Grauzone with Jinko Vilova - An Interview

O tal do resgaste do pós punk tem gerado bons frutos, grandes promessas, bandas e mais bandas que ficaram trancafiadas durante sua adolescência ouvindo Joy Division, The Cure e outras e agora vem dar boas vindas ao mundo, com o ar gélido e denso de outrora, porém boa parte cai numa enorme armadilha, ficar a mercê de suas próprias referências e sucumbem-se facilmente geralmente já no seus segundos trabalhos.

Mas, na contramão desse filão todo o TBTCI deu de cara com Jinko Vilova diretamente de Barcelona, Espanha, os caras possuem as mesmas referências só que com um enorme e perigoso detalhe, o kraut esta inserido dentro do contexto, o art punk idem, e a cold wave que mesmo na época que era moda houveram algumas bandas que jamais cairam no gosto do público, como Grauzone, The Sound, Trop Tard dentre outros, e essas meus caros, essas bandas eram perigosas, tal qual Ian Curtis o era, mas Curtis se foi, e a obra do Joy todos conhecem de cabo a rabo, agora um Grauzone é algo desconhecido, e é ai que o Jinko Vilova vem, Gasoline, Nasty, abrem o seu debut, um EP daqueles que nos jogam diretamente ao submundo daquela época, mas veja, estamos em 2013, daí o troco fica mais perigoso.

O Jinko Vilova virou objeto de culto aqui no TBTCI e aos iniciados deverá surtir o mesmo efeito.

Fiquem com os caras.

***** Interview with Jinko Vilova *****

Q: When did Jinko Vilova start? tell us about the history
JV: Jinko Vilova started in 2010 as a band with some clear ideas about how to make music.

We all came from other projects and we wanted to try to make a band without established roles. All of us have a microphone to sing. We try all the ideas that we individually have and if someone in the band doesn’t like something he has the right to cancel an idea or change it.

The creative method comes from improvisation and the recording of all the rehearsals. Then we listen to it, we choose which are the best ideas and we build the songs from there.

Until 2012, we’ve been rehearsing and recording ideas just for fun. That year we decided to make an album and to perform more gigs.


Q: Who are your influences?
JV: Individually all we have different influences and bands that we like and we could say a lot, anyway there are some that we all love like Can, Neu!, The Velvet Underground, Television, Einsturzende Neubauten, Black Sabath, P.I.L., Sex Pistols, The Stooges, MC5, Joy Division, Caribou, Dead Skeletons and a lot more.


Q. Make a list of 5 albums of all time…
JV:
The Stooges: Funhouse
Can: Delay
The Velvet Underground: White Light/White heat
Joy Division: Closer
Neu!: Neu!


Q. How do you feel playing alive?
On trance, flying, like in a trip. It’s a great experience and it’s really special when you receive good feedback from the public and you feel that the trip you’re having is contagious.

We also really enjoy making friendship with musicians from other bands with which we play.

Q. How do you describe JV sounds?
Raw, psychedelic, direct and hypnotic.

Q: Tell us about the process of recording the new album?
We’ve made a preproduction of the album during 4 months. Then we recorded in 2 days at a friend’s studio (Wheel Sound Studio) with not too much money. All the music was recorded live in the same stage without metronome and the voices were recorded after. With the mixing process and the mastering it finally all together took 4 days.

After a year, the album has just been released since the 27th of may with our own DIY label Tomasito Records.


Q. Which new bands do you recommend?
We like some local bands that we really recommend like Guerrera, Cuzo, Cabalgata Cosmica, Za!, Celestial Bums and Guerra Despues de La Fiesta.


Q: Which bands would you love to make a cover version?
We really prefer to create our own songs and we never make covers. Anyway if we have to choose one song right now we would choose Eisbaer from Grauzone.

Q: What are your future plans....
Enjoy making music, make as many gigs as we can, compose new songs and release a new album.

We have a lot more to show and the first album is just a small part of all the ideas we have. So we need to keep up the work in the band and carry on growing together.

Q: Any parting words?
Support the local bands that you like.
Thank you very much for the interview Renato!
*
*
*
Thanks Guys

https://www.facebook.com/JinkoVilovaBand
http://jinkovilova.bandcamp.com/

Scatology with Ceticências

Alguns artistas são intimamente perturbados, suas mentes são basicamente sombrias e sarcásticas, não obstante é característico a esses gênios minimalistas a alcunha de psicóticos ou algo que o valha, o ponto é que usualmente eles nascem, crescem, chocam e somem, deixando rastros a serem compreendidos muitas vezes tardiamente.

Cadu Tenório é um carioca pacato (será!?!?) eu prefiro crer que sim, pelo menos comigo ele é, agora eu também não vou querer estar próximo quando Mr. Tenório proferir atos insanos, prefiro me centrar com o TBTCI a suas obras, Sobre a Máquina é a mais sabida e conhecida do cara, mas é impossível, veja impossível no sentido de que o cara não tem como ficar somente, e este somente é coisa pra caralho, dentro do universo do Sobre a Máquina, que diga-se de passagem ira abrir o show no Rio de Janeiro do The KVB, mas aqui é hora de Cadu mostrar via, TBTCI o que é seu alter ego chamado Ceticências, muitos podem qualificar com o pejorativo atributo de MTB, leia-se Música Torta Brasileira, o que eu sinceramente acho mediocre, Ceticências em sua totalidade, veja a obra, Issamu Minami, pega os devaneios de Cadu, alicercado por influências de prediletos da dissonância esquizofrênica vide, Coil, Nurse With Wound, Foetus e outros maníacos musicais.

Eu, jamais me dou a críticas ou resenhas usuais, mesmo porque o TBTCI não serve pra tal, aqui, o espaco é puramente do artista e de sua obra, mas uma coisa é certa, nada do que perpetua essas páginas é menos do que sensacional, e no caso do Ceticências, Issamu Minami é surreal.

Pedi a Cadu, que desse uma dissecada em sua obra para que todos possam entender, compreender do que se trata, e veja, certamente muitos não irão entender bulhufas, mas sugiro ao menos tentar mesmo estando anos luz ao que chamamos de música.


Issamu Minami por Cadú Tenório

Issamu Minami foi gravado sem pressa entre os últimos meses de 2012 e o primeiro semestre de 2013. Com algumas pausas no meio do processo por motivos de força maior e de outros projetos que estavam em andamento antes dele ser pensado. O disco foi gravado em três locais diferentes por questões de necessidade também. Começou a ser produzido no quarto 301, o antigo homestudio localizado no quarto do apartamento em que eu morava, e onde nasceram quase todas as produções do Sobre a Máquina, VICTIM! e todos os meus outros projetos.


Houve uma pausa por conta da minha mudança para a Merck, mais precisamente para a sala do apartamento onde residem Emygdio e Ricardo, o mesmo cômodo que abriga o homestudio onde foram gravadas uns meses antes as sessões ao vivo, ou cerca de 70% das gravações, do disco homônimo do Sobre a Máquina. Foi um momento bem peculiar de introspecção, os últimos três meses de 2012, eu entrei de certa forma numa espiral pra baixo que acabou me influenciando a gravar o "Lacuna" do VICTIM! que considero o meu disco mais pessoal até hoje, o processo começava na ida para o trabalho onde com meu gravador de fita gravava tudo que achava interessante, e na volta quando resolvia aplicar aquilo aos sons... De qualquer forma aquilo durou cerca de três meses. Me senti relaxado pra rever os projetos do Issamu Minami durante uma folga ou outra nos fins de semana, e certas pesquisas que fiz em pra captar timbres para o "Lacuna" me inspiraram a coletar os elementos para os beats, nisso foram captadas inúmeras fontes para o "Issamu Minami" desde o som de gavetas e armários até rangidos de porta velha, diferentes objetos de aluminio e aço, tudo que conseguia encontrar dentro daquele ambiente que produzisse sons metalizados, de raios de roda de bicicleta à carcaça da máquina de lavar e fogão. Com exceção dos bumbos, da drummachine alesis que tenho, todo o resto dentro dos beats do disco foi produzido a partir da captação dos objetos.

O disco sofreu mais uma pausa em seu processo quando consegui alugar meu apartamento, toda a mudança e arrumação, até ter novamente um homestudio dentro do meu novo espaço. Gravei as últimas coisas do disco aqui, encorajado pela Paloma que por sinal participa em uma das linhas de synth da faixa With Gloves.

Produzido, composto e gravado por Cadu Tenório.
Masterizado por Emygdio.
Capa de Ricardo Gameiro.

https://www.facebook.com/Ceticencias?fref=ts
http://ceticencias.bandcamp.com/

Losing Touch With My Mind with Huge Rat Attacks - An Interview

Organic Babies é o segundo album do ruidoso Huge Rat Attacks, e infinitamente mais fodão que o primeiro Cougars de 2005, os caras pegaram Sabbath, Bardo Pond, Spacemen 3 e Meat Puppets e aumentaram os amps pra fazer uma barulheira poderosa e altamente viciante.

Explicitamente Organic Babies poderia muito bem penetrar nas college radios e chegar ao grande público, mas os caras meio que estão na contramão da música atual, uma pena, porque o Huge Rat Attacks é uma bandaca, mas o TBTCI acredita que viverão no submundo.

Mas a dica é, descole o album e mande ver junto com o que os caras tem a dizer nas linhas abaixo.

***** Interview with Huge Rat Attacks *****

Q. When did Huge Rat Attacks starts, tell us about the history...
Jason: Justin and I started the band in 2002 just jamming in his bedroom at my parent's house when he still lived at home. We recorded a two song demo and were searching for other members. Casey wanted to join the band. He was an old friend of ours, we had both known him since High School, but I said he could only join the band if we could use his band name "Huge Rat Attacks".

Q: Who are your influences?
Jason: Black Sabbath, Liars, and I have to admit some bands that I listened to in High School still influence me a lot like the thick guitars of Smashing Pumpkins and Starflyer 59. I also have just started to get into Nirvana lately. I'm kinda late on that boat...

Q. Made a list of 5 albuns of all time…
Jason: My faves that have lasted a while aren't obscure by any means.

Black Sabbath "Vol 4"
Brian Eno "Here Come the Warm Jets"
Spaceman 3 "Taking Drugs to Make Music to Take Drugs To"
Iggy Pop "Lust for Life"
Liars "Drums Not Dead"

Q. How do you fell playing alive?
Jason: I've always preferred recording. I really like the control you have over the sound in the studio and all the subtly that can be added, which gets lost in live shows. Though, live we have been told that we have a giant wall of sound. We're also pretty loud.

Q. How do you describe Huge Rat Attacks sounds?
Jason: We have a pretty thick sound. I feel like we have a good sense of audible space. I like to think of our guitars as lasers buzzing through, zapping the song. Maybe that's why I mention lasers so much in my lyrics. There are some some subtle, eery or creepy elements to our sound, but most of it has a kind of black sabbath feel with some elements of grunge. Lately we have embraced the idea that things can be simple at times. When we try to make things too complicated, the vibe can just kind of get lost and lose focus.

Q: Tell us about the process of recording the album?
Jason: The album was written over time in a lot of different ways. Some were parts that I came up with at home and recorded. Some Jon had come up with at home. A lot were also parts that we just jammed on all together. We record quite a bit at our space during practice, and that has really helped us with writing. I think a lot of bands do that now. We have a communal computer brain to help remember what we have done.

Q. Which new bands do you recommended?
Jason: Heavy Deeds is pretty sweet. They're from Minneapolis too. Kinda have a Fleetwood Mac vibe to them.

Q: Which bands you love to made a cover version?
Jason: We've never covered anything before for some reason. I always wanted to cover Iggy Pop "Some Weird Sin" in a super slowed down version. We've joked about covering a lot of songs, but never do. Well, usually they're Jon's ideas.

Q: What´s the plans for future....
Jason: Keep recording. Keep writing at the space. Use the money we make from shows and selling this record to do short recording sessions as we have the money and songs to record.

Q: Any parting words
Jason: You should buy our album. Seriously, it's cool!
*
*

*
Thanks guys

http://hugeratattacks.bandcamp.com/
https://www.facebook.com/pages/Huge-Rat-Attacks/235624133142955

A Kiss In The Dreamshouse with Beste - An Interview

Pós punk, shoegazer, dark, tudo isso com extremo, digo extremo apelo sensual, as vezes etéreo, por outras denso e caótico, mas tudo altamente sexy e mântrico, assim é Beste, ou Jami e Den.

A música do Beste é para poucos porque primeiro existem pouquíssimas informacões sobre eles, e a melhor forma para o TBTCI foi entrevistar Jami, para poder chegar a conclusão que Beste, certamente vai permear seus sonhos mais secretos, sejam perversos, sexys, ou ambos ao mesmo tempo, e Jami facilita as coisas pra todos nós visualmente falando, se é que você me entende.

***** Interview with Beste *****




Q. When did Beste starts, tell us about the history...
Beste started on Halloween of 2007 with a friend invitation on MySpace from Denn Campbell in Blandford Forum England, an ocean away from me here in the states. He is a producer/multi-instrumentalist and he had songs but was looking for someone to do lyrics and vocals on. He heard my folk music so he wrote me. I liked what he sent me so I went into the studio to record a few demos. 3 months later I had a home studio set up in my kitchen and we were on a writing recording spree. I would stay up late every night recording vocal tracks under the glow of Christmas lights with a bottle of wine. It was like magic. I went over to England in March, and we fell in love. Then I went back in May for a full UK tour. It was our first tour and we booked it ourselves. It was a lot of effort but worth it.

Q: Who are your influences?
Black Rebel Motorcycle Club, Siousxie and the Banshees, Queens of the Stone Age, The Black Angels, Curve, Lush, My Bloody Valentine, ya know mainly the shoegazer , neo-psychedelic and post-punk genres.

Q. Made a list of 5 albuns of all time…
1. Queens of the Stone Age- Lullabies to Paralyze
2. Siouxsie and the Banshees-Peek A Boo
3. The Smiths-Meat is Murder
4. Lush-Gala
5. Black Rebel Motorcycle Club- B.R.M.C.

Q. How do you fell playing alive?
I LOVE playing live. It is my passion and I thrive on it. When I go on stage I go into a hypnotic trance. I am a practicing Santera, so I always invite my spirits to join me and even sing through me. What I love most about playing live is the exchange with the audience. It’s like an exchange of energy back and forth.

Q. How do you describe Beste sounds?
Dark, sexy, ethereal, sometimes sad, it has a strange element that is hard to pinpoint, otherworldly.

Q: Tell us about the process of recording the album?
Denn records all the music in England. Then he sends me the track. I then record the vocal tracks and send them back to him and he does all the mixing and mastering. Our process is simple. We use a Line 6 tone port as our audio interface and Cubase for the recording, mixing and mastering.

Q. Which new bands do you recommended?
Definitely Christian Bland and the Revelators. I also really like Beach House and I LOVE Moon Duo.

Q: Which bands you love to made a cover version?
I would love to really have a great conversation with The Velvet Undergound and Nico actually but I’d be happy to hang out with the Black Angels or Queens of the Stone Age.

Q: What´s the plans for future....
I’m currently in a new psychedelic band that is now writing and rehearsing called the Antique Fog Café that spawned out of my own solo acoustic project. As for Beste, we do have new material and we are in the process of recording. Hopefully we’ll be releasing a new album within the next year so stayed tuned!

Q: Any parting words?
It’s always darkest before the dawn.
*
*
*
Thanks Jamie

https://www.facebook.com/93BESTE93
https://www.facebook.com/93BESTE93/app_2405167945

Fascination Streets with Wonky Doll and The Echo - An Interview

Eis que a Grécia aterriza no TBTCI através do combo pós punk Wonky Doll and The Echo, uma surpresa extremamente prazerosa.

Pleasant Thoughts é o debut dos caras, e mostra uma elegância que me remeteu diretamente a grandes bandas dos 80´s como Psychedelic Furs, The Cure e Lloyd Cole, com uma roupagem atualizada, o debut impressiona, mas o que impressiona é os caras já terem aberto pra gente do clibre de Xymox e Frozen Autumn.

O contato deo WDATE com o TBTCI aconteceu inusitadamente e de cara não podia deixar escapar de apresentar a banda através dos próprios, vamos de Wonky Doll and Echo então.

***** Interview with Wonky Doll and The Echo ******

1. When did Wonky Doll and the Echo start, tell us about the history...
George Lemons: Wonky Doll and the Echo were formed in 2010 when YIOS (plays the bass) and me created a few songs we actually liked, hence we decided to form a band. By that time we met Kostas, whose part is to play the synth and occasionally the guitar. That is when we started playing with the help of a drum machine and this is how we first performed live on December 2010. However, we decided that we preferred a more solid, strong sound which could be formed with the addition of the drums. This is how we found Octapus, who proved himself really capable of performing the quite demanding drumming samples we used to have. After a while we became a solid team all four of us.

2. Who are your influences?
George Lemons: We are inspired by the late 70s and 80s underground scene, but we also got references from even more back in time, such as David Bowie or Velvet Underground, or the first electronic sounds in the 70's (like Kraftwerk) or surf sounds from the early 60s and rock 'n' roll. You can also add the more popular 90's indie scene and today's shoegaze and alternative scene, so as you can imagine, there is a lot of diversity in our sounds, which is obvious in our work as well.

3. Make a list of 5 albums of all time…
George Lemons: I change this list every day. Today, my top 5 albums are: Dead Can Dance (by Dead Can Dance), Music for the Masses (by Depeche Mode), The Velvet Underground & Nico, Idiot (by Iggy Pop) and Low (by David Bowie).

Kostas Antonakoglou: A lot of albums deserve a place in that list, but here it is: Wish you were here (by Pink Floyd), The Doors (by The Doors), Closer (by Joy Division), Exit (by Tangerine Dream) and Coltrane's Sound (by John Coltrane).

Octapus: This is a list of albums I love listening from start to finish: Another perfect day (by Motorhead), Calling Card (by Rory Gallagher), Blade Runner (by Vangelis), Outlandos d'Amour (by The Police) and Remain in Light (by Talking Heads).

YIOS: Here is my list: Dark Side Of The Moon (by Pink Floyd), Man Machine (by Kraftwerk), Pornography (by The Cure), Ashes (by Christian Death) and Telson (by Stereo Nova)

4. How do you feel playing live?
Octapus: Actually this may seem a little strange, but I actually feel like I become invincible just to find this secret door to unlock it. As soon as I get in everything starts to float, so, space and time are irrelevant to me. Of course when I stop playing everything comes to normal, but the greatest part is that I can do that again.

YIOS: A mixture of feelings seizes me. I always have a little stress, which goes away on the very first seconds of our first song. I like to observe the audience while playing. The way they listen to us or dancing sometimes, excites even more. Every time we play our last song, I always say "I wanna play more".

5. How do you describe Wonky Doll and the Echo's sounds?
George Lemons: Ethereal guitars, fuzzy bass lines, atmospheric synths,catchy rythms and lots of echo.

6. Tell us about the process of recording the album?
YIOS: We had decided that "Pleasant thoughts" would be “our child" in all levels. So, we are talking about a DIY production. It was recorded at George's house, and to be more specific, in his bedroom. We customized the room to meet our needs. It was crucial that we had all necessary equipment. We spent several hours each day over the two months that the whole process lasted. I think the hardest part was the production, which was mainly made by me and George, but the result is what we really wanted from the start.

7. Which new bands do you recommend?
Kostas: The names that pop out in my mind right now are Tamaryn, Savages, The Soft Moon, No Joy and Miyazaki. They all have cool songs.

8. Which bands you'd love to make a cover version?
YIOS: That's a tough one. Making a cover of a favourite song is tricky. You need to adapt your own sound to the particular song. That's what makes a good cover, in my opinion. Nevertheless, I'm not against trying such a thing.

9. What are your plans for the future?
Kostas: The truth is that we love doing gigs. We always try to have a full schedule and we can't wait to start touring. We hope we'll have the chance to do it soon. There are a lot of unreleased songs in our hard disks, old and new, and we are about to start making a new demo. You can always learn our news on our website and our social newtwork pages.

10. Any parting words?
Wonky Doll and the Echo: We hope you'll enjoy our new music video...Take care!
*
*
*
Thanks Guys

http://wonkydollandtheecho.bandcamp.com/
https://www.facebook.com/WonkyDollandtheEcho

Ghost Riders with The Road To Suicide - An Interview

Iniciando o mês de junho, o TBTCI aterriza novamente na Dinamarca, dessa vez para uma das grandes revelacões deste 2013, a pérola lisérgica atende pelo sugestivo nome de The Road To Suicide, seu debut, o ep split com outra belíssima banda chamada Spökraket, mas por ora vamos com uma das cancões mais intensas do ano, a faixa de abertura do EP, Sleepers é algo assim viciante, mais de 8 minutos de psicodelismo, explorando tudo que foi feito no estilo durante as décadas e inserindo doses extremas de acidez, não há como não se deixar entorpecer por Sleepers, na sequência Before Lexington exala BJM por todos os lados, fantasmas de Roky Erickson permeiam a cancão, mas o grand finale ainda esta por vir a redencão esta em Looking for Water pouco mais de 10 minutos de uma viagem extrema, para este que vos escreve o The Road To Suicide virou objeto de adoracão e se você realmente esta inserido neste contexto certamente vai acabar por se abduzido inteiramente pela música do Road To Suicide, Looking for Water é guiada soberbamente por uma citara que certamente Ravi Shankar abriria um sorriso de ponta a ponta.

Simplesmente MAGISTRAL!!

Enquanto aguardamos as próximas doses dessa acidez, o TBTCI serve um aperitivo com gosto de lsd.

***** Interview with The Road To Suicide *****

Q. When did The Road to Suicide start, tell us about the history....

We started back in 2011. During summer, our drummer Jens hosted a DIY-festival far away from civilization, where spaced out people and experimental musicians from the local scene had a chance to present their work for other artists.

Niclas (leadsinger and guitarist) had a bunch of songs, but no band. He was asked if he wanted to play at the festival and a month before it had to take place, a band was formed. The rehearsals had been so intense that The Road to Suicide was going to headline at the festival saturday night. The gig went beyond expectations, so we decided to continue playing together.

Michael joined on organ and percussion a half year after the concert.

Kristian joined on guitar, november 2012, as one our guitarists went to the northern part of China, to train Kung-Fu.

Q: Who are your influences?.
Roads and suicides.

Q. Make a list of 5 albums of all time….
It is difficult to pick the albums of all time, but we each will pick an album that means a lot to us.

Ghost (japan) - Ghost
Electronic Hole - Electronic Hole
My Bloody Valentine - Ecstacy And Wine
Can - Future Days
Bark Psychosis - Hex
Rowland S. Howard - Teenage Snuff Films

Q. How do you feel playing live?.
We are a live band much more than a recording band. It's intense when playing live. Like a parallel bubble where time and space is raping each other. We are really inspired when playing under the sun, with people we haven't met before. Like when we play in the streets, which is a thing we tend to do a lot.

It always gives us a lot of energy that lasts for weeks! We try to play as much as possible, not necessarily in front of a crowd, as the value of the introvert experience is the thing that we are going for.

Q. How do you describe The Road To Suicide's sound?.
One of our friends told us that there are many layers of details, that gives each listener a unique experience. You don't only pick the melodies that are being played, actually you make your own melodies and harmonics from the resonating overtones. We like to work with these chaotic tendencies to give the listener a blank canvas where they can paint their own soul. There are many sources of sound, that we try to sew together in a wall of sound. And of course, we are playing loud. Very loud.

Q: Tell us about the process of recording the ep?.
We started recording one week before our organist had to move from his appartment. It was a great place for recording, because the building was placed on the outskirts of town, where we could play really loud. It was a kind of shitty setup, but we managed to make the best result out of it. We isolated all the amps in different rooms and played together in the living room. We recorded 5 songs and had to dump two of them. When we had to record the vocal for "Sleepers", Niclas was really high and drunk. He wanted to sing in a dark room, so we put up a microphone in the bathroom, turned off the lights and closed the door. He destroyed 3-5 bottles of beer during the vocal recordings. Afterwards we made some overdubs at different locations, where we added violins, theremin, didgeridoo, and percussion.
The EP was mixed in 4 months and then it was ready for release.

Q. Which new bands do you recommend?.
We saw a brilliant concert yesterday with our label mates The Hedgehogs ( http://www.youtube.com/watch?v=YfYIEPSFLao )

It was mind blowing and we deeply recommend this band. Their constellation has changed from 4 people to a massive rock band consisting of 6 people. It's a holy number of musicians in a band.

And of course Spökraket - the worlds most democratic band. ( http://www.youtube.com/watch?v=3y44o-AQo1Q )

We just released a 12" split with them, and we've been playing a bunch of concerts together.
Also, we are trying to establish a community through Levitation Records. It's a small independent label from Denmark who are really supportive. They believe in the music and artistic value of their bands, and we are really proud of working with them. We deeply recommend listening to all the acts from the Levitation Society. http://levitationrecords.dk/

Q: Which bands would you love to make a cover version of?.
The cosmic singing of planets, birds and oceans. We don't enjoy playing cover versions as much as we love to compose our own music.

Q: What´s the plans for the future.....
We are gonna make a full-length album as the next step. As well as playing outside Denmark. This summer, we seek isolation in a big storage building at the countryside, so we can try to play in different rooms, do some field recordings as well as approach the project in new ways. It is very important for bands not to be bound to a genre. The gifted musician gets rid of all his habbits, and is willing to accept movement whether it is aesthetical, stylistic, or philosophical.
*
*
*
Thanks guys

http://roadtosuicide.bandcamp.com/
https://www.facebook.com/theroadtosuicide