sábado, 17 de dezembro de 2016

Heaven Forget with Belle Mare - An Interview


Preciosidade. Esta é a palavra que melhor resume o último trabalho do brilhante Belle Mare. "Heaven Forget" é o nome desta pequena grande maravilha, escondida no submundo dos bons sons, que foi lançada em Setembro deste ano.

Cintilante, melancólico, sofisticado, triste, intimista e, como eu coloquei no início, precioso.

O Belle Mare situa-se sonoramente entre o doce dreampop, o melancólico 4AD sounds com inserções suaves de uma shoegaze beirando o folk, todavia esqueça os rótulos e foque na música.

Sua mente, corpo e alma, certamente lhe agradecerão após audições ininterruptas de Belle Mare.

***** Interview with Belle Mare *****


Q. When did Belle Mare start? Tell us about the history...
A: Tom and I met at an open Mic night in Brooklyn. I was playing some original songs with a friend of mine and he approached us. He asked if we had any demos, but we didn't and so he asked if he could record some for us. We started working with him and then my friend left on an extended trip, so I just kept working on new songs with Tom and before we knew it we had an album.

Q: Who are your influences?
T: One of my biggest influences has always been David Bowie. I fell in love with his album Low when I was 18 on a drive up the PCH from Los Angeles to San Francisco. My uncle bought the record for me specifically for our drive and I made him play it on repeat, although I wasn't sure at the time if I liked it or not. Its one of those albums that takes a few listens to make sense. I was lucky enough to see him live back around 2005. While at the show, my mothers friend bought me a signed photograph of Bowie circa 1973. As embarrassed as I am to admit this, I didn't realize until earlier this year when a friend came over to my apartment and told me it was signed by the legendary 70's photographer Mick Rock, whose work was completely foreign to me. Aside from Bowie, Marlon Brando has always been dear to me, and currently I'm a devoted Jana Hunter fan. She's an authentic voice, both musically and intellectually, and in the crowd of noise that is the industry today, she really speaks above it.

A: I would say when it comes to Belle Mare influences are some of the artists I was listening to at the time our band formed. Sharon Van Etten, Cat Power, The National, Mazzy Star. I recently saw PJ Harvey live and she definitely taught me a lot about stage presence. Her performance really inspired me. She has such grace on stage.

Q. Make a list of 5 albuns of all time…
T: Neil Young - On The Beach
Choir Of Young Believers - Grasque
David Bowie - Low
Grouper - Dragging A Dead Deer Up A Hill
My Bloody Valentine - Loveless

A: I always hate this question because there are just so many I could add. For now i'll give you 5 of them that come to mind:
Wilco- Yankee Hotel Foxtrot
Bon Iver- For Emma For Ever Ago
Deerhunter- Halcyon Digest
Sibylle Baier- Colour Green
Widowspeak- Widowspeak

Q. How do you feel playing live?
T: Its so hard to describe with words. All I know is that when Im playing Im hyper aware of my existence and if I close my eyes there seems to be more room in my mind, more empty space

A: I used to feel really nervous, but now I feel so alive. The nerves have pretty much completely dissolved once I started to not care how I looked on stage and just let my body feel the music.

Q. How do you describe Belle Mare sounds?
T: Ive always had an endless curiosity, and a profound confusion about my place in the universe as a result. My hope is that our sound carries that feeling in some way. Looking at a picture of a galaxy or a planet scares the hell out of me and while I stare into it, I'm frightened by how beautiful it is and attracted by how little I understand it . On a more microcosmic level, someones eye can do the same thing to me. So for me its all about trying to recreate that feeling through sound.

Q: Tell us about the process of recording the songs ?
T: Lots of late wine fueled nights, arranging and rearranging, adding instruments and then stripping them away. Slapping my knees like they were snare drums, pissing my roommate off. Leaving open spaces and a lot, and I mean a lot, of listening back. I sometimes won't show Amelia something Ive been working on for months because Im unsure about it. Ill try and imagine her vocals over a guitar part or something and then I slap myself and realize she is going to sing something completely outside the realm of my imagination and thats when things are most exciting for me. That moment where I know we've clicked and we're tapped in. Recording Heaven Forget were some of the best memories I have and I think Ill always hold on to them and revisit that time when Im feeling down and insignificant. Being with Amelia, Rob, Tara, Gary and Ben in the studio was one of the only times I can remember where I felt like everything was right, and the outside world had no bearing on my state of mind.

Q. Which new bands do you recommend?
T: I don't seek out as much new music as I used to. There have been a few albums that Ive really loved in recent years. Mangy Love by Cass McCombs and Painted Shut by Hop Along. Blink Of Light by Keenan O'Meara. He's a wonderful singer songwriter who has one of those voices that can depress you and console you all at once.

A: I think one of the best new bands out there is Big Thief. Keenan O'Meara for sure. Also my friend Charlotte Day Wilson is beyond talented. I saw this band called Drawing Boards recently at Rough Trade and I thought they were freakin' great!


Q: Which band would you love to made a cover version of?
T: Ive always wanted to cover My Girl by the Temptations. Its one of my favorite songs and melodies. Maybe something by The Red House Painters, Brockwell Park has always been on my list.

A: I really want to do a cover of the song "New Partner" by Bonnie "Prince" Billy.

Q: What are your plans for the future?
T: We spent the last 3 years writing, recording, and supporting Heaven Forget, and seeing its release was one of the most challenging endeavors of my life. Its also the first thing in my life that I didn't abandon despite setbacks and complications. In that way, this album is a personal triumph, and Im proud we made it with everyone involved. Its exhausting to constantly analyze your self worth through self critiquing your art, and equally so, trying to peak into the future and dream of how great things could be. While its important to set the bar at a certain height, I'm focused on rediscovering the simple joy of writing music with no expectations. I hope the fruits of that lead to another album sooner rather than later, hopefully another one by this time next year.

A: I couldn't have said it better. I need to focus on "rediscovering the simple joy of writing music."

Q: Any parting words?
T: Over here in Brooklyn, and many places right now, there is a lot of distraught people and so I just want to extent good vibes and at best, some comfort through our music. Best wishes to everyone reading this

A: I'm so happy to have the opportunity to perform with such an amazing group of people. I just want the music to give people comfort, nostalgia, hope, or whatever they are seeking, like so much music has given to me. Thank you to all of the artists that have touched my life. It's important to keep going.
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Thanks

https://bellemare.bandcamp.com/
https://soundcloud.com/bellemaremusic
https://www.facebook.com/bellemaremusic
http://www.bellemaremusic.com/

quinta-feira, 15 de dezembro de 2016

This Is How We Fail with Poomse - An Interview


Seguindo os mandamentos de gente como Red House Painters, Codeine, Low, Pooh Sticks, Come e por aí vai, os espanhóis do Poomse cometeram simplesmente um discaço.

"This Is How We Fail" lançado em Setembro simultaneamente pela espanhola Espora Records e pela já conhecida daqui do TBTCI, a estadunidense Custom Made Music, o Poomse condensa no álbum diversos caminhos do indie rock noventista, por vezes dolorosamente melódico e melancólico, e, em outras, guitarristícamente sofisticado e denso, lembrando em vários momentos o saudoso Thin White Rope.

Um disco essencialmente de guitarras, mas sem nunca depender de efeitos ou distorções, aqui o Poomse dá literalmente a cara para bater, e o resultado é de altíssima grandeza.


***** Interview with Poomse *****


Q.When did Poomse start? Tell us about the history...
It started about ten years ago as a solo bedroom project with no genre restrictions. At the beginning, it was just me experimenting and recording quite strange songs on a computer, a mixture of analogical instruments and samples. After uploading the first songs on Myspace, Foehn Records offered to release our first record. I recorded 'Tomorrow will come & it will be fine' (Foehn Records, 2010) at home, almost completely by myself, in a very amateur way. We also released 'Star EP' (Foehn Records, 2011) and, just after that, we put a live band together to play those songs live. However, the current line-up wasn't formed until the beginning of 2012, with Joan Llabrés (drums), Sebastià Mesquida (guitar), Gaspar Reixach (bass, vocals; who's been there since the first record) and me, Llorenç Rosselló (guitar, vocals). In 2014, we released our second record 'Poomse vs the Kingdom of Death', the first one we recorded as a band. Finally, we've just released 'This is how we fail' on Espora Records. To sum up, the story of Poomse is the transition from a one-man project to a full rock band.

Q: Who are your influences?
This is a tricky one. We're four people with different influences and the sum of those is Poomse. Maybe we agree on two or three bands that we all like (Neil Young, Radiohead and a couple more maybe). If I have to speak for myself, it would be mostly American indie rock bands from the 80s and 90s (Come, Sonic Youth, Low, Will Oldham, Slint, L'Altra, Pixies, Throwing Muses, Seam, Fugazi, Sebadoh, Yo la Tengo, The Flaming Lips, etc) and also more classical stuff like The Beatles, The Velvet Underground, Love, Nick Drake,... The name-dropping could go on forever.

Q. Make a list of 5 albuns of all time…
Today it's going to be these 5:
Radiohead- Kid A
Built to Spill- Perfect from now on
David Bowie- Hunky Dory
Bill Callahan- Dream River
Pavement- Crooked rain, crooked rain

Q. How do you feel playing live?
I've progressed from feeling pretty awkward when playing live to looking forward to every concert we play as a thing I want to do badly. I think that right now we're pretty comfortable as a band when playing live. It's something we've learnt to enjoy greatly.


Q. How do you describe Poomse sounds?
I don't know, really. It's difficult for us to say what we sound like. It's probably a mixture of everything we like in music and also a reaction to everything we don't like.

Q: Tell us about the process of recording the songs ?
Most of 'This is how we fail' was recorded live in our rehearsal space during four days in Christmas of 2015. Then, we took a couple of months to re-record a couple of things we weren't satisfied with and then we recorded vocals separately. We also added some arrangements at home (mostly keyboards, some samples and a couple of guitar tracks) and, at the last moment, we decided to include the brass section at the end of 'Plastic flowers', recorded by Dídac Buscató.

Q: Which new bands do you recommend?
I don't listen to a lot of new bands lately. Maybe Whitney or Girl Band. In the last few months I've been listening a lot to Andy Shauf, June of 44, Tinderstiks, Blue Tile Lounge, Sun Kil Moon, ...

Q: Which band would you love to made a cover version of?
We've already covered a song by Irma Thomas and a Codeine's song. Right now it wouldn't be someone simliar to us in style, that would be boring. Maybe Abba, The Bee Gees or Phil Collins.

Q: What are your plans for the future?
Basically, we're looking forward to playing these new songs live. We'll probably start working on new songs pretty soon. Let's see what they sound like this time.

Q: Any parting words?
Thanks a lot for the interview. We never thought we would be interviewed by a Brazilian blog. Muito obrigado!
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Thanks

https://poomse.bandcamp.com/
https://www.facebook.com/poomseband

quarta-feira, 14 de dezembro de 2016

Potpourri Headache with Team Picture - An Interview

Os novatos ingleses de Leeds, Team Picture, resolveram formatar e tornar realidade a banda após um show dos Cheatahs na cidade deles e daí a coisa toda tomou forma.

E o último single deles lançado a poucos dias "Potpourri Headache" mostrou uma sensibilidade criativa muito maior do que os anteriores "Classic:M" e o anterior "Birthday Blues", porque além dos elementos indiscutivelmente noventistas inseridos no novo trabalho surge uma faceta niilista e desconcertante chegando a evocar por vezes ninguém menos do que Kate Bush.

O Team Picture é sim daquelas novidades para ficar de olhos e ouvidos atentos.


 ***** Interview with Team Picture *****

1. When did Team Picture start? Tell us about the history…
Some of us go way back. Some of us were collected along the way. Either way, it made sense that we start making music together. We tentatively felt each other out in practice rooms and basements, and our bonds of super fantastic friendship were solidified at a Cheatah’s gig at Wharf Chambers in Leeds.

2. Who are your influences?
We could probably give you six totally different answers for this. There are some bands that at least some of us share a fondness for though. Like: Deerhunter, Yo La Tengo, Thee Oh Sees, Talking Heads, Beach House, Spacemen 3. We’re all influenced by a lot of stuff that isn’t music too.

3. Make a list of 5 albums of all time
Can we have six?

Marquee Moon - Television
Hounds Of Love - Kate Bush
Singles - Future Islands
Grace - Jeff Buckley
Chairs Missing – Wire
Merriweather Post Pavillion – Animal Collective

4. How do you feel playing live?
Much sweat. Many moves. Such vibes. So mystery. Eyes closed. Then comes the stillness.


5. How do you describe Team Picture sounds?
A freight train hurtles down the tracks. It is out of control. The driver is incapacitated. There is a tiger trapped in the cargo hold.

6. Tell us about the process about recording the songs…
There’s much DIY involved. A lot of cluttered bedrooms standing in for studio spaces. Enthusiastic pogoing. Absolute monomania.

7. Which new bands do you recommend?
Some (sort of) locals:
Kumiko (https://kumikoknew.bandcamp.com/releases)
W.H. Lung (https://www.facebook.com/whlungmusic/)
Cactus Knife (https://brocknbroll.bandcamp.com/album/cactus-knife-my-methaqualone-bnb009)

And some not-so locals:
Lemon Twigs
Weaves
Soft Hair

And they’re not new, but nowhere near enough people know about them:
True Widow (https://truewidow.bandcamp.com/album/avvolgere)

8. Which band would you love to made cover version of?
We’re thinking about cooking up a version of The Wedding List by Kate Bush.

Or maybe Elevation by Television?

Or perhaps even Staring At The Sun by TV On The Radio?

We’ve toyed with I Love You All by SORONPRFRBS too. One for the hipsters.

9. What are your plans for the future?
We made a song happen on the internet on the 5th of December called Potpourri Headache, it debuted on Dork and you can cccheck it out there. There’s some visuals coming for it in a few weeks too. We have single releases planned for the first half of next year, including a couple of physical releases in February & April. There will also be some shows. www.teampictureband.com will sort you out with information on all of the above.

10. Any parting words…
Be strong. All the best. Have a good day, and good health.
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Thanks

http://teampictureband.com
https://soundcloud.com/teampictureband
https://www.facebook.com/teampictureband

Silhouette with Vikings in Tibet - An Interview


Atualmente o termo "indie" tem perdido sua essência nos quatros cantos do mundo, muito por conta da banalização global acerca do que veio a se tornar o indie rock. E fazer indie rock hoje em dia sem desandar para algo pífio é talvez ainda mais difícil do que categorizar o rótulo.

Só que, existem sim bandas que aventuram-se a desafiar esse terreno lamacento, é o caso dos holandeses do Vikings in Tibet. Os caras são indie até a médula, soam sim melodiosos, pegajosos e pop sem perder o charme. Dois belos exemplos da categoria dos Vikings são, "Silhouette" seu mais recente single, e, principalmente, "Löwenweise", o single anterior, que diga-se de passagem em seus pouco mais de dois minutos, transpira aquela excentricidade melódica de um Orange Juice ou Aztec Camera,

Existe groove, existe pop arquitetado de forma perfeita, e pode sim cativar o grande público, e sem descambar para o duvidoso, pode acreditar, os Vikings in Tibet, tem a manha.


***** Interview with Vikings in Tibet *****


Q. When did Vikings in Tibet start? Tell us about the history...
Me and my brother started Vikings in Tibet as a bedroom project, recording 5 songs and releasing them as an EP in 2013. After that we formed a live band with friends we knew from high school, in our hometown Groningen in the north of the Netherlands. As kids we all played in different bands that rehearsed in the school’s basement. In 2014 we decided to build our own studio in another basement, this time in an abandoned university building. Here we have been working on our first full-length album, which will be released this April.

Q: Who are your influences?
We’re always inspired by the bands we happen to be listening to, which means that our music evolves quite quickly. We started out as a post-rock/ambient project, in line with bands like Sigur Ros, Hammock, Mew etc. At the same time, we always liked playing more folky, acoustic tunes similar to The Tallest Man on Earth, Bon Iver or Grizzly Bear. Lately, we have been listening a lot to bands like Half Moon Run, The War on Drugs and Balthazar. On our upcoming record we found a way of mixing together all these different styles into our own sound.

Q. Make a list of 5 albums of all time…
Déjà-Vu - Crosby, Still, Nash and Young
Dark Side of the Moon - Pink Floyd
Yellow House - Grizzly Bear
Graceland - Paul Simon
And the Glass Handed Kites - Mew

Q. How do you feel playing live?
We always try to bring the vibe from our rehearsals to the stage. Besides making music our rehearsals always consist of playing games, telling really good jokes, and eating cookies. Combined with some onstage adrenaline and a small dose of self-awareness, this is probably how we come across when we play live - just without the cookies.

Q. How do you describe Vikings in Tibet sounds?
Cinematic indie based on a good solid groove.


Q: Tell us about the process of recording the songs?
Most of the time on or two of us will start by making a basic demo on the computer. After that we’ll try it out with the whole band during rehearsal, trying different approaches and structures and experimenting with different sounds. There’s always plenty of discussion and democratic decision-making, but eventually we go with whatever appeals most to all of us and feels most natural to play live. When we feel the song is really starting to take shape, we’ll record it again and turn it into a decent demo or pre-production. Once we have enough of these lined up, we’ll record the songs for real - transforming our basement from a rehearsal space into a proper recording studio. This is how our first album has come together.

Q. Which new bands do you recommend?
Adult Jazz
Klaus Johann Grobe
Youth Lagoon
Zimmerman
Supermoon

Q: Which band would you love to made a cover version of?
We always tell each other we should do a cover of Crosby, Still, Nash and Young, because we could learn a lot from their vocals. Their melodies and harmonies are truly mesmerizing. We’ve just never come to an agreement on which song we should pick...

Q: What are your plans for the future?
Basically we would love to keep doing what we are doing, and record a string of albums in years to come. Hopefully we'll also be able to see a bit of sunlight from time to time, leaving our basement and entering the outside world to play some great gigs! It’s pretty sunny in Brasil, right?

Q: Any parting words?
Thanks for talking to us and we hope you enjoy our music! Keep an eye out for our album ‘Alchemy Ave.’ that’s coming next April. We can’t wait to release it. Meanwhile, check out the video for our single ‘Silhouette’, which was recorded on oldschool 8 mm tape:



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Thanks guys!!

http://www.vikingsintibet.com
https://vikingsintibet.bandcamp.com

terça-feira, 13 de dezembro de 2016

Kill Pretty with Louise Le Hir - An Interview


Diretamente de Tuscon, Arizona, liderados por Louise Le Hir, que aliás empresta seu nome a sua banda, um pequeno parênteses aqui, Louise, para os iniciados, fez parte do Liila, banda shoegaze daquelas que viveram no submundo dos bons sons e sucumbiram-se a si próprias. 

Pois bem, dada a devida apresentação, Louise Le Hir, a banda só neste ano soltou dois belos trabalhos, o homônimo, em outubro, e o mais recente, "Kill Pretty" que veio ao mundo em dezembro. 

Esqueça o shoegaze de outrora, nesta empreitada Louise e seus comparsas atacam com um cósmico e hipnótico mix, de psicodelismo agridoce feito sob medida para good trips e boas vibes. Inserções de dreampop afrancesados por ser notados vez ou outra, mas o enfoque é sim doces viagens sonoras.

Aumente o máximo que puder e boa viagem.

***** Interview with Louise Le Hir *****


Q. When did Louise Le Hir start? Tell us about the history...
A. I’ve played in bands for a while, but a couple years ago I found myself playing solo and with a wealth of unrecorded material on my hands. I decided to start recording just a few songs at a time with Matt Rendon (of magnificent Midtown Island Studio fame) using guest musicians, and the sessions turned into a nine song album. The band came together shortly afterwards, and ever since I’ve been playing with Annie Dolan, Adan Martinez, Gabe Hostetler and Joel Crocco. We love each other. I love you my kittens! (I mean my tough guys).

Q. Who are your influences?
A. As a song writer my influences come from experiences in life, mine as well as observations of the people around me. The crazy shit! (“Sleep on the ground / With a bed made out of cowboy hat”). The fun times! (“Give me everything / Ev-er-y-thing I want”). The heartbreaks (“I only fall in love to feel the pain”).

Q. Make a list of 5 albums of all time…
A. Rubber Soul/Revolver, GP/Grievous Angel, Sweetheart of the Rodeo, Nashville Skyline, Rumors

Q. How do you feel playing live?
A. I AM PASSIONATE! on stage. and off:) I love performing and dancing around. I love the dynamic of our whole band together. Sometimes I nearly wreck my voice. The band, they understand and never miss the feeling. We don’t set out to be the tightest band but the loosest band in a way I dig.


Q. How do you describe Louise Le Hir sound?
A. Cosmic American Psychedelic French Dream Pop . . . but here’s how we’re described in an upcoming book:

There was Annie with her heavily banded eyeliner eyes flapping a long tangle of blond-streaked hair while strumming Beatles arpeggios, dream-visioned Adan in his wide-brimmed Panama hat pounding mercilessly on the drums, wild-eyed Joel layering reverb pedal-effects with his Melody Maker held chest high, and brooding Gabe, dressed in black from head to boot, locking in country-esque bass lines while glaring darkly into the ether. LouIse began by dancing and swirling about the stage, cracking her tambourine against her already bruised hip, her short red dress riding against her thigh, but when she grabbed the microphone it was her giant Valley of the Dolls stare — thick blue shadow, mascara and black cat penciled gaze — it was that look blared out to the crowd just like her voice, broadcast at a loud amplitude. -BH

Q: Tell us about the process of recording the songs?
A. I come in to the studio with a song, we (Matt and I, Annie, or whoever else makes it in) learn it and then discuss the sound. Matt will usually record the drums first and then we start layering.

Q. Which new bands do you recommend?

A. I love the music of Dustin Lovelis. His band has a great sound!

But hey ya! Here in Tucson we have such a scene — too many brilliant artists to list.

Q: Which band would you love to made a cover version of?
A. That band at Disneyland made up of all bears.

Q: What are your plans for the future?
A. 2nd album, tape, more songs and because of USA election outcome, either getting my masters degree to work as a humanitarian or simply using all my dresses for shelter to build tents for all of us. I love camping. and giving away clothes!

Q. Any parting words?
Yes. I will have a song in Portuguese on our next album.

Q.Who’s a Coco Meme?
A. You Are! Thank You! xoxoLLH and A and A and G and J!!!
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Thanks

https://louiselehir.bandcamp.com/
https://www.facebook.com/weeziebebe/

Falling Apart with Sadfields - An Interview

Como de praxe acontece aqui nas páginas do TBTCI, usualmente aparecem bandas que além de serem desconhecidas do grande (sic) público, e muitas vezes até mesmo do público iniciado, em certos momentos o TBTCI explícita bandas qu acabaram de debutar com seus primeiros singles, caso dos mexicanos do Sadfields.

"Falling Apart" é o nome do petardo que pega toda a raiva barulhenta dos 90´s colocando-a lado a lado com a melancolia cinzenta dos 80´s, unificando os sentimentos sonoros, equilibrando-os entre o esporro e o isolamento.

Obviamente que a receita não é mais novidade, vide, Nothing, Whirr, Magnet School e outras que caminham por esta tendência, mas pela poderosa estreia o Sadfields nos deixa com aquele gosto de querer mais.

Que isso aconteça rapidamente, porque "Falling Apart" é uma puta música.


***** Interview with Sadfields *****


Q. When did Sadfields start? Tell us about the history...
All started one year ago. It was Autumn. As a result of the breaking up of a previous band, we ended up as a two-piece: Daniel on guitar and Erick on drums. Then, Mike joined us on bass. He is actually a guitar player, but we had some upcoming shows and he was kind enough to give us a hand. Mike learned a 7 song setlist in like three days. It was fun.

After that gig, all of us realized that getting more shows was essential. Luckily, weeks later we met Daniel Camargo, who since then has helped us booking gigs and managing the band. In the meantime, we rehearsed like three or four times a week. Those days were quite intense, because the shows we got were more than a little bit far from our home. School and job got in the way so the three of us were always tired. Since then, a struggle philosophy grew on us. We like to do things the hard way. It gets more interesting.

Q: Who are your influences?
We really dig 90´s music like Sonic Youth, Dinosaur Jr and American Football. We also like classics, from Bowie to Sabbath. We pretty much like whatever's got some sort of intensity in it, whatever´s honest and careless.

Q. Make a list of 5 albums of all time…
Nirvana - Nevermind
The Cure - Disintegration
Beck - Golden Feelings
Smashing Pumpkins - Siamese Dream
Slint - Spiderland

***Renegade bonus: Melvins - Houdini

Q. How do you feel playing live?
Playing live has always been something relieving, although the three of us are very loud and messy on stage. We believe in the impact that volume and guts have in the whole live experience and in the audience’s perception of what’s going on, so our gea has always got messed up (Really. Every single time). The feeling of hitting the strings so hard until your hands bleed, banging the snare to reach the amp-killing point, screaming at the mic until it horribly clipps, turning everything up till it can't be any higher. Making a mess of everything has always given us a feeling of release.

Q. How do you describe Sadfields sounds?
This is a tough one. Until now, our sound could be defined as a raw mix between anger, confusion and nostalgia.


Q: Tell us about the process of recording the songs ?
Last summer we decided that the time to hit the studio had come, so we started to sleek our songs and making some new ones for our first album.

We heard about Testa Studio a long time ago and were always struck by the fact that Victor ‘'Kb’’ Velázquez had worked with Steve Albini at Electrical Audio. Besides, the studio has a lot of really nice drums and amps that helped a lot to project the sound that we had in mind.

Before we went to the studio, we received a lot of help from Rod Esquivel, who has been in charge of the production of the album. He even lent us a 50s Gibson to record some songs. He’s really nice and knows a lot of shit. Without him, we would probably have killed each other at the studio.

The goal was always to record in analog format. We were fascinated by the quality and feel that the tape gave to the album.

Q. Which new bands do you recommend?
El Shirota, Nelson y los Filisteos, Mint Field and this amazing girl who calls herself Aloe Vera.

Q: Which band would you love to make a cover version of?
Scratch Acid.

Q: What are your plans for the future?
Hmmmm, we don’t know. Playing more gigs and doing some traveling meanwhile, maybe.

Q: Any parting words?
Nah.
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Thanks

https://www.facebook.com/Sadfields
https://sadfields.bandcamp.com/releases

segunda-feira, 12 de dezembro de 2016

Cold Kiss with Minimal Joy - An Interview


Imagine o seguinte, o pós punk e a dark wave sendo inseridas dentro do grunge via PJ Harvey.

Talvez essa poderia ser a melhor descrição do quinteto italiano Minimal Joy e seu "Cold Kiss", trabalho lançado no início de Novembro passado.

Um disco sexy, gélido e barulhento, conduzido as vezes por guitarras pesadas e sombrias, porém em outras os sintetizadores assumem o papel frontal, mas sempre, sempre, a voz de Silvia, a vocalista e condutora dos synths, é a peça crucial nessa deliciosa combinação.

O Minimal Joy é daquelas preciosidades que poucos degustaram, mas os que degustarem, se sentirão absolutamente privilegiados. 

***** Interview with Minimal Joy *****


Q. When did Minimal Joy start? Tell us about the history...
Hi! We are Minimal Joy, a band from Bologna, one of the most beautiful place in Italy.

Bologna is where we became friends. Andrea and I (Roberto) met when we were students, we come from the south of Italy and we moved in Bologna to start our studies at the University. Now we still live here, where we met Silvia. She is the voice, a productive encounter which allowed us to realize what we are now. A precious friend that learned to read into the first draft of the songs I write. In the first place we are friends, we share experiences and thoughts even out of rehearsal room, so we think that our friendship is our strong point. We are the origin core of the band, in which we hold Chiara, who handles with the bass melodies and Leo, our drummer, who cares about the rhythms. They are new members of Minimal Joy and since the beginning they have melted perfectly with our sound.

Q: Who are your influences?
That’s a difficult question! Basically, we could say we are influenced by the new wave, but during our rehearsal sessions each of us brings his own tendency in sound e.g Andrea’s guitar seems like it’s coming out a ‘90 Seattle’s band, the voice, synth and noise guitar give a dreamy touch but all remains inside the dark boundary.

Q. Make a list of 5 albums of all time…
…5 are too few:

Siouxsie and the Banshees – Juju (1981)
Nevermind (Nirvana) - 1991
The Rise and Fall of Ziggy Stardust and the Spiders from Mars (David Bowie) - 1972
Disintegration (the Cure) – 1989
Unknown Pleasures (Joy Division) – 1989

Q. How do you feel playing live?
Playing live is of vital importance. It’s a direct relation with the audience, the exchange of real emotions, what we feel on the stage is what people in front of us perceive. It’s the best way to express our message.

Q. How do you describe Minimal Joy sounds?
A melodiously dissonant sound.


Q: Tell us about the process of recording the songs?
Melodies and lyrics come out at the same time, then we find arrangements in rehearsal room, where we share additional ideas in order to find the perfect harmony among them. So the early idea of a song can be totally changed, it often takes another direction. That’s the most interesting part of the composition. We know how it starts and no one knows how the final result will be.

As the song “works”, it is ready to be recorded. When we collect a certain number of songs we can proceed .The recoding process is complex, it takes so much time and accuracy. First of all we record drum and bass together in order to keep the track groovy, then we add guitars, synth and the voices.

Even during this part of the work, it happens that the tracks can be changed in small parts, by replacing a reverb with an echo or by adding a kick of drum or a choir.

Therefore there’s a continuous evolution of our songs from their origin until their final shape.

Q. Which new bands do you recommend?
We think that in current italian and international alternative scenario there are a vast amount of fascinating bands, which show and realize peculiar ideas we like, such as:Cigarettes after sex, Screaming females, Zu, Motorama, Aucan and many more.

Q: Which band would you love to made a cover version of?
Definitively “This must be the place” Talking Heads.

Q: What are your plans for the future?
Touring, spreading our sound.

Q: Any parting words?
We are thankful and proud for have garnered positive critics, it’s a reward for all the efforts and the complexity that we had to face with our self- produced work.
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Thanks

https://soundcloud.com/minimal-joy
https://www.facebook.com/pg/minimaljoy

sábado, 10 de dezembro de 2016

Glowing with Split Dream - An Interview


Dreampop ensolarado com um clima praiano, perfeito para aqueles entardeceres a beira da praia, contemplando a calmaria e sentindo uma doce e tenra brisa, assim é a sensação de saborear o último trabalho do quarteto canadense Split Dream. intitulado "Glowing".

Pitadas suaves de The Sundays, Best Coast os conectam instintivamente com o mundo dos sonhos.

Esqueça os problemas, deixe as tensões de lado e permita-se relaxar, o Split Dream certamente vai ser uma companhia certeira.

***** Interview with Split Dream *****
Q. When did Split Dream start? Tell us about the history... 
Q1. Split Dream started in early 2014 with me recording acoustic guitar songs in my basement, mainly for my own entertainment. I slowly started to add more electric guitar, bass and drums to my songs (I’m mainly a drummer) and I found a sound I was really happy with. I still write and record all the parts myself, but I have a band for live shows.

Q: Who are your influences?
Q2. My main influences are The Sundays, Cocteau Twins, The Smiths and The Cure (of course)

Q. Make a list of 5 albuns of all time…
Q3. Oh man this is a hard one. I’d have to say:
The Smiths - The Queen is Dead
The Firs - Smoke Thin
Keaton Henson - Dear
Youth Lagoon - The Year of Hibernation
José González - Veneer
(in no order)

Q. How do you feel playing live?
Q4. Playing live is a totally different world than recording by yourself. It’s very rewarding to see my songs go from my basement to the stage and to see how people react to them. I love both aspects, but in very different ways.


Q. How do you describe Split Dream sounds?
Q5. I would describe Split Dreams sound as relaxed and easy to listen to, but our live shows are high energy and exciting.

Q: Tell us about the process of recording the songs ?
Q6. The writing process for my songs usually starts out with a chord progression or guitar riff with some lyrics. I record the guitar to a click on my computer, then add a programmed drum beat to get a feel for how the groove will be, as well as a bass track. Then I add the vocal and lead guitar tracks along with recording acoustic drums or editing the programmed beat.

Q. Which new bands do you recommend?
Q7. New bands I would recommend:

Good Morning
Day Wave
Linden Anthony
HORSEBOY
Spirit Club
The Japanese House
(and many more I can’t think of at the moment)

Q: Which band would you love to made a cover version of?
Q8. If I was to do a cover and make it similar to the original, it would 1979 by The Smashing Pumpkins. But, if i were to totally change a song, it would have to be Breakfast in America by Supertramp. I would slow it down and make it a lot more dark.

Q: What are your plans for the future?
Q9. My plans are to keep making music that I enjoy. If it gets picked up and takes me somewhere, that would be really sweet, but I’m going to keep writing either way. It’s an itch that needs to be scratched.

Q: Any parting words?
Q10. Thank you for supporting my work and keeping underground music alive. It means the world to me.
-Split Dream xo
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Thanks

https://www.facebook.com/pg/splitdream
https://splitdream.bandcamp.com/album/glowing

quinta-feira, 8 de dezembro de 2016

Brooklyn with Manic Sheep - An Interview


Diretamente de Taiwn vem o quarteto Manic Sheep que soltou mês passado seu segundo trabalho "Brooklyn" um delicioso noisepop bubblegum remetendo a vários subgêneros da música independe, pedaços de class of 86 aqui e ali, shoegaze no meio de tudo, dreampop explodindo pra todos os lados e sempre com aquele frescor pop cantarolável.

Certamente poucos irão degustar dessa delícia sonora, mas eu sugiro que se você esta simplesmente afim de curtir o dia/noite, escute alto e preferencialmente nos seus fones de ouvido, vai fazer todo o sentido.

***** Interview with Manic Sheep *****


Q. When did Manic Sheep start? Tell us about the history...
We started from 2010, at first, it was a solo project from Chris Lo (the lead women of manic sheep), then she found the other band member through internet. Our first debut album "Manic Sheep" out in 2012, because of too much tour, so we changed member quite often in that period. Last year, our member become stable, now is Joy (bass/VJ), Howard (Guitar), White (Drum), and Chris (Vocal/Guitar/Synth).

Q: Who are your influences?
Some really legend shoegaze band, such as Yo La Tengo, My Bloody Valentine, Slowdive. We also love DIIV, beach fossils, these kind of new band after 2010.

Q. Make a list of 5 albuns of all time…
Yo La Tengo- electr o pura
DIIV - oshin
The Drums - portamento
Sonic Youth - Day Dream Nation
Soft moon - Zeros

Q. How do you feel playing live?
Always great, it's the best way to show our music to the audience directly.


Q. How do you describe Manic Sheep sounds?
Not really sure, because we tried to put the different elements together. Probably is haze .....

Q: Tell us about the process of recording the songs ?
We recorded demo and working tape by ourselves, then stayed in the studio only a week to make the formal recording (Saving money).But we really spent lots of time on mixing stage, Chris did the rough mix for two months, and our mixing engineer took two months too.

Q. Which new bands do you recommend?
The Last Big Wave (最後大浪), a band from Taiwan, playing experimental music.
https://thelastwave.bandcamp.com/

Q: Which band would you love to made a cover version of?
Radiohead....Eventhough it's not easy T_T

Q: What are your plans for the future?
Our second album will release on November 19, then we will have overseas tour next year.
Also we are working for a new EP right now.

Q: Any parting words?
Much love
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Thanks

https://www.facebook.com/pg/manicsheep
https://manicsheep.bandcamp.com/

quarta-feira, 7 de dezembro de 2016

Choke with Soft Kill - An Interview


Descendentes direto do mais fino pós punk denso e cinzento, leia-se Sad Lovers And Giants, Chameleons, The Sound, Asylum Party e claro The Cure, o quinteto de Portland, Soft Kill volta a carga com seu novo álbum, "Choke" vem dar sequência a proposta de "Heresy" do ano passado.

"Choke" mantém a temática sombria, por vezes dançante, mas sempre, e em todos os momentos sem o menor vestígio de luz.

Aos desacreditados o pós punk continua gerando grandes e nublados álbuns, o Soft Kill comprova e injeta mais sombras no mundo.


***** Interview with Soft Kill *****


Q. When did Soft Kill start? Tell us about the history...
Soft Kill released An Open Door in 2011. Tobias and Owen grew up around each other. Tobias and I have been friends since the early 2000s. We used to play shows together in no wave/noise bands. I joined a version of Soft Kill that included Owen in 2014. Since then we have released "Heresy" and now "Choke".

Q: Who are your influences?
The Sound, serial killer biographies, Lowlife, Red Lorry Yellow Lorry, Mt Everest, Magazine, UGK, Cats

Q. Make a list of 5 albuns of all time…
HTRK - PSYCHIC 9-5 CLUB
KANYE WEST - 808s & HEARTBREAK
THE CHAMELEONS - STRANGE TIMES
SPACEMEN 3 - THE PERFECT PRESCRIPTION
THE STROKES - IS THIS IT

Q. How do you feel playing live?
playing live is therapy

Q. How do you describe Soft Kill sounds?
dark post punk


Q: Tell us about the process of recording the songs ?
Tobias, Owen and I write and demo our songs together. The demos are often fully-realized and going into the studio is about getting the best sounds and performances for the songs. We recorded our new album, Choke, at B-Side Studio. It was recorded by Jason Powers and mixed by Ben Greenberg. Both Jason and Ben played a huge role in shaping the songs and helping us refine the collection of demos into a cohesive record.

Q. Which new bands do you recommend?
DRAA
HUMAN LEATHER
TOLLUND MEN
SCULPTURE CLUB

Q: Which band would you love to made a cover version of?
We recently put a cover of "The Figurehead" by The Cure on Soundcloud.

Q: What are your plans for the future?
We are debuting a new live lineup for two weeks of shows with our homies All Your Sisters (from Oakland, CA) in December. In 2017 we will do more big things we've never done before.

Q: Any parting words?
Our new album "Choke" is available now from Profound Lore Records.
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Thanks


.https://anopendoor.bandcamp.com/album/heresy
https://profoundlorerecords.bandcamp.com/album/choke
https://www.facebook.com/softkillportland

terça-feira, 6 de dezembro de 2016

The Best of Best of 2016 - According TBTCI


Basicamente 2016 chegou ao fim, obviamente que me arrisco pois certamente temos pouco mais de um mês e tenho certeza que ainda deverão vir ao mundo inúmeras surpresas, mas o fato é que não haverão melhores discos do que os listados abaixo, no caso 30 exemplares, do que melhor representa o que o TBTCI considera de mais produtivo e representativo deste ano.

Obviamente que alguns poderão notar que não estão listado grandes discos como o Thee Oh Sees "A Weird Exits" ou Preoccupations "ST", ambos discos espetaculares, mas, na lista do TBTCI estão os álbuns que mais ouvi e que melhor tem a ver com a proposta deste site.

PS - destaque para a reedição luxuosa do maravilhoso "Scream The Sound" do predileto da casa The Emerald Down.

Então meus caros, listados em ordem alfabética, os prediletos do TBTCI deste ano.

***** The Best of the Best of 2016 - According TBTCI *****


Bloody Knives - I Will Cut Your Heart Out Of This
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Cassettes on Tape - Anywhere

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Chasms - On the Legs Of Love Purified
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Dead Rabbits - Everything Is A Lie

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Death Valley Rally - Northern Lights

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Dignitary - Full Moon In Vertigo

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Drinking Flowers - New Swirled Order

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Echolust - Veldisa

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Kestrels - Kestrels

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Kid Foguete - A Brief Study On How To Fail Completely Vol. 1

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Linda Guilala – Psiconaútica

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LSD and The Seach for God - Heaven Is A Place

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Magic Shoppe – Wonderland

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Magnet School - The Art Of Telling The Truth

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Miserable – Uncontrollable

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Pale Dían - Narrow Birth

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Pinkshinyultrablast - Grandfeathered

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Rancho Relaxo - White Light Fever

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Rev Rev Rev - Des Fleurs Magioques Bourdonnaient

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Sound of Ceres - Nostalgia For Infinity

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Stella Diana - Nitocris

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Strata Florida - Falling From Grave

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Tales of Murder and Dust – The Flow In Between

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Tape Waves - Here To Fade

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The Cult of Dom Keller - Goodbye To The Light

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The Junkyard Liberty - Chains

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The Stargazer Lilies - Door To The Sun

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Vhs Dream - Departure

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Waitress - Delay Our Time

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Winkie - Come To My Party

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