to see when we go to shows.


Q. How do you describe Dear Darkness sounds?
I like to think we are a cross between Pulp and The Ramones--a noisy niche of post-punk dissonance, no-wave eccentricity, gutsy glam and nostalgic-pop, with lots of shredding, howling and head-bangable beats.

Q: Tell us about the process of recording the songs ?
Samantha and I are usually very practiced and ready to record. We record our instruments live, together. Then we overdub the vocals. We brings in different musicians who are friends of ours to contribute, play bass, moog, guitar, keyboards, or to sing. It's pretty fluid.

Q. Which new bands do you recommend?
In Detroit, I especially love Sex Police, Blood Stone, Sros Lords, and Jimmy Ohio.

Q: Which band would you love to made a cover version of?
I would love to cover some Pulp songs because they are my favorite band, but it would be pretty close to impossible for us to do, since we are a duo and Pulp was made of at least five people, at any given moment.

Q: What are your plans for the future?
We are planning to make a video for our new EP: "Get It Here." We also would like to record more songs and put out a third album.

Q: Any parting words?
Please, check out our new EP. It's free to listen and download:

Get It Here" is about the glamour of rock 'n' roll--dancing, daydreaming, making out, acting tough, spilled drinks, musty record stores, dark bars and bright stages, checking somebody out, smoking on the street, the rock 'n' roll scene and the ceremony of rock. The songs are a little bit '60s girl group and a lot bit '70s punk and glam--all about guitar, drums, belting it out--tights and lip gloss, velour, and love.
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Thanks

http://deardarkness1.bandcamp.com/album/get-it-here
https://www.facebook.com/darknessdear

The Red Moon with Dark Narrows - An Interview


Dan Rohaus e Dan Otterbien também conhecidos como Dark Narrows retornam as páginas do TBTCI, depois de sua primeira passagem (leia aqui), por conta de seu mais novo álbum, "Red Moon".

"Red Moon" veio ao mundo em dezesseis de Junho e traz o Dark Narrows de certa maneira mais acessivel, não que o mix frenético de pós punk e new wave tenha perdido a força, pelo contrário, os caras estão mais dançantes e cerebrais mas sempre com aquela aura densa e carregada de tonalidades cinzentas. 

Mais um grande trabalho do poderoso e predileto Dark Narrows.


***** Interview with Dark Narrows *****


Hello Dan, first congratulations on the new album, it's really brilliant.
Q: What is your analysis after conclusion the album? Are you happy with the result?
Thanks Renato for your work on TBTCI and for all the support.

We enjoyed making this album and we think our songwriting has evolved in the process. We are beyond happy with the results.

Q: How was the process of creating "Red Moon”?
Most of the songs were written last summer and were meant to be performed with a live drummer. It took us a long time to find a permanent drummer that didn't want to play other types of music so we decided to go ahead without a drummer rather than delay working on the album. We were not sure how the songs would translate into the new electronic format but everything fell into place after we sorted out the drum and synth parts.

We experimented with a lot of new gear and new processes to get the sound we were looking for. We wanted to add an authentic 80s sound to the songs and we didn't want to use virtual instruments or samples. We used a lot of different drum machines and synths from the 80s on this album (Roland TR-505, TR-606, TR-707, Jupiter 8, Arturia Microbrute, Alesis SR-16, Sequential Circuits MAX, Boss DR-55 & DB-33, and a few others).

We partnered with a good friend Ben Malone on the song "Simple Demands". Ben hosts a radio show out of San Fransisco called "Under The Atlantic" (BFF.fm). Ben is a brilliant lyricist/performer and we really appreciate his work. We think his vocal treatments on this track are high art. Rumor has it he is working on some new material and some other projects and we can't wait to hear it.

We were about to mix the album ourselves when we came in contact with James Aparicio. James mixed one of our favorite recent albums, Spiritualized, Sweet Heart Sweet Light. We have been big fans of Spacemen 3 and Spiritualized for a long time. Out of the last few Spiritualized albums, we think "Sweet Heart Sweet Light" stands out. It is one of those albums that's hard to put a date on if that makes sense. It was great to work with James on this project. James really helped us blend the old with the new and we're thrilled with his work.


Q: What are the main differences between "The Red Moon" and "Dark Narrows”?
Maybe this album is a little more accessible. We knew exactly what we wanted when we set out to make it. Apart from the obvious differences, we think the vocals and lyrics are a bit different. They might be a little more dark to contrast the accessibility.

Q: What were the influences for creating "Red Moon”?
Definitely bands from the 80s like Sisters of Mercy, Depeche Mode, The Cure, OMD, and many others. This album was a great opportunity to try our hands at 80s electro-goth with a few modern twists. We joked that we were creating a new genre called rhythm and goth (R&G). You heard it here first.

Q: What are your plans for 2016?
We just wrapped up filming a video and it should be released in a few weeks. Then we plan to start working on another album. We have some great ideas and we can't wait to get into it.

We would love to do a cover of "Nine While Nine" for a Sisters of Mercy tribute album. Do you know of any labels that want to do a Sisters of Mercy tribute ???

Thanks again to TBTCI and to all of our friends. We appreciate the opportunity to share our music.
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Thanks

https://www.facebook.com/darknarrows/
http://darknarrows.com