quinta-feira, 29 de agosto de 2013

Take Me To The Other Side with 3AM - An Interview


Diretamente do Peru com conexão na Dinamarca via o selo Levitation Records, o debut do 3AM simplesmente chega como um murro bem forte no meio da cara, com o sugestivo nome de Ufo Blues Tapes o disquinho soa como um album perdido do Spacemen 3 ou do Loop ou melhor a fusão de ambos, e vejam bem, isso é algo a se comemorar, porque o 3AM não só presta reverência mas também agride os tímpanos por seus próprios méritos.

Encharcado de distorção e repetição tal qual os mestres ensinaram, o 3AM vai um pouquinho mais fundo, evocando Hawkwind e ai meus amigos, é fritação em níveis altíssimos.

Obviamente que o disquinho virou predileto aqui no TBTCI e recomendo aos fanáticos das chapações em geral.

Pegue sua bebida predileta, coloque em alto e bom som o Ufo Blues Tapes e veja o que o 3AM tem a nos contar.

***** Interview with 3AM *****


Q. When did 3AM starts, tell us about the history...
3AM started a year ago, about a week before went on tour with my other band La Ira de Dios, so the weekend before the tour I recorded this Ufo Blues Tapes and did a raw mix, and leave it there. This year, in january i started to mix it and in april we did our first show in Lima. Right now I'm touring north Europe

Q: Who are your influences?
Suicide, The Stooges, Joy Division, Hawkwind, Kraftwerk, Johnny Cash and tons of 60s garage punks

Q. Made a list of 5 albuns of all time…
In no particular order...
MC5 - Kick out the Jams
Klaus Schulze - Cyborg
Xmal Deutschland - Fetish
Loop - Fade Out
Ash Ra Tempel - S/T

Q. How do you fell playing live?
It's really awesome...enjoy it a lot, and like I said, right now im answering from the road, I'm in Copenhagen in a freeday of the tour. We had 10 shows already and there's 3 more to go to finish this tour and had been an incredible experience.

Q. How do you describe 3AM sounds?
like I said before, it's like Alan Vega and Martin Rev meet Ron Asheton of a very hard-drinking binge, strung out on drugs and deciding to play some Joy Division covers. It’s drone haunted rock’n'roll


Q: Tell us about the process of recording the debut?
Was very relax and with no budget. I recorded with the help of a friend as sound engineer and we recorded the guitars layers in his bedroom and then the vocals at my kitchen, took us a weekend to do it all. The mixing process we did in 4 sessions and that's it. Was a very easy going production.

Q. Which new bands do you recommended?
from Peru, i would say Bang Bang Band Girl, Los Entierros, Gritalobos, Liquidarlo Celuloide...internationally, The Road to Suicide, The Hedgehogs, Narcosatanicos, ET Tumason.

Q: Which bands you love to made a cover version?
In our live shows we do Joy Division's Interzone...would love to do some Siouxie and the Banshees, Malaria!, Link Wray. Stuff like that

Q: What´s the plans for future....
Keep on droning

Q: Any parting words?
Thanks for the interview and support and get the vynil, see ya all
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Thanks Chino!!!!!!

quinta-feira, 22 de agosto de 2013

Super Electric with Summer Aviation - An Interview



Algumas vezes poucos acordes, um pé nos Beach Boys, ou no Stereolab e os dois afundados no Raveonettes é o suficiente pra criar música pop de altíssima qualidade.

É o caso do duo Summer Aviation de Seatlle é pois é a cidade do grunge, nos dá o prazer de conhecer Kevin e Lee ou Summer Aviation, o ep de estréia, Elevator, é uma delicia, fuzzpop de qualidade sem ser enfadanho e pedante, as vezes me lembra Black Tambourines no que diz respeito a simplicidade e na imaturidade, simplesmente viciante, meu amigo Lex Designo do programa Dose Indie na Antena Zero certamente vai delirar, e muito outros fãs do TBTCI, a comecar por mim mesmo, já se deliciou com o Summer Aviation.

Contato imediato através do TBTCI, logicamente que a entrevista não passaria batido, vamos de Lee e Kevin ou Summer Aviation.

***** Interview with Summer Aviation *****


Q. When did Summer Aviation starts, tell us about the history... 
A: Two summers ago, Kevin started playing music again after a long hiatus. He was inspired to play again after getting into the Carpenters and 60s sunshine pop. I started singing with him, and we decided to play music together. After he took me on his introductory flight lesson (he did great, by the way) we settled on the name Summer Aviation. Then we spent the next year practicing (I am still new to this) and writing and rehearsing material. Last year we started playing live shows, and eventually finished recording our EP.

Q: Who are your influences?
A: Roger Nichols & the Small Circle of Friends, My Bloody Valentine, Carpenters, Stereolab, Velvet Underground, Sunshine Company, lots of 4AD stuff, lots of shoegazey stuff... 60s pop, Pink Floyd, Sonic Youth, Beatles, Bacharach. Lots of noise-pop and kraut-rock, atmospheric drones, lots of stuff that may not manifest itself in our EP.

Q. Made a list of 5 albuns of all time…
A: 1. My Bloody Valentine -- Loveless 2. Roger Nichols & the Small Circle of Friends -- self titled 3. Carpenters -- Close to You 4. Stereolab -- Transient Random Noise Bursts With Announcements 5. Ennio Morricone -- Once Upon a Time in the West -- these may not be the best albums ever, just five favorites that made an impact on us.

Q. How do you fell playing alive?
A: We love playing live. It takes a lot of equipment to reproduce our sound, but it's worth it.


Q. How do you describe Summer Aviation sounds?
A: Simple, melodic, fuzz-textured songs with thick arrangements. Electro sunshine fuzz?

Q: Tell us about the process of recording ep?
A: We did it at home on a Tascam 24-track machine. We tried working on a computer, but got frustrated with it and went back to the old-style knobs and sliders.. Kevin does all the music parts. Keys and bass on the EP was recorded with a Korg SV-1 electric piano and Roland SH-101 synthesizer. Guitars are mostly Gibson Les Paul, with a little Jazzmaster in there. Recording everything at home was trial-and-error. We probably do a lot of things the "wrong" way, but feel the positives outweigh the negatives at this point. We felt we could use it to our advantage to have limitations, go for a raw lo-fi sound. It's easier and cheaper to tinker around at home instead of trying to carve stuff out in a real studio... Although it would be nice to use top-notch equipment. Someday maybe!

Q. Which new bands do you recommended?
A: We've been so infatuated with 60s and 70s pop lately, we have no idea about newer bands right now! For the last few years, that's all we've been listening to. It was partially an artistic decision to only listen to old stuff, let the influence sink in. It's still sinking in, hopefully it will show up more on our next recordings.


Q: Which bands you love to made a cover version?
A: We do a Nilsson cover at live shows, we've done Roger Nichols songs. We're planning on covering a Sunshine Company song in the future, for sure... Some others would be Love Generation, Peppermint Rainbow, Zombies, Eternity's Children.

Q: What´s the plans for future....
A: Start recording the next album! We want to learn from the first one, and do better. We're also looking to play more live shows and possibly tour, but we'd have to get our name out a bit more.

Q: Any parting words?
A: We just want to create something beautiful.
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Thanks Kevin and Lee

segunda-feira, 19 de agosto de 2013

Nightime with [aftersun] - An Interview


Stephan Cherkashin (Telltale, Audn) já é um dos grandes nomes aqui nas páginas do TBTCI, e não a toa o cara retorna novamente com seu [aftersun], pos punk, shoegazer em tons negros, vocal que remete a Jaz Coleman do Killing Joke e um instrumental que mescla Chameleons com Moose, ou seja shoegazer e pos punk abracados e simplesmente de modo que a perfeicão do [aftersun] transporta entre o amor e o ódio é explicita nas letras, Stephan C e Adam Humphreys criaram um mundo pessoal onde as almas podem ser confortadas e enlouquecidas, depende do seu estado de espirito.

A discografia desse duo do Brooklyn é por completo fundamental, então vai no link lá embaixo e leia o que eles tem a dizer, porque avisa quem amigo é.

***** Interview with [aftersun] *****



Q. When did [aftersun] starts, tell us about the history...
The band started when Stephan's band Telltale broke up in 2010. He had written several songs that he still wanted to record and he decided to do a solo project called [aftersun]. He recorded and released an EP called Pain Sounds in 2011. Adam and Stephan knew each other from the bar where Stephan bartended. Adam had recently finished an album with the band Denner in 2011 and was looking for a new project. The two decided to work together shortly after that.

Q: Who are your influences?
Adam: I'm still influenced by a lot of classic alternative music from the 80s. Echo and the Bunnymen, New Order, Killing Joke. I also read a lot of existential literature which influences me as well..

Stephan: French cold wave, synth pop, shoegaze, trip hop.

Q. Made a list of 5 albuns of all time…
-Killing Joke - Fire Dances
-Echo and the Bunnymen - Porcupine
-Depeche Mode - Music for the Masses
-My Bloody Valentine - Loveless
-Joy Division - Closer

Q. How do you fell playing alive?
Originally [aftersun] was thought of as a studio project. We had no intention of playing live shows and haven't done one yet. We have received several offers and requests to play live recently and may end up doing some shows later this year.. First we will both need to buy new amps, though, because both of our amps were covered in 10 feet of water in a rehearsal space in downtown Manhattan during hurricane Sandy last year! We would also need to add a few more people to the project to get a good live sound. We're accepting applications..

Q. How do you describe [aftersun] sounds?
Moody, dark, reverby.. It's hard to describe. We prefer people to listen and come to their own conclusions.

Q: Tell us about the process of recording the album?
We both brought a few songs to the project and then we wrote several together in a rehearsal space. The recording process was totally DIY. We got together at each others apartments and recorded using our own equipment. Finding time was always an issue because we both have busy lives with work and relationships needing attention.. Stephan did all of the mixing and mastering himself on a home computer.

Q. Which new bands do you recommended?
We shared a rehearsal space with Dead Leaf Echo for a while and their new album "Thought and Language" is great. Screen Vinyl Image are putting out really good stuff as well. Xeno & Oaklander are great. Kindest Lines. Spirit System. Factory Floor. Replicas. Stargazer Lillies. Vinyl Williams released an EP called "Naked Sanctuary" that's amazing.


Q: Which bands you love to made a cover version?
It's hard to do covers of songs by bands that we love because we love their versions and couldn't improve on them. If we were to do a cover it would probably be of a song that is not related to the style of music that we like. That way we can explore and experiment more..

Q: What´s the plans for future....
We're going to continue recording and hopefully have a new single ready before the end of the year..

Q: Any parting words?
Keep calm and stay sexy.
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Thanks Stephan






terça-feira, 13 de agosto de 2013

A Forest with Schonwald - An Interview


Cold Wave em estado bruto diretamente da Itália para virar prediletos do TBTCI e logicamente do CºLD, assim é o Schonwald, na realidade um duo formado por Luca e Ale, o mais interessante de tudo é os caras fazerem parte do cast da barulhenta Hozac Records, casa de gente como Woven Bones e afins, mas existe uma linha tênue que explica isso, o Schonwald além de exercitar os demônios pessoais através de sua gélida música fortemente influenciada por The Cure, Joy Division e outras máximas da saudade época, o duo definitivamente explicita sua admiracão pela obra prima máxima do wall of sound, logicamente Psychocandy, é só notar em sua influèncias na entrevista cedida ao TBTCI, onde os gentis Luca e Ale abrem todos os detalhes sobre a história e os próximos passos do que o Schowald nos prepara, por hora é mais do que necessário a audicão do 7" Mercurial, eu se fosse você não perderia muito tempo, a não ser que você não esteja preparado para tal.

Por hora, Luca e Ale comandam as páginas do TBTCI.....

***** Interview with Schowald *****


Q When did Schonwald starts, tell us about the history...
Ale: We met way back when Luca was still attending the School of Arts and I was already a musician I used to play in another band. We fell in love and then Luca started to play the guitar after a while he joined me in my band.

Later we decided to create the project Schonwald which is our main project now.

Luca: We started to play as Schonwald in 2008 we are a duo: Alessandra sings and plays the bass guitar and keyboards I play the guitar and the drum machines. A lot of people asked us about the meaning of our name: Schonwald is a german word, it means "already in the forest" but it has a personal connection because it's a variation of my mother's surname, in fact I'm of German descent. We released the first album called Amplified Nature in 2009 on Pocket Heaven Records from Luxembourg. Our debut was in London at "Myogenic Festival" and Amplified Nature has been supported by 4 European tours through Italy, England, France, Switzerland, Luxembourg, Germany.

Ale: Last year we signed with HoZac Records after having written and sent them some new songs. We knew his label from Chicago because we like many bands of their rooster.

A 7" single "Mercurial" has been released last March and we've just come back from the promotional tour. (here the official video http://www.youtube.com/watch?feature=player_detailpage&v=UMJV8E30Uhg )

Q: Who are your influences?
Luca: Our music is inspired by the 80s sound.

We grew up listening to the New York NO WAVE scene and British post punk bands mainly.

Ale: Moreover we live in Ravenna a small town near the sea which is characterized by fog, marshes and swamps.These places especially in winter are very suggestive and riches of gloomy atmospheres. So it's very easy to have inspiration of creating our kind of music.


Q. Made a list of 5 albums of all time…
Suicide - SUICIDE
New Order- MOVEMENT
The Cure - FAITH
The Jesus and Mary Chain - PSYCHOCANDY
Algebra Suicide - THE SECRET LIKE CRAZY

Q. How do you fell playing alive?
Ale: Playing live is one of the most fantastic things in life.

Our live set is a sort of emotional waterfall created by the feelings between me and Luca.

Q. How do you describe Schonwald sounds?
Ale:Schonwald is all about reverberated atmospheres, hypnotic minimalist mood and a noise inclination.

Q: Tell us about the process of recording the songs?
Luca: our creative process starts with composing some patterns on drum machine then we had the keyboard lines followed by guitar, bass guitar and last but not least the voice.

Q. Which new bands do you recommended?
Luca: we love BLACK BUG from Bordeaux they are really cool

and another french band called AVGVST from Paris which we had the pleasure of sharing the stage last April. We also saw NORTH AMERICA for the first time a month ago, they were very interesting.

Q: Which bands you love to made a cover version?
Ale: sometimes it happens that we play live A Forest by The Cure and some years ago we recorded WHO BY FIRE for a tribute to Leonard Cohen. (you can hear it here: http://www.youtube.com/watch?v=K_5OWrlavog )


Q: What´s the plans for future....
Ale: Play more and more!!!

Luca: We are very excited for the release of the new album that will be out early months of 2014 via HoZac Records.

Q: Any parting words?
Luca: KEEP CALM AND LISTEN TO SCHONWALD
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Thanks Luca & Ale

https://www.facebook.com/schonwald.music
http://hozacrecords.com/2013/03/schonwald/
http://soundcloud.com/schonwalder
https://twitter.com/#!/weareschonwald

quinta-feira, 1 de agosto de 2013

Beggars Banquet with Drone Project - An Interview


Enfim após momentos de turbulência máxima que enfim chegaram ao fim, eis que voltamos em 01/08 ao TBTCI, e para voltar com total chapacão, vamos de Drone Project, ou Jean Pierre e seu alucinógeno combo francês de psych moderna, com pitadas de 60´s pra todo lado o ponto é Spacemen 3 com BJM ou BJM com ácido, ou ácido com BJM + mescalina, ou tudo isso junto e misturado.

Album novo chegando porém só pro ano que vem, o Drone Project é daquelas coisas que diríamos simplesmente assim, peace, love and psych, e que paremos por aqui e vamos direto a entrevista.

Amigos, é bom retornar, que venha o Drone Project.

***** Interview with Drone Project *****


Q . When did Drone Project starts, tell us about the history...
Project drone began 2 years ago ( we are 6 ) i am a child of the punk while listening to the punk bands I say:
"me too i can play guitar". drone project is a small presentation and a collection of ideas Who works together to create a hearing space influenced by the 60's.

Q: Who are your influences?
the beginning of the rolling stones, the velvet underground, the doors, the beatles, the stooges,  the west coast psychedelic bands ( jefferson airplane ), the folk ( donovan ), the old chicago & detroit blues.
I like generally the aestheticism musical and visual entousiasme of the 60s.

Q. Made a list of 5 albuns of all time…
The Velvet Underground & Nico - the velvet underground
beggars banquet - the rolling stones
Sgt. Pepper's Lonely Hearts Club Band - beatles
hunky dory - david bowie
the stooges - ths stooges
and more, and more, and more.

Q. How do you fell playing alive?
playing alive is the same thing : a small presentation and a collection of ideas Who works together to create a hearing space in a small architectural frame with people.

Q. How do you describe Drone Project sounds?
The writing of songs is made in a rather spontaneous way On the other hand the search for new sounds is constantly evolving. my guitar is a vox bossman 1968 and my Tube Amplifier is a vibrolux fender FX : delay sib !, fuzz acidfuzz, freeze ehx, banana boost jhs, tremolo empress.


Q: Tell us about the process of recording the songs?
we record the guitars and keys with a beatbox  we finish with the drums, the bass and the voices.

Q. Which new bands do you recommended?
celestial bums
helicon
black market karma
cosmonauts
telescopes
singapore sling
black angels
and more, and more, and more.

Q: Which bands you love to made a cover version?
We play the song "anemone" of the brian jonestown massacre and "heaven" of the talking heads.

Q: What´s the plans for future....
a new album in 2014.

Q: Any parting words?
DRONE PROJECT is extremely persisted and fascinated. it energy and it soul are immediates.

DRONE PROJECT hesitates between the presentation of the talent of the little realistic group who take them too high  - and can frighten most of 'normal' said people - and a wide naivety and idler's reluctance which makes them as all your friends: of funny idler.

DRONE PROJECT is always dissatisfied, their provocative nature is in reality of the self-defence, that is why you should never buy a car and rather to listen to of the rock 'n' roll.

DRONE PROJECT is influenced by the psychedelic music of the 60s, it is described as inflexible and adapts few commercial contingencies.
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Thanks Jean Pierre

https://www.facebook.com/pages/Drone-Project/115372265242669
http://droneproject.bandcamp.com/album/drone-project

terça-feira, 23 de julho de 2013

A Spy in The House of Love with Drakes Hotel - An Interview

 

O TBTCI e sua incansável busca pelo pop perfeito parece que finalmente concretizou sua missão.

Drakes Hotel, pense em Chameleons, House of Love, Go-Betweens, Smiths, Teardrop Explodes e você terá a receita que o Drakes Hotel ou Amy e Chris nos prepararam para a seducão completa.

Simplesmente vá atrás de toda a discografia e deixe-se apaixonar pelo Drakes Hotel, e por hora veja e saiba mais sobre essa pérola.

***** Interview with Drakes Hotel *****


Q. When did Drakes Hotel starts, tell us about the history...
1. The band started when we met in a record store in Santa Cruz, California where Chris worked. Knowing we wanted to make music together we got engaged, moved to Seattle and started recording. We put out our first self recorded CD in 2004 titled Chains for Two. We've moved around quite a bit over the years going from Seattle to Omaha to Portland and back to Omaha where we've settled in. In that time we've put out a record on Reverb Records called Tell Me Everything in 2007, and followed it with two self released albums- Sparks that March in 2009 and Logic Adopts Senses in 2011.

Q: Who are your influences?
2. It's kind of hard to say. Chris loves everything from Chameleons, The Smiths, Teardrop Explodes, Psychedelic Furs and Killing Joke to the Cars. Amy likes Metric, Interpol, The Go-Go's, New Order and The Horrors. We're not sure how much of the music we like translates to our music.

Q. Made a list of 5 albuns of all time…
3. Chris: House of Love-Self Titled Butterfly Album, Psychedelic Furs-Forever Now, The Teardrop Exploders-Wilder, The Smiths-Self Titled, Killing Joke-First Self Titled

Amy: Interpol-Antics, Metric-Fantasies, The Cure-Disintegration, The Horrors-Skying, The Go-Go's-Beauty and The Beat

Q. How do you fell playing alive?
4. We love recreating our songs live as a duo. We love playing loud and surprising people with the scope of our sound.

Q. How do you describe Drakes Hotel sounds?
5. We're guitar focused with touches of retro electronics. We've been described as everything from Post Punk and Shoegaze to New Wave and Dance Rock.

Q: Tell us about the process of recording the songs?
6. We have our own studio and it's a creative space where we can go in at any time and lay down tracks. We usually decide to put out a record when the backlog of songs gets too big.


Q. Which new bands do you recommended?
7. Current Bands in rotation:
Chris: I'm listening to Crocodiles (San Diego), New Canyons (Chicago), The Microdance (London). The new Boards of Canada is cool

Amy: Houses, The Perishers (Sweden), Alpine (Australia), Soley (Iceland)

Q: Which bands you love to made a cover version?
8. At practice we do, "Just Like Honey" by Jesus and Mary Chain, "Christine" by House of Love, "Killing Moon" by Echo and the Bunnymen and "Metro" by Berlin. We have fun with covers in practice but don't have space in our set when we play out.

Q: What´s the plans for future....
9. We're getting ready to release our next cd by the end of August and if all goes well we hope to release an EP every few months for the next year. We're gearing up to start playing live this fall and plan to throughout the year with a longer tour next summer.

Q: Any parting words?
10. Thank you for the opportunity to talk to you and we hope to see you out on the road sometime.

All The Best,
Amy and Chris
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Thanks Amy/Chris

segunda-feira, 22 de julho de 2013

Players for Rain with Lenorable - An Interview



O lado sombrio e escuro do TBTCI sempre esteve visível, misturado as dissonâncias dos wall of sounds, as trippy sounds, mas a cold wave sempre esteve presente, e agora pra reforcar a tendência, Lenorable um duo de Washington DC, Ian e Lisa, pegam todas as vertentes que o TBTCI aborda e condensam em sua vertente mais densa, soturna e minimal.

O novíssimo Disconnect é um mix de shoegazer, minimal, cold wave e psicodelia totalmente voltado as sombras, um daquelas epzinhos que fica em looping na cabeca.

Simplesmente altamente recomendado, e pra ilustrar, como de praxe, o TBTCI convidou o Lenorable pra uma entrevista que saiu melhor do que a encomenda.

***** Interview with Lenorable *****


Q. When did Lenorable starts, tell us about the history...
Lisa and I started making music together in the summer of 2010. It took us a while to find the right sound -- there are some videos our friends and fans put on YouTube that show some of our first shows, chronicling the growing pains. We had no idea what we were doing. It was a lot of fun, trying new sounds and learning to use and play along with a drum machine. After maybe a year, we started to use synthesizers and the music got darker and more intense. That's what you hear on some of our demos online and on The Prince EP, which we recorded in 2011 and self-released (with help from our fans and Kickstarter) on vinyl in 2012. A sort of growing darkness.

Q: Who are your influences?
We're both big fans of the Cure, Joy Division, Clan of Xymox, Siouxsie, Bauhaus, Echo and the Bunnymen, a lot of those classic goth and post-punk bands. Screen Vinyl Image is a big influence locally and otherwise. I've been listening to a lot of coldwave, bands like Xeno and Oaklander, Eleven Pond, KaS Product, OTO. The French are really good at electronic music.

Q. Made a list of 5 albums of all time…
In no particular order:
- Beatles Revolver
- MBV's Loveless
- Joy Division's Closer
- The Cure's Disintegration
- Beach Boys' Pet Sounds

Q. How do you fell playing alive?
Playing live is one of my favorite things. I'm definitely a shoegazer, I sort of fall into my own little world for each song, staring at the floor and spacing out. If I'm not careful, I'll forget where I am and miss a chord change or step on the wrong pedal. There's kind of a hypnotic, psychedelic element to our live performance, at least for me.

Q. How do you describe Lenorable sounds?
Goth/gaze, darkgaze and deathgaze are all terms we've used. The guitar sounds are very goth-meets-shoegaze. Cold, sharp, but very big and noisy. We keep the electronics sparse -- heavy bass, synths ranging from ghostly ethereal sounds to icy stabbing sounds to walls of noise. But Lisa's vocals really define our sound. Her lyrics and singing give the songs some urgency. She adds the drama and tension.

Q: Tell us about the process of recording Disconnect?
Disconnect was definitely a process. It's the first EP we recorded on our own. Originally we had planned to only release a single, for Halloween 2012. Then we wrote a new song. Then we wanted to record another song. Then we wanted to have some friends do remixes. Then Halloween 2012 became spring 2013, which became summer 2013, and here we are.

Recording was pretty painless, but we did a lot of pre- and post-production. Had we been paying for a studio by the hour, we probably could have recorded most of the vocals, synths and guitars in a day, maybe two.

We spent a lot of time mixing, trying different effects, tweaking arrangements. I spent a lot of time experimenting with guitar sounds, both live and with modeling software, trying to match what I play on stage with what would work on a recording. I'm glad technology has evolved to where it is, because Ableton Live makes my life so easy once everything is tracked.

We were also touring and playing live a lot, so recording sessions were few and far between. I try not to rush things, but I also know that spending too much time on something can make you crazy. Disconnect took a lot of time (our first songs were recorded last fall), it was a very deliberate, relaxed process.


Q. Which new bands do you recommended?
There's a lot of good, dark music coming from Washington, DC right now. Pleasure Curses, Technophobia, Motion Lines, No Paris. Of course, Screen Vinyl Image, they're great. I just saw Ars Phoenix for the first time a few weeks ago, they were very good. Last Remaining Pinnacle was amazing live, too. I haven't seen Glitterlust live yet, but I want to. I've only seen pictures and their stage show looks wild.

Q: Which bands you love to made a cover version?
It's safe to say we have a pretty unique sound, and I love taking other bands' songs and making them our own. We've covered A Forest, by the Cure (there's avideo from a fan on YouTube that's pretty good). For Halloween 2011, we covered Bela Lugosi's Dead. A Forest and Bela Lugosi's dead are fun to play, but they aren't that far off soundwise from where we are. It's more fun for me to take a song from a completely different genre and make it ours. We recorded a cover version of Wham!s "Last Christmas," I think it turned out well. People have told me they can't listen to it in the house because their girlfriend says it's too scary for Christmas music.

On Disconnect, we recorded a version of In Heaven, Everything is Fine, from the movie Eraserhead. I'd like to cover "I'm Waiting Here," the new David Lynch/Lykke Li track. That one would be fun.

Q: What´s the plans for future....
We have some remixes for Pleasure Curses and Glitterlust that we've been working on, those should be done in a few weeks.
We have a few shows left this summer. We'll be at the Elephant Talk Indie Music Fest in Atlantic City, New Jersey, August 4. After that we're playing with Technophobia for their live debut, August 17 at Black Cat in DC. I think this fall we'll start working on a new single or EP. Book some shows and hit the road a bit. Hopefully a Halloween show, those are always fun.

Q: Any parting words?
I want to say thanks to my lovely wife and bandmate Lisa, for putting up with all of the stress she didn't know she'd be facing when I said "Hey let's be a band!" Thanks to all of the bands I've mentioned, our friends and fans, and our family for their support as we've evolved into the band we are today. You know who you are.
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Thanks Ian!!

https://www.facebook.com/lenorable?fref=ts
http://music.lenorable.net/

quarta-feira, 3 de julho de 2013

The Ghost In You with Prevrat - An Interview


Dreampop, synths, ambiência 80´s com roupagem moderna, este é o Prevrat que apresenta Symbols lancando em Abril deste ano e que chega ao TBTCI através de contatos imediatos através das redes sociais, um debut brilhante e delicioso pra se ouvir cuidadosamente, saboreando cada elemento contido na obra.

Talvez um dos melhores albuns de dreampop lancando até então neste grande 2013.

E obviamente que o TBTCI apresenta em primeira mão quem, e o que é o Prevrat, deixe-se seduzir.

***** Interview with Prevrat *****


Q. When did Prevrat starts, tell us about the history...
I started working on music again in 2008, after a break of some years with school getting a PhD in physics and getting a job going. It took me quite a while to get my songwriting and playing skills back up to where I was happy with them. Released my debut album as Prevrat, titled "Intelligent Discontent" in March of 2012 to modest reception. My sophomore album Symbols was released on April 9th this year and it has really made me happy with how it has been received. Has been featured by over 30 blogs and that is continuing to grow.

Q: Who are your influences?
My influences are many and varied. They include the Velvet Underground, XTC, Ultravox, The Psychedelic Furs, The Jam, The Clash and Brian Eno.

Q. Made a list of 5 albuns of all time…
In order of when they were released it would be:
The Beatles - Yesterday and Today
Jimi Hendrix - Are You Experienced
Velvet Underground - White Light White Heat
The Clash - London Calling
The Decemberists - Crane Wife

Q. How do you fell playing alive?
I love to perform live and have a pretty cool show. Half my show is electronic based and half is guitar based. Use samples from my recordings to get a full band sound and have very cool lighting from behind with many beams going all over the place. Have a 50 inch video screen in front of my electronics table showing incredible computer graphics.

Q. How do you describe Prevrat sounds?
My music is a blend of influences from electronic, post-punk and new wave that is woven into songs ranging from synthpop to indie rock.

Q: Tell us about the process of recording the songs?
I have a fully equipped Protools studio in my house and do all my recording there. I have seven guitars, four synthesizers and lots of outboard gear. I write my material in the studio and having unlimited time makes it a very organic process. Just a wonderful creative luxury.

Q. Which new bands do you recommended?
I'm glad you asked this. There are two Brazilian artists I like quite a lot, The Sorry Shop and Gimu. I also really like Can Can from Ecuador and I Am Genko who is from Lima, Peru. I would encourage your readers to check these artists out on their Bandcamp pages.


Q: Which bands you love to made a cover version?
While there have been some covers I really like, for myself it is just not something I want to do. I also don't sample other people's music and I'm not into remixes. Just a personal thing. For me creating music is a very intimate experience and there is still stuff inside me I want to get out. Maybe if I hit a time where my writing hits a wall I'll think about doing a cover. For now though it's just not something I find compelling.

Q: What´s the plans for future?
Am doing some touring to support "Symbols" and I have also started working on my next album, but that won't be released for a year. I operate a small indie label, Russian Winter Records and that takes some time to nurture. Have signed a great post-rock cellist, David Downing, and we are preparing his debut album for release in early July.

Q: Any parting words?
A big thank you to Renato and The Blog That Celebrates Itself for the opportunity to let your readers get to know me and my music. Até mais ver .
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Thanks Ric

terça-feira, 2 de julho de 2013

Insect Guide with Suzy Blu - An Interview


Sem muito blá blá, o Insect Guide simplesmente despontou há alguns anos atrás como um dos prediletos deste que vos escreve, vocais sexies, guitarras barulhentas, ambientacão dark, um verdadeiro pout pourri para admiradores do shoegazer e pos punk, mas simplesmente sumiram, desapareceram e ficamos orfãos.

Mas, eis que Miss Suzy retorna com seu mais novo projeto, Suzy Blu, menos barulhento, mais dancante e tã o sexy quanto o Insect Guide, agora Miss Su vem mais provocante, mas não se engane o barulho que a garota faz continua sedutor.

Leia e apaixone-se

***** Interview with Suzy Blu *****



Q. When did Suzy Blu, tell us about the history...
I think I've always been SuzyBlu! Whatever band I play in and whoever else I work with and whatever style of music I need to make, I am always me. my style shifts and adapts based on what is happening in my life and to the people around me. My world is really important to me and I find other people very interesting to write about. I love the way they interact with each other and the relationships they have with me so writing music and poetry to reflect that is the only way that I know how to express all of those stories and emotions and passions. With this Suzy Blu stuff I'm really enjoying making good dark electronic pop music...I'm not sure what that says about my world at the moment!

Q: Who are your influences?
Like most artists I've got broad tastes. I find it difficult to believe that you could possible be creative if you're narrow minded. Musically the things I've listened to in the past week are Sonic Youth, Team Ghost, Leonard Cohen, OMD, Cyprus Hill, Blondie, Pink Floyd...that will all change next week though!
My current reading is 'Careless People' by Sarah Churchwell, 'Birdsong' by Sebastian Faulks and I dip in and out of the writings of Dorothy Parker constantly.

Q. Make a list of 5 albums of all time…
No! I can't do that. It's too difficult. I've been raised around music, my dad collects music and we have a room in my parents' house called the Record Room where there is nothing but music, so for me I've always been surrounded by songs and albums. To narrow it down to five albums would be far too difficult for me! I would be filled with regret the second I listed anything.

Q. How do you feel playing live?
Playing live is such a thrilling part of making music! Songs change over time when you play live and take on a bit of a life of their own. Naturally the expression of songs changes as our lives change and thats exciting. Plus there's nothing better than getting out there, nice and close to the audience, sometimes too close!

Q. How do you describe Suzy Blu sounds?
Electronic dark pop gaze music? I tend to let other people decide what it sounds like..unless they're wrong! Then I'm mortally offended. I can be very difficult!

Q: Tell us about the process of recording songs?
For me it starts with a poem and an expression and someone's story. Stan and I write the songs together. We hole up in a room and make sounds till we're happy and excited. If we're not excited then we write something else.


Q. Which new bands do you recommended?
Team Ghost from Paris. They play amazing songs and when we supported them live in Leeds they played a drum machine with so much passion it made me want to get on stage and join in (don't worry I didn't!).

Q: Which band would you love to made a cover version of?
We recently did a cover of Last Night by the Strokes because we were playing a tour on the East Coast of America and we wanted to pay tribute to a song and a moment in history. We play it differently to them but that's an accident! It was a lot if fun playing it live on tour and it's a nice moment when an audience suddenly recognises that you're doing a cover version.
http://suzyblu.bandcamp.com/track/last-night-2

Q: What´s the plans for future....
I want to play lots of gigs all over the world and spend lots of nights writing songs with Stan whilst we drink rum and my dog runs around us. I'd like a new drum machine as well (not a hint!)

Q: Any parting words?
Now I'm going to play music you can dance to...and you should.
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Thanks

http://suzyblu.tumblr.com
http://youtu.be/ELPntLFpfVs
http://suzyblu.bandcamp.com

quarta-feira, 19 de junho de 2013

Grauzone with Jinko Vilova - An Interview


O tal do resgaste do pós punk tem gerado bons frutos, grandes promessas, bandas e mais bandas que ficaram trancafiadas durante sua adolescência ouvindo Joy Division, The Cure e outras e agora vem dar boas vindas ao mundo, com o ar gélido e denso de outrora, porém boa parte cai numa enorme armadilha, ficar a mercê de suas próprias referências e sucumbem-se facilmente geralmente já no seus segundos trabalhos.

Mas, na contramão desse filão todo o TBTCI deu de cara com Jinko Vilova diretamente de Barcelona, Espanha, os caras possuem as mesmas referências só que com um enorme e perigoso detalhe, o kraut esta inserido dentro do contexto, o art punk idem, e a cold wave que mesmo na época que era moda houveram algumas bandas que jamais cairam no gosto do público, como Grauzone, The Sound, Trop Tard dentre outros, e essas meus caros, essas bandas eram perigosas, tal qual Ian Curtis o era, mas Curtis se foi, e a obra do Joy todos conhecem de cabo a rabo, agora um Grauzone é algo desconhecido, e é ai que o Jinko Vilova vem, Gasoline, Nasty, abrem o seu debut, um EP daqueles que nos jogam diretamente ao submundo daquela época, mas veja, estamos em 2013, daí o troco fica mais perigoso.

O Jinko Vilova virou objeto de culto aqui no TBTCI e aos iniciados deverá surtir o mesmo efeito.

Fiquem com os caras.

***** Interview with Jinko Vilova *****

Q: When did Jinko Vilova start? tell us about the history
JV: Jinko Vilova started in 2010 as a band with some clear ideas about how to make music.

We all came from other projects and we wanted to try to make a band without established roles. All of us have a microphone to sing. We try all the ideas that we individually have and if someone in the band doesn’t like something he has the right to cancel an idea or change it.

The creative method comes from improvisation and the recording of all the rehearsals. Then we listen to it, we choose which are the best ideas and we build the songs from there.

Until 2012, we’ve been rehearsing and recording ideas just for fun. That year we decided to make an album and to perform more gigs.


Q: Who are your influences?
JV: Individually all we have different influences and bands that we like and we could say a lot, anyway there are some that we all love like Can, Neu!, The Velvet Underground, Television, Einsturzende Neubauten, Black Sabath, P.I.L., Sex Pistols, The Stooges, MC5, Joy Division, Caribou, Dead Skeletons and a lot more.


Q. Make a list of 5 albums of all time…
JV:
The Stooges: Funhouse
Can: Delay
The Velvet Underground: White Light/White heat
Joy Division: Closer
Neu!: Neu!


Q. How do you feel playing alive?
On trance, flying, like in a trip. It’s a great experience and it’s really special when you receive good feedback from the public and you feel that the trip you’re having is contagious.

We also really enjoy making friendship with musicians from other bands with which we play.

Q. How do you describe JV sounds?
Raw, psychedelic, direct and hypnotic.


Q: Tell us about the process of recording the new album?
We’ve made a preproduction of the album during 4 months. Then we recorded in 2 days at a friend’s studio (Wheel Sound Studio) with not too much money. All the music was recorded live in the same stage without metronome and the voices were recorded after. With the mixing process and the mastering it finally all together took 4 days.

After a year, the album has just been released since the 27th of may with our own DIY label Tomasito Records.


Q. Which new bands do you recommend?
We like some local bands that we really recommend like Guerrera, Cuzo, Cabalgata Cosmica, Za!, Celestial Bums and Guerra Despues de La Fiesta.


Q: Which bands would you love to make a cover version?
We really prefer to create our own songs and we never make covers. Anyway if we have to choose one song right now we would choose Eisbaer from Grauzone.

Q: What are your future plans....
Enjoy making music, make as many gigs as we can, compose new songs and release a new album.

We have a lot more to show and the first album is just a small part of all the ideas we have. So we need to keep up the work in the band and carry on growing together.

Q: Any parting words?
Support the local bands that you like.
Thank you very much for the interview Renato!
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Thanks Guys

https://www.facebook.com/JinkoVilovaBand
http://jinkovilova.bandcamp.com/

segunda-feira, 17 de junho de 2013

Scatology with Ceticências




Alguns artistas são intimamente perturbados, suas mentes são basicamente sombrias e sarcásticas, não obstante é característico a esses gênios minimalistas a alcunha de psicóticos ou algo que o valha, o ponto é que usualmente eles nascem, crescem, chocam e somem, deixando rastros a serem compreendidos muitas vezes tardiamente.

Cadu Tenório é um carioca pacato (será!?!?) eu prefiro crer que sim, pelo menos comigo ele é, agora eu também não vou querer estar próximo quando Mr. Tenório proferir atos insanos, prefiro me centrar com o TBTCI a suas obras, Sobre a Máquina é a mais sabida e conhecida do cara, mas é impossível, veja impossível no sentido de que o cara não tem como ficar somente, e este somente é coisa pra caralho, dentro do universo do Sobre a Máquina, que diga-se de passagem ira abrir o show no Rio de Janeiro do The KVB, mas aqui é hora de Cadu mostrar via, TBTCI o que é seu alter ego chamado Ceticências, muitos podem qualificar com o pejorativo atributo de MTB, leia-se Música Torta Brasileira, o que eu sinceramente acho mediocre, Ceticências em sua totalidade, veja a obra, Issamu Minami, pega os devaneios de Cadu, alicercado por influências de prediletos da dissonância esquizofrênica vide, Coil, Nurse With Wound, Foetus e outros maníacos musicais.

Eu, jamais me dou a críticas ou resenhas usuais, mesmo porque o TBTCI não serve pra tal, aqui, o espaco é puramente do artista e de sua obra, mas uma coisa é certa, nada do que perpetua essas páginas é menos do que sensacional, e no caso do Ceticências, Issamu Minami é surreal.

Pedi a Cadu, que desse uma dissecada em sua obra para que todos possam entender, compreender do que se trata, e veja, certamente muitos não irão entender bulhufas, mas sugiro ao menos tentar mesmo estando anos luz ao que chamamos de música.


Issamu Minami por Cadú Tenório

Issamu Minami foi gravado sem pressa entre os últimos meses de 2012 e o primeiro semestre de 2013. Com algumas pausas no meio do processo por motivos de força maior e de outros projetos que estavam em andamento antes dele ser pensado. O disco foi gravado em três locais diferentes por questões de necessidade também. Começou a ser produzido no quarto 301, o antigo homestudio localizado no quarto do apartamento em que eu morava, e onde nasceram quase todas as produções do Sobre a Máquina, VICTIM! e todos os meus outros projetos.


Houve uma pausa por conta da minha mudança para a Merck, mais precisamente para a sala do apartamento onde residem Emygdio e Ricardo, o mesmo cômodo que abriga o homestudio onde foram gravadas uns meses antes as sessões ao vivo, ou cerca de 70% das gravações, do disco homônimo do Sobre a Máquina. Foi um momento bem peculiar de introspecção, os últimos três meses de 2012, eu entrei de certa forma numa espiral pra baixo que acabou me influenciando a gravar o "Lacuna" do VICTIM! que considero o meu disco mais pessoal até hoje, o processo começava na ida para o trabalho onde com meu gravador de fita gravava tudo que achava interessante, e na volta quando resolvia aplicar aquilo aos sons... De qualquer forma aquilo durou cerca de três meses. Me senti relaxado pra rever os projetos do Issamu Minami durante uma folga ou outra nos fins de semana, e certas pesquisas que fiz em pra captar timbres para o "Lacuna" me inspiraram a coletar os elementos para os beats, nisso foram captadas inúmeras fontes para o "Issamu Minami" desde o som de gavetas e armários até rangidos de porta velha, diferentes objetos de aluminio e aço, tudo que conseguia encontrar dentro daquele ambiente que produzisse sons metalizados, de raios de roda de bicicleta à carcaça da máquina de lavar e fogão. Com exceção dos bumbos, da drummachine alesis que tenho, todo o resto dentro dos beats do disco foi produzido a partir da captação dos objetos.

O disco sofreu mais uma pausa em seu processo quando consegui alugar meu apartamento, toda a mudança e arrumação, até ter novamente um homestudio dentro do meu novo espaço. Gravei as últimas coisas do disco aqui, encorajado pela Paloma que por sinal participa em uma das linhas de synth da faixa With Gloves.

Produzido, composto e gravado por Cadu Tenório.
Masterizado por Emygdio.
Capa de Ricardo Gameiro.



https://www.facebook.com/Ceticencias?fref=ts
http://ceticencias.bandcamp.com/

quarta-feira, 12 de junho de 2013

Losing Touch With My Mind with Huge Rat Attacks - An Interview


Organic Babies é o segundo album do ruidoso Huge Rat Attacks, e infinitamente mais fodão que o primeiro Cougars de 2005, os caras pegaram Sabbath, Bardo Pond, Spacemen 3 e Meat Puppets e aumentaram os amps pra fazer uma barulheira poderosa e altamente viciante.

Explicitamente Organic Babies poderia muito bem penetrar nas college radios e chegar ao grande público, mas os caras meio que estão na contramão da música atual, uma pena, porque o Huge Rat Attacks é uma bandaca, mas o TBTCI acredita que viverão no submundo.

Mas a dica é, descole o album e mande ver junto com o que os caras tem a dizer nas linhas abaixo.

***** Interview with Huge Rat Attacks *****


Q. When did Huge Rat Attacks starts, tell us about the history...
Jason: Justin and I started the band in 2002 just jamming in his bedroom at my parent's house when he still lived at home. We recorded a two song demo and were searching for other members. Casey wanted to join the band. He was an old friend of ours, we had both known him since High School, but I said he could only join the band if we could use his band name "Huge Rat Attacks".

Q: Who are your influences?
Jason: Black Sabbath, Liars, and I have to admit some bands that I listened to in High School still influence me a lot like the thick guitars of Smashing Pumpkins and Starflyer 59. I also have just started to get into Nirvana lately. I'm kinda late on that boat...

Q. Made a list of 5 albuns of all time…
Jason: My faves that have lasted a while aren't obscure by any means.

Black Sabbath "Vol 4"
Brian Eno "Here Come the Warm Jets"
Spaceman 3 "Taking Drugs to Make Music to Take Drugs To"
Iggy Pop "Lust for Life"
Liars "Drums Not Dead"

Q. How do you fell playing alive?
Jason: I've always preferred recording. I really like the control you have over the sound in the studio and all the subtly that can be added, which gets lost in live shows. Though, live we have been told that we have a giant wall of sound. We're also pretty loud.

Q. How do you describe Huge Rat Attacks sounds?
Jason: We have a pretty thick sound. I feel like we have a good sense of audible space. I like to think of our guitars as lasers buzzing through, zapping the song. Maybe that's why I mention lasers so much in my lyrics. There are some some subtle, eery or creepy elements to our sound, but most of it has a kind of black sabbath feel with some elements of grunge. Lately we have embraced the idea that things can be simple at times. When we try to make things too complicated, the vibe can just kind of get lost and lose focus.


Q: Tell us about the process of recording the album?
Jason: The album was written over time in a lot of different ways. Some were parts that I came up with at home and recorded. Some Jon had come up with at home. A lot were also parts that we just jammed on all together. We record quite a bit at our space during practice, and that has really helped us with writing. I think a lot of bands do that now. We have a communal computer brain to help remember what we have done.

Q. Which new bands do you recommended?
Jason: Heavy Deeds is pretty sweet. They're from Minneapolis too. Kinda have a Fleetwood Mac vibe to them.

Q: Which bands you love to made a cover version?
Jason: We've never covered anything before for some reason. I always wanted to cover Iggy Pop "Some Weird Sin" in a super slowed down version. We've joked about covering a lot of songs, but never do. Well, usually they're Jon's ideas.

Q: What´s the plans for future....
Jason: Keep recording. Keep writing at the space. Use the money we make from shows and selling this record to do short recording sessions as we have the money and songs to record.

Q: Any parting words
Jason: You should buy our album. Seriously, it's cool!
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Thanks guys

segunda-feira, 10 de junho de 2013

A Kiss In The Dreamshouse with Beste - An Interview



Pós punk, shoegazer, dark, tudo isso com extremo, digo extremo apelo sensual, as vezes etéreo, por outras denso e caótico, mas tudo altamente sexy e mântrico, assim é Beste, ou Jami e Den.

A música do Beste é para poucos porque primeiro existem pouquíssimas informacões sobre eles, e a melhor forma para o TBTCI foi entrevistar Jami, para poder chegar a conclusão que Beste, certamente vai permear seus sonhos mais secretos, sejam perversos, sexys, ou ambos ao mesmo tempo, e Jami facilita as coisas pra todos nós visualmente falando, se é que você me entende.

***** Interview with Beste *****




Q. When did Beste starts, tell us about the history...
Beste started on Halloween of 2007 with a friend invitation on MySpace from Denn Campbell in Blandford Forum England, an ocean away from me here in the states. He is a producer/multi-instrumentalist and he had songs but was looking for someone to do lyrics and vocals on. He heard my folk music so he wrote me. I liked what he sent me so I went into the studio to record a few demos. 3 months later I had a home studio set up in my kitchen and we were on a writing recording spree. I would stay up late every night recording vocal tracks under the glow of Christmas lights with a bottle of wine. It was like magic. I went over to England in March, and we fell in love. Then I went back in May for a full UK tour. It was our first tour and we booked it ourselves. It was a lot of effort but worth it.

Q: Who are your influences?
Black Rebel Motorcycle Club, Siousxie and the Banshees, Queens of the Stone Age, The Black Angels, Curve, Lush, My Bloody Valentine, ya know mainly the shoegazer , neo-psychedelic and post-punk genres.

Q. Made a list of 5 albuns of all time…
1. Queens of the Stone Age- Lullabies to Paralyze
2. Siouxsie and the Banshees-Peek A Boo
3. The Smiths-Meat is Murder
4. Lush-Gala
5. Black Rebel Motorcycle Club- B.R.M.C.

Q. How do you fell playing alive?
I LOVE playing live. It is my passion and I thrive on it. When I go on stage I go into a hypnotic trance. I am a practicing Santera, so I always invite my spirits to join me and even sing through me. What I love most about playing live is the exchange with the audience. It’s like an exchange of energy back and forth.

Q. How do you describe Beste sounds?
Dark, sexy, ethereal, sometimes sad, it has a strange element that is hard to pinpoint, otherworldly.


Q: Tell us about the process of recording the album?
Denn records all the music in England. Then he sends me the track. I then record the vocal tracks and send them back to him and he does all the mixing and mastering. Our process is simple. We use a Line 6 tone port as our audio interface and Cubase for the recording, mixing and mastering.

Q. Which new bands do you recommended?
Definitely Christian Bland and the Revelators. I also really like Beach House and I LOVE Moon Duo.

Q: Which bands you love to made a cover version?
I would love to really have a great conversation with The Velvet Undergound and Nico actually but I’d be happy to hang out with the Black Angels or Queens of the Stone Age.

Q: What´s the plans for future....
I’m currently in a new psychedelic band that is now writing and rehearsing called the Antique Fog Café that spawned out of my own solo acoustic project. As for Beste, we do have new material and we are in the process of recording. Hopefully we’ll be releasing a new album within the next year so stayed tuned!

Q: Any parting words?
It’s always darkest before the dawn.
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Thanks Jamie

https://www.facebook.com/93BESTE93
https://www.facebook.com/93BESTE93/app_2405167945

quarta-feira, 5 de junho de 2013

Fascination Streets with Wonky Doll and The Echo - An Interview


Eis que a Grécia aterriza no TBTCI através do combo pós punk Wonky Doll and The Echo, uma surpresa extremamente prazerosa.

Pleasant Thoughts é o debut dos caras, e mostra uma elegância que me remeteu diretamente a grandes bandas dos 80´s como Psychedelic Furs, The Cure e Lloyd Cole, com uma roupagem atualizada, o debut impressiona, mas o que impressiona é os caras já terem aberto pra gente do clibre de Xymox e Frozen Autumn.

O contato deo WDATE com o TBTCI aconteceu inusitadamente e de cara não podia deixar escapar de apresentar a banda através dos próprios, vamos de Wonky Doll and Echo então.

***** Interview with Wonky Doll and The Echo ******


1. When did Wonky Doll and the Echo start, tell us about the history...
George Lemons: Wonky Doll and the Echo were formed in 2010 when YIOS (plays the bass) and me created a few songs we actually liked, hence we decided to form a band. By that time we met Kostas, whose part is to play the synth and occasionally the guitar. That is when we started playing with the help of a drum machine and this is how we first performed live on December 2010. However, we decided that we preferred a more solid, strong sound which could be formed with the addition of the drums. This is how we found Octapus, who proved himself really capable of performing the quite demanding drumming samples we used to have. After a while we became a solid team all four of us.

2. Who are your influences?
George Lemons: We are inspired by the late 70s and 80s underground scene, but we also got references from even more back in time, such as David Bowie or Velvet Underground, or the first electronic sounds in the 70's (like Kraftwerk) or surf sounds from the early 60s and rock 'n' roll. You can also add the more popular 90's indie scene and today's shoegaze and alternative scene, so as you can imagine, there is a lot of diversity in our sounds, which is obvious in our work as well.

3. Make a list of 5 albums of all time…
George Lemons: I change this list every day. Today, my top 5 albums are: Dead Can Dance (by Dead Can Dance), Music for the Masses (by Depeche Mode), The Velvet Underground & Nico, Idiot (by Iggy Pop) and Low (by David Bowie).

Kostas Antonakoglou: A lot of albums deserve a place in that list, but here it is: Wish you were here (by Pink Floyd), The Doors (by The Doors), Closer (by Joy Division), Exit (by Tangerine Dream) and Coltrane's Sound (by John Coltrane).

Octapus: This is a list of albums I love listening from start to finish: Another perfect day (by Motorhead), Calling Card (by Rory Gallagher), Blade Runner (by Vangelis), Outlandos d'Amour (by The Police) and Remain in Light (by Talking Heads).

YIOS: Here is my list: Dark Side Of The Moon (by Pink Floyd), Man Machine (by Kraftwerk), Pornography (by The Cure), Ashes (by Christian Death) and Telson (by Stereo Nova)

4. How do you feel playing live?
Octapus: Actually this may seem a little strange, but I actually feel like I become invincible just to find this secret door to unlock it. As soon as I get in everything starts to float, so, space and time are irrelevant to me. Of course when I stop playing everything comes to normal, but the greatest part is that I can do that again.

YIOS: A mixture of feelings seizes me. I always have a little stress, which goes away on the very first seconds of our first song. I like to observe the audience while playing. The way they listen to us or dancing sometimes, excites even more. Every time we play our last song, I always say "I wanna play more".

5. How do you describe Wonky Doll and the Echo's sounds?
George Lemons: Ethereal guitars, fuzzy bass lines, atmospheric synths,catchy rythms and lots of echo.

6. Tell us about the process of recording the album?
YIOS: We had decided that "Pleasant thoughts" would be “our child" in all levels. So, we are talking about a DIY production. It was recorded at George's house, and to be more specific, in his bedroom. We customized the room to meet our needs. It was crucial that we had all necessary equipment. We spent several hours each day over the two months that the whole process lasted. I think the hardest part was the production, which was mainly made by me and George, but the result is what we really wanted from the start.


7. Which new bands do you recommend?
Kostas: The names that pop out in my mind right now are Tamaryn, Savages, The Soft Moon, No Joy and Miyazaki. They all have cool songs.

8. Which bands you'd love to make a cover version?
YIOS: That's a tough one. Making a cover of a favourite song is tricky. You need to adapt your own sound to the particular song. That's what makes a good cover, in my opinion. Nevertheless, I'm not against trying such a thing.

9. What are your plans for the future?
Kostas: The truth is that we love doing gigs. We always try to have a full schedule and we can't wait to start touring. We hope we'll have the chance to do it soon. There are a lot of unreleased songs in our hard disks, old and new, and we are about to start making a new demo. You can always learn our news on our website and our social newtwork pages.

10. Any parting words?
Wonky Doll and the Echo: We hope you'll enjoy our new music video...Take care!
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Thanks Guys

http://wonkydollandtheecho.bandcamp.com/
https://www.facebook.com/WonkyDollandtheEcho

terça-feira, 4 de junho de 2013

Ghost Riders with The Road To Suicide - An Interview



Iniciando o mês de junho, o TBTCI aterriza novamente na Dinamarca, dessa vez para uma das grandes revelacões deste 2013, a pérola lisérgica atende pelo sugestivo nome de The Road To Suicide, seu debut, o ep split com outra belíssima banda chamada Spökraket, mas por ora vamos com uma das cancões mais intensas do ano, a faixa de abertura do EP, Sleepers é algo assim viciante, mais de 8 minutos de psicodelismo, explorando tudo que foi feito no estilo durante as décadas e inserindo doses extremas de acidez, não há como não se deixar entorpecer por Sleepers, na sequência Before Lexington exala BJM por todos os lados, fantasmas de Roky Erickson permeiam a cancão, mas o grand finale ainda esta por vir a redencão esta em Looking for Water pouco mais de 10 minutos de uma viagem extrema, para este que vos escreve o The Road To Suicide virou objeto de adoracão e se você realmente esta inserido neste contexto certamente vai acabar por se abduzido inteiramente pela música do Road To Suicide, Looking for Water é guiada soberbamente por uma citara que certamente Ravi Shankar abriria um sorriso de ponta a ponta.

Simplesmente MAGISTRAL!!

Enquanto aguardamos as próximas doses dessa acidez, o TBTCI serve um aperitivo com gosto de lsd.

***** Interview with The Road To Suicide *****



Q. When did The Road to Suicide start, tell us about the history....
We started back in 2011. During summer, our drummer Jens hosted a DIY-festival far away from civilization, where spaced out people and experimental musicians from the local scene had a chance to present their work for other artists.

Niclas (leadsinger and guitarist) had a bunch of songs, but no band. He was asked if he wanted to play at the festival and a month before it had to take place, a band was formed. The rehearsals had been so intense that The Road to Suicide was going to headline at the festival saturday night. The gig went beyond expectations, so we decided to continue playing together.

Michael joined on organ and percussion a half year after the concert.

Kristian joined on guitar, november 2012, as one our guitarists went to the northern part of China, to train Kung-Fu.

Q: Who are your influences?.
Roads and suicides.

Q. Make a list of 5 albums of all time….
It is difficult to pick the albums of all time, but we each will pick an album that means a lot to us.

Ghost (japan) - Ghost
Electronic Hole - Electronic Hole
My Bloody Valentine - Ecstacy And Wine
Can - Future Days
Bark Psychosis - Hex
Rowland S. Howard - Teenage Snuff Films

Q. How do you feel playing live?.
We are a live band much more than a recording band. It's intense when playing live. Like a parallel bubble where time and space is raping each other. We are really inspired when playing under the sun, with people we haven't met before. Like when we play in the streets, which is a thing we tend to do a lot.

It always gives us a lot of energy that lasts for weeks! We try to play as much as possible, not necessarily in front of a crowd, as the value of the introvert experience is the thing that we are going for.

Q. How do you describe The Road To Suicide's sound?.
One of our friends told us that there are many layers of details, that gives each listener a unique experience. You don't only pick the melodies that are being played, actually you make your own melodies and harmonics from the resonating overtones. We like to work with these chaotic tendencies to give the listener a blank canvas where they can paint their own soul. There are many sources of sound, that we try to sew together in a wall of sound. And of course, we are playing loud. Very loud.

Q: Tell us about the process of recording the ep?.
We started recording one week before our organist had to move from his appartment. It was a great place for recording, because the building was placed on the outskirts of town, where we could play really loud. It was a kind of shitty setup, but we managed to make the best result out of it. We isolated all the amps in different rooms and played together in the living room. We recorded 5 songs and had to dump two of them. When we had to record the vocal for "Sleepers", Niclas was really high and drunk. He wanted to sing in a dark room, so we put up a microphone in the bathroom, turned off the lights and closed the door. He destroyed 3-5 bottles of beer during the vocal recordings. Afterwards we made some overdubs at different locations, where we added violins, theremin, didgeridoo, and percussion.
The EP was mixed in 4 months and then it was ready for release.


Q. Which new bands do you recommend?.
We saw a brilliant concert yesterday with our label mates The Hedgehogs ( http://www.youtube.com/watch?v=YfYIEPSFLao )

It was mind blowing and we deeply recommend this band. Their constellation has changed from 4 people to a massive rock band consisting of 6 people. It's a holy number of musicians in a band.

And of course Spökraket - the worlds most democratic band. ( http://www.youtube.com/watch?v=3y44o-AQo1Q )

We just released a 12" split with them, and we've been playing a bunch of concerts together.
Also, we are trying to establish a community through Levitation Records. It's a small independent label from Denmark who are really supportive. They believe in the music and artistic value of their bands, and we are really proud of working with them. We deeply recommend listening to all the acts from the Levitation Society. http://levitationrecords.dk/

Q: Which bands would you love to make a cover version of?.
The cosmic singing of planets, birds and oceans. We don't enjoy playing cover versions as much as we love to compose our own music.

Q: What´s the plans for the future.....
We are gonna make a full-length album as the next step. As well as playing outside Denmark. This summer, we seek isolation in a big storage building at the countryside, so we can try to play in different rooms, do some field recordings as well as approach the project in new ways. It is very important for bands not to be bound to a genre. The gifted musician gets rid of all his habbits, and is willing to accept movement whether it is aesthetical, stylistic, or philosophical.
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Thanks guys

http://roadtosuicide.bandcamp.com/
https://www.facebook.com/theroadtosuicide