sexta-feira, 28 de março de 2014

The Devil May Care with The Blondi´s Salvation - An Interivew


Um dos já grandes albuns lancados neste fabuloso 2014 é o novíssimo do The Blondi´s Salvation intitulado Crusades, de cara esses franceses de Nantes, jogam na cara de todos um album encharcadamente psicodélico, mantras indianos permeiam o clima do album desde a abertura xamânica com The Ordeal até o grande finale com Vow of Silence passando pela delirante Go Truth, fantasmas de Lou Reed, Brian Jones, Roky Eriksson, Anton Newcombe, Peter Kember passeiam pelas dez preciosidades de fazer de Crusades um dos já ditos, albuns do ano.

Viciem-se com The Blondi´s Salvation.....

***** Interview with The Blondi´s Salvation *****


Q. When did Blondi’s Salvation start? Tell us more about the story...
Manuel, Julien and Etienne started the band together in 2011. At the time, we were playing 60's stuff in an old warehouse on the docks of Nantes, our city.

When the last drummer ''had'' to leave, Morgane joined us. She never played drum before but she really figured out what was the purpose of the band, so that was pretty easy for her to learn how to play drums, she was practicing for only six months when we played at the Levitation Festival.

In September, Mathieu joined us to play percussions and keyboard, we felt that 4 people were not enough to tell what we wanted to. And we were glad to integrate his musical knowledge to the band. This new line up seems to be the best we never had.

Since the early beginning of the band, we really try to keep the control of every artistic aspects of what we do. Every aspect of the creation (recording, mixing, artwork, reflexion about the future) is important for us.

In this way, we recorded our first LP “Songs of the new world order '' in 2012 in a garage with the help of a friend, Antoine from Acouphonic Amps, who is now part of our little community. A few months later, we started to record a 4 tracks EP called '' to our future '' in our music room (we started to record it before the Lp was out, because we were not fully satisfied with this last one.) In January 2013, we started to record (for the first time in a studio) '' Crusades '', written within a few months, with no drummer (Julien plays drums in that record) and only 2 days to record ten songs. That was the beginning of something new for us: a new sound, a brighter direction and so many new possibilities to explore.

Times are changing for music, and we want to keep it pure, sincere and noble.

Q: Who are your influences?
By living together it's very easy to share things with each others and to make discoveries.

We are mainly influenced by 60's bands: we like the creativity, the sincerity, and the idea of destroying the established concepts that were dominated at the time, before things went crazy for music. Some actual bands manage to keep the original energy of the early years of rock music, but despite this, the majority are just rehashing the same things, deeply influenced by the music industry and the culture of stupidity that stands today.

We are more and more influenced by ancient and medieval music. A long time ago, before the advent of pop culture, things were different in term of music; people were playing music for different reasons and in a different way. It might have been in a better way than today or maybe a worst one, we can't really know what we have lost, but we must not forget what has been done before. We are European and all the things built and invented around us were here before, belonging to another kind of music, so it is for us a direct influence that we must follow. We are directly influenced by all kind of noble music that we can ear. For example, many kind of traditional music sounds like that: Indian music, Asian music, Arabian music, African music… all of those music are created profoundly in a different way, we want to explore that and understand from where comes these melodies and the rhythms we like.

Q. Made a list of 5 albums of all time…
Each of us chose an important album :

Julien : Brian jonestown massacre : Give it back Manuel :The sonics : Here are the sonics

Etienne Nick drake pink moon Morgane Janis Joplin : pearl

Mathieu Velvet underground : VU


Q. How do you feel playing in live?
We are torn between the selfish pleasure of playing music with a large part of improvisation and the duty that we have to play a music that that we think is pure to people who are listening. That's why we try to play with new materials as much as possible, so that our music always still sounds fresh for us but also to transmit strong feelings to people.

We know that it is difficult to keep a constant energy in a band when playing a lot of gigs, but we try to keep it as harder as we can. We love to play live. Q. How could you describe Blondi´s Salvation sound?

There are two essential reasons to make music. First of all, you can play religious music for celebration of gods, or you can play entertainment music. In any kind of culture, music is born in a ritual, a kind of combination of those two aspects. This is what we are trying to reproduce, through the mediums we have nowadays. We use the ''Rock'' sound wich belong to our culture and has already proven how interesting and polyvalent it could be. This is a kind of basis for our compositions.

Artistically, our actual sound is based on strong ornamented melodies supported by organic rhythmic and sounds. We try to include traditional instruments too (especially in the third LP that we are actually writing) mixed with modern occidental sounds.

Q: Tell us about the process of recording the songs?
Julien is creating a studio, so this will be a good opportunity for us to keep control on the production. We also have the help of acouphonic amps who is building audio devices for the studio ( as Tubes preamps and comps )

Once we get the studio, we'll really be able to deeply work on our records and we'll have more time for experimentations. We are thinking about new methods to record live songs for our 3 rd LP, trying to find ways to make it as unique as possible. In that way, we'll try to find a special place to record our next album, we are looking for an historical place with a good acoustic. A castle or a church would be wonderful for that record.


Q. Which new bands do you recommend?
We really love the sound of the Blue angel lounge and we are waiting for their new LP ! We strongly recommend to see Tonstartssbandht live, those brothers are amazing !

J.C satan and Sudden death of stars are two of the best french bands we know, people who don't know them yet have to listen to them!

Q: Which bands you would love to make a cover version?
Gustav holst : the planets

Q: What´s your plans for the future....
We are actually working on a Third Lp, which we want to release ideally before the end of the year. We are looking for a label that can produce us and help us for production and tour organisation at the same time.

In a more artistic way, we don't know what we'll do in the next future. We only know that it will be different.

Q: Any parting words?
Internet is changing the music and the world in general. People have to react and find new ways to support the music they like and they must not forget that music is not just a single mouse click among millions but a way to guide the future.
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http://blondissalvation.bandcamp.com/
https://www.facebook.com/pages/The-Blondis-Salvation/164016870275185?fref=ts

segunda-feira, 24 de março de 2014

D.evolution with Dahga Bloom - An Interview


Diretamente de Fullerton uma cidadezinha da Califórnia e gravando pela insana Captcha Records, esse doentio combo intitulado Dahga Bloom é algo assim caoticamente insano, feito sob medida para caras como meu brother Claudio Cox.

Freenoisepsychartpunk é tipo isso e mais um monte de coisa, eu penso que nem é legal tentar definir o album No Curtains que vai rolar em 04/2014 e já está esgotado bem como o 12" anterior o homônimo que também esta esgotado, o lance é que na boa, onde a Captcha põe a mão é sinônimo de música doentia e de qualidade altamente acima.

E chegou a hora do TBTCI prestar reverência aos caras e já não era a tempo.


***** Interview with Dahga Bloom *****


Q. When did Dahga Bloom starts, tell us about the history...
Dahga started with a dream about 4 years ago when the band was called Living Suns, wherein 3-5 of us were all confronted by the African god Dahga, who spoke to us, and told us to take his name. Members have changed over the years, but this is who we are now, and who we hope to remain.

Q: Who are your influences?
Dahga, kids, dogs, musicians, books, booze, furniture, poets, tools, cycles,

Q. Made a list of 5 albuns of all time…
1. Queens of the Stone Age-Songs for the Deaf
2. John Coltrane-A Love Supreme
3. Can-Tago Mago
4. V/A-Tanz Mit Dem Herzen
5. Devo-Question: Are We Not Men? Answer: We Are Devo!

Q. How do you fell playing alive?
Very sweaty. Aware of each other. Very Loud. In tune, in time. Soaring. Marching. Blown out.

Q. How do you describe Dahga Bloom sounds?
Fuzz, scuzz, shriek, shrill, diminished, distorted, loud, proud, driving, climbing.

Q: Tell us about the process of recording the songs ?
We usually work on a song for a while until we get a structure, then we record a quick demo of it and let it sit and soak in with us. Vocals are added. Then we re-record, more professionally, in our studio. Sometimes we track individually, sometimes in pairs, sometimes live as a full unit. Whatever works and is appropriate for the sonic mood, we try to apply to each song.


Q. Which new bands do you recommended?
Elms, half goon, church of sun, FART BARF

Q: Which bands you love to made a cover version?
Devo, rheingold, the damned/

Q: What´s the plans for future....
Releasing "No Curtains" for captcha records, working on a new 10" record, playing Austin Psych Fest, and Psycho de Mayo, and continuing to write new songs.

Q: Any parting words?
Music should be fun, not a task, job or chore. If it ceases being fun, it ceases being necessary.
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Thanks Guys

https://www.facebook.com/pages/DAHGA-BLOOM/
http://dahgabloom.bigcartel.com/
http://captcharecords.bandcamp.com/album/no-curtains

sexta-feira, 21 de março de 2014

Creation with Flaamingos - An Interview



Segura a trip!!!

Como diria meu irmão e comparsa Fabio Bridges, segura a trip é a melhor frase pra definir o Flaamingos, de Los Angeles para os ouvidos ávidos e sedentos por experimentacão pop atual, leia-se aí Deerhunter, mais o Flaamingos é por vezes mais soturno, em outras mais psicodélico e na maioria das vezes bebe na fonta shoegazer do MBV.

O homônimo Flaamingos, o album, saiu ano passado e tardiamente aterrizou nas páginas do TBTCI, nada que não seja possível retratacão imediata, porque olha, que discão, tóxico e viciante, tem que escutar imediatamente, não perca mais tempo.

Deleitem-se com Flaamingos

***** Interview with Flaamingos *****


Q. When did Flaamingos starts, tell us about the history...
Jerry: Started in 2011. Daniel and I had played together before. From our BIO: The band was formed by Jerry Narrows (vocals, drum programming) and Daniel Koontz (guitar, bass, synth) — the two played together in psych and shoegaze bands as youngsters, before going their separate ways and working in other musical projects for a time. They bumped into one another at an Echo Park party spot in 2011, and decided to collaborate again — this time, however, their work involved crafting a new sound that would include traces of their past psych/shoegaze inclinations, but also drew on newer-found love for krautrock, post-punk, synth pop and new romantic shimmer. As Narrows told LA's TPR Mag last year, "We have both post-punk and psychedelic sensibilities. I’d say we’re heavily influenced by the poppier side of both 'genres.' Of course we have our influences but in the end we’re not really going for such a specific target with our sound — we're trying to create something greater than the sum of its parts."


Q: Who are your influences?
Jerry: There are thousands of influences but I'd say the most notable would be Factory Records bands like The Wake, Joy Division/New Order. I'm a big David Bowie fan. Early Depeche Mode. The Jesus and Marychain, Slowdive, The Smiths. Kraftwerk. The Velvet Underground. Siouxsie and the Banshees, Iggy Pop/Stooges. Spacemen 3. Tears for Fears (The Hurting), Echo and The Bunneymen.. many more..

Daniel: There's so many musical directions I'd like to explore, but time is limited, so...I've always had an interest in synths, but up until now never had the money to be able to act on it, until now. That's why I originally invested in a barely working $50 Akai s1000 sampler for the 1st record. Now that we can afford synths, we've been working on more synth-heavy productions, and the Kraftwerk, Georgio Moroder, Cluster, and early 80's Darkwave influences are becoming more prominent.

Q. Made a list of 5 albuns of all time…
Jerry: The Wake- Here comes everybody, The Smiths- Queen is Dead, Iggy Pop- The Idiot, Slowdive- Souvlaki Space Station, Velvet Underground- any album (esp. White Light/White Heat), Depeche Mode- Black Celebration Joy Division- Unknown Pleasures, Elvis-Sun Sessions. Is that 5??

Daniel: There's albums I always keep coming back to: Spiritualized' Lazer Guided Melodies, Aphex Twin's Ambient II, Brian Eno's 70's solo albums. Georgio Moroder's 70's productions, My Bloody Valentine's EPs from 1987-91, Daydream Nation

Q. How do you fell playing alive?
Jerry: Playing live? For me it's a release and a celebration. A chance to connect with people on the same level who want to release and escape with us.

Daniel: I love playing live, you see instantly what works and what doesn't, when working on new material. I'd say that Jerrold and I are so cerebral in our writing process that playing live forces us to be more "in the moment".

Q. How do you describe Flaamingos´ sounds?
Jerry: We process all our influences and use technology to arrive at a point that is loaded with rhythm, melody and texture.

Q: Tell us about the process of recording the songs ?
Jerry: We don't have a set process, really. We don't use a lot of live drums so we're able to record just about all of the instruments directly and therefore don't need a big studio space because we don't need to be loud. So we do a lot of recording in our homes and pass a lot of files back and forth to each other for evaluation and editing, etc. Then we hope to rehearse them some, then record them.

Daniel: For me, the 1st album was about combing ambient music with pop sensibilities. Combing dissonance with pop structures. Its still early in the writing process, but the 2nd album seems to be moving into more of a rhythmic dance-oriented direction, but still retaining the more dissonant and non-pop influences.

The 1st album was total controlled chaos, learning how to be a band, learning how to use our equipment and doing what we had to do to finish the next track and make it sound as good as possible. We had a good sense of direction, but our lives outside of the band were in such a state of flux that it made it so that it wasn't really possible to have a set process. In hindsight, I think that was more of a good thing than bad.


Q. Which new bands do you recommended?
Jerry: Girls Names, Sam Flax, Silent Servant

Daniel: I'm really loving what's been coming out of the Italians Do It Better label. Johnny Jewel's production-sense is impeccable. Silent Servant, Hibou, Mac Demarco

Q: Which bands you love to made a cover version?
Daniel: We've been talking about doing a cover lately. I like cover songs when they don't sound like the original at all. For me, I'd like to look at songs where the arrangement is different enough from our style to where we could make cover that's as different from the original version as possible. Otherwise, I don't see the point. Speaking of covers, check out Anika's S/T on Stone's Throw, it's one of the best records I've heard in the past 10 years! Geoff Barrow is a genius when it comes to production.

Q: What´s the plans for future....
Jerry: Writing and recording another album. We would like to tour: U.S., Mexico and Europe.

Daniel: Right now our main focus is on making a great 2nd album. Trying to expand the style but at the same time still incorporate things we liked about the 1st album, so it feels like a progression.

Q: Any parting words?
Jerry: I am so happy people in Brazil have responded to our music. We hope to some day come and play there!
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Thanks guys

https://www.facebook.com/Flaamingos
http://flaamingos.bandcamp.com/

quarta-feira, 19 de março de 2014

Real Cool Time with Dizzy Stilettos




Novidade tanto para o TBTCI quanto pra música mesmo, o Dizzy Stilettos ou Matthew McClanahan, segundo o próprio Matt faz algo chamado Death Molasses Country Stomp, não me pergunte o que significa isso na realidade, mas escute Riding Low The Living Room ou Citrus Skyline e talvez alguns segredos sejam desfeitos, tem um que de Tom Verlaine que permeia a música que olha, o negócio é sério, uma levada altamente sexy na música também pega de primeira.

O TBTCI avisa, é pra ficar de olhos e olhos bem abertos.

***** Interview with Dizzy Stilettos *****



Q. When did Dizzy Stilettos starts, tell us about the history...
A brief history of Dizzy Stilettos is that it's a one man project started in 2008 by Matt McClanahan while living in Echo Park Ca. The album Turbo Satanic was written and recorded in his bedroom.

Q: Who are your influences?
Some influences are Roger Miller, Lansing-Dreiden, and Eagles Of Death Metal.

Q. Made a list of 5 albuns of all time…
The albums off the top of my head are
The soundtrack to Mary Poppins,
The Stranger by Billy Joel,
Fun House by The Stooges,
In Utero by Nirvana,
and Lullabies To Paralyze by Queens Of The Stone Age

Q. How do you fell playing alive?
When I play live I feel good and sexy and have a bueno time

Q. How do you describe Dizzy Stilettos sounds?
I would describe Dizzy Stilettos sound as being Death Molasses Country Stomp

Q: Tell us about the process of recording the songs ?
The process of recording songs usually is coming up with a couple guitar riffs that sound good to me, then i'll usually try and find a melody I think is good enough followed by adding drums and anything else the song says it needs.

Q. Which new bands do you recommended?
Some bands or music I would recommend would be Mac Demarco. I really like his music. I've been listening to Kurt Vile's latest album recently again as well. Also, I hear a rumor that there is a group called Jay And Bambi that is coming out with their first album this year sometime. I may or may not be a part of that group but who's cares....I like the music

Q: Which bands you love to made a cover version?
I actually have covered a few artists in the past. Depeche Mode and Roger Miller to name a couple.

Q: What´s the plans for future....
The future for Dizzy Stilettos is another album in the works and plan on recording it this summer with a release later this year.

Q: Any parting words?
Be good to each other,god bless and Thank You Renato and The Blog That Celebrates Itself!
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Thanks Matt

https://myspace.com/dizzystilettos
https://www.facebook.com/dizzystilettosmusic

sexta-feira, 14 de março de 2014

Ladies And Gentlemen We Are Floating In Space....Again with The Wise Dude´s Revolver - An Interview



Franceses e psicodélicos o The Wise Dude´s Revolver soltou no final do ano passado seu Ep de estréia o chapante, The Wise Dude´s Revolver EP, 4 musiquinhas que deixaram Anton Newcombe com um puta sorriso na cara, mas não somente da influència do BJM que a música do TWDR ecoa, jogue ai Warlocks e Black Angels e aquele ar de Austin com nuances francesas.

E assim caminha a passos largos a cena psych nos quatro cantos do mundo, e notem que pipocam inúmeros festivais psych em todas as cidades do mundo, quem sabe em breve o Brasil não entre nesse filão que escutem a profecia do TBTCI, que na real já havia dito isso há quatro anos atrás, o psych é a música dos novos tempos.

Peace, love and psych


***** Interview with The Wise Dudes´s Revolver *****



Q. When did The Wise Dudes starts, tell us about the history...
Most of the guys have known each other for a very long time (from high school, neighborhood and so one...). Cyril (guitar/voice), Jérémy (guitar) and Clément (bass) were used to jam together, but at some point they wanted to get involved more seriously in a band. The band was borned really in the summer of 2012 with the arrival of Nicolas (drums). From that point we started to write songs and play in small bars and venues.

We recorded our first EP during the summer of 2013 and released it in september 2013. After that we had the chance to play bigger shows in our region or as support for bigger bands we love. We must say the end of 2013/beginning of 2014 has been very fruitful for us :)

Q: Who are your influences?
As every musician, we have a lot of different influences, because each of us listen and love a broad range of music styles and bands.

In our music, though, the most notable influences would be The Brian Jonestown Massacre, The Black Angels, Spiritualized, the Velvet Underground, and maybe Pink Floyd.

Q. Made a list of 5 albuns of all time…
Very difficult question :-) Each of us picked one !
(ordered by date)

John Coltrane - My Favorite Things
The Velvet Underground - The VU and Nico
Pink Floyd - Meddle
Spiritualized -





Ladies And Gentlemen We Are Floating In Space
Dead Skeletons - Dead Magick

Q. How do you fell playing alive?
Playing a live performance is amoung the best sensation you can feel. This is the real time the songs and your music are not only about you and your buddies but the rest of the world. Most of all, every show is very different from the others, and nothing is never going exactly the way you have planned !
In bigger venues, it is also the occasion to smash the drums/the guitars as hard as you want without driving the neighbors mad.

Q. How do you describe The Wise Dudes sounds?
Coming directly from the guts and the heart, with reverb, rather slow, usually with long crescendos and hypnotic patterns.



Q: Tell us about the process of recording the songs ?
We recorded our first EP basically by ourself. We had the chance to borrow good quality microphones from a friend. Théo Cloux, our former keyboard player, recorded during three days, non stop, in the empty house of the late Cyril's grandma, wich is located nearby a nuclear power plant. This was a pretty intense week-end.

We were afterwards also able to record some tracks of timpani and gong because Nicolas, the drummer, was a member of the University's symphonic orchestra.
Finally, the mixing and the mastering was done by Philippe André, a friend of us and independent engineer in his home-studio.

Q. Which new bands do you recommended?
Well, the psychedelic scene is so active that a lot of awesome bands are emerging each month.
Among many others, we would recommend Juleah (a solo Austrian artist), and White Glow (fellow French psychgazers).

Q: Which bands you love to made a cover version?
We don't usually do covers of other bands. However we did cover "White Light/WHite heat" and "What Goes On" By the Velvet Underground during a special event. We like to play these songs from time to time for encores or acoustic shows.

 Q: What´s the plans for future....
Many plans! We are going to release a video for our song Sailing Away, the 9th of March. After that, we are also going to tour south of France in the end of Avril/beginning of may.

Meanwhile, we are also writing new songs,rehearsing, creating new artworks and so one...

Q: Any parting words?
Enjoy ! Ruir !
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Thanks 

terça-feira, 11 de março de 2014

Reverence with The Janitors - An Interview


Diretamente da Suécia para ensurdecer os tímpanos do mundo, The Janitors.

Simplesmente discípulos da obra prima chamada Psychocandy, os caras soltaram ano passado o espetacular e necessário Drone Head, algo como Taking Drugs To Make Music To Taking Drugs To da nova geracão.

E é o seguinte, não vou me estender aqui, leiam oucam, consumam, viciem-se, se é que ainda não estão assim o o grande The Janitors.

***** Interview with The Janitors *****



Q. When did The Janitors form? tell us your story….
The first incarnation of The Janitors saw the light of day back in 2004. Driven by the absence of noise in the stockholm scene, three Janitors with a mutual love for JAMC decided to start a band. for about a year and a half we delivered chaotic gigs and an EP before we split up. In 2009 a new incarnation of The Janitors surfaced and released “First Sign of delirium”. The current lineup, the third incarnation of The Janitors have been together for about one year and consist of Jonas; vocals and guitar, Henric - guitar and drone, Martin - bass, Jon - drums and Anders - percussion and organ.

Q: What are your influences?
Long cold harsh winters, Innis & Gunn, noisescapes, sleep deprivation, strobelights, strange sounds, cheap beer, pedals and the feeling of playing one chord a really, really long time,

Q. Your 5 albums of all time…
The only almost all of us could decide on is

Jesus And Mary chain - Psychocandy

So here’s a list of the Janitors top 26 albums chosen by all the members (not in any particular order):
The Velvet Underground - The Velvet Underground
Misfits- Walk among us
The Doors- L.A Woman
M.I.A- Arular
Elvis Costello- My aim is true
Talking heads- 77
Soundgarden - Superunknown
Neil Young - Everybody knows this is nowhere
Bob Dylan - Highway 61 revisited
The Rolling Stones - Beggars banquet
Led Zeppelin - IV
The Stone Roses - The Stone Roses
The Kinks - The Village Green Preservation Society
Love - Forever Changes
The Beach Boys - Pet Sounds
The Clash - London Calling
Nick Cave and the bad seeds - Let love in
The Velvet Underground - Loaded
The Beatles - Abbey Road
Tom Waits - Rain dogs
Loop - Fade out
Depeche Mode - Black Celebration
Spiritualized - Ladies and gentlemen we are floating in space
Sonic Youth - Sister
bob hund - bob hund
Spacemen 3 - Perfect prescription

Q. How do you feel playing live?
Nervous and really really intense. We try to stay on our toes… The current formation of The Janitors are now a lubed up trippy sonic fuckin massacre on stage. We really enjoy playing live. We are accompanied by visual magician Daniel Wiklund aka Hypnorama, who specially design our live visuals.

Q. How do you describe The Janitors' sounds?
Aquarius records tried to define us as fantastically druggy and tranced out, psychedelic spaced out heavy garage psych. That’s a long line of words but they kind of describes us pretty well.

We have a lot of different labels and witty descriptions : Evil Shoegaze boogie woogie and/or stökpsych. Swedish Lysergic fuzz wizardry, If Nick Cave decided to start a shoegaze band, I think it might sound a little like The Janitors ‘Death Song’”. it’s pretty dark basically.

Q: Tell us about the recording process....
We have our own setup in our studio in an old bomb shelter in the outskirts of Stockholm.

With the previous records Jonas and Henric would record every instrument by itself, now we have been able to buy a good mixer, sound card and microphones to be able to do more proper live recordings. In the new recordings we try to minimize the overdubs to more resemble our live sound. The equipment most re-occurring in the recording process would be the EHX freeze pedal + Boss DM-2 delay and an old Harmaphone fan organ that produce most of the drones, we used to have a crappy brazilian guitar called sonic that we use for fuzz parts. In the digital arena we are very fond of a couple of plug-ins we have, especially anything that has a punish button in there has The Janitors written all over it.

We are currently recording songs for the forthcoming albums coming this fall. We do all of the recording and producing and mixing ourselves.



Q. Which new bands do you recommend?
Not new but one of our favorite swedish bands: Audionom. They're a krautrock gone progressive swedish collective that coined the phrase The Sound of Wall. Amazing band.

Technicolor Poets, Hills, Then comes Silence, His Name is Codeine and many others. We devour everything from Cardinal Fuzz. Dave over there seems to have impeccable taste. And of course the other band that members are playing in: Black Belt, Nya Zeeland and Svart Katt.

Q: Which band and song would you like to cover?
We have done covers of Elvis, The Modern Lovers and the Mary Chain. Right now we haven’t got any lined up. What would you suggest?

Q: What are the plans for the future….
We will follow up Drone Head with a 12” EP on the Danish label Bad Afro Records and a full length album will be released by the mighty Cardinal Fuzz by the end of the year. So a lot of time will be spent in the studio going forward.

In between this we will probably release a lot of weird shit on our own digital Label - Your Ears Have Been Bad And Need To Be Punished Records. The label will also release the debut with STRSSMMNT and above mentioned Technicolor Poets along with distributing our friends over at PNKSLM Recordings (Black Mekon, Les Big Byrd, Sudakistan)

We will play the Copenhagen Psych Fest and Liverpool international festival of psychedelica and probably some hometown gigs.

Q: Any parting words?
Right now Europe is experiencing a wave of political forces attempting to normalize fear, oppression and exclusion of people of other cultures, skin tone, sexual preference and in many cases gender than their own. 2014 is election year in Sweden and we will take any opportunity we can to take a stand against the racist party in our own parliament.

This band believes in equal rights for everyone.If you are eligible to vote, please do so in favor of fairness and tolerance.

We borrowed this text from fellow Swedes The Shout Out Louds.
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Thanks my friends

http://thejanitors.bandcamp.com/
https://www.facebook.com/thejanitorsofficial

quinta-feira, 6 de março de 2014

For Your Pleasure with Naam - An Interview



Hell yeah!! Foram as palavras que meu amigo/irmão Robson Gomes proferiu após a audicão de Kingdom do Naam diretamente do Brooklyn, NY, os caras perpetuam um stoner psych rock daqueles de sangrar e derreter a mente, o negócio aqui é brutalmente tenso, doses cavalares de riffs distorcidos, fuzz no talo, e segura que a trip é fortíssima.

O TBTCI sugere a audicão imedita de Kingdom o EP de 2009, e após o derretimento completo, continue a se aventurar pela massacrante e poderosa viagem do Naam.

Por hora, vamos de Naam, a entrevista

***** Interview with Naam *****


Q. When did Naam starts, tell us about the history... John Bundy and I started the band together after many long discussions about music that doesnt exist yet and where we wanted to take it. We wanted to blend many different kinds of psychedelia, indie and metal that we didnt see anyone else doing. Naam has always been about progression and furthering art. After writing a few songs we found Eli who had just moved to New York from Boston and things got really heavy as he was coming from a hardcore band. Later we added John W. on the keyboards. I really dont think our band was truly formed until we added John as a permanent member for Vow and so here we are. Four brothers doing the things brothers do. We share in all the ups and downs and Ive never met more dynamic and interesting people in my life.

Q: Who are your influences?
My influences are great modern thinkers such as Kant, Picasso, Nietzsche, etc. People who really made things very introspective. This is something you can find alot in our music.

Q. Made a list of 5 albuns of all time…
-Beatles "Revolver"
-Roxy Music "For your Pleasure"
-Velvet Underground "Peel Slowly and See"
-Beach Boys "Surfs Up"
-Nirvana "Nevermind"

Q. How do you fell playing alive?
Playing live is one, if not the most, sacred and special thing I do. Our live show is everything and we put everything into it. Onstage I feel many different emotions ranging from hatred to fear to love. I just turn off and let whatever I'm feeling flow through me into the music and performance. This makes every show different from the last.


Q. How do you describe Naam sounds?
We dont sound like anyone or anything else. Its hard to pin down as our "sound" changes on each recording. You can expect our next record to be very unlike the first few.

Q: Tell us about the process of recording the songs ?
We have a great producer, Jeff Berner from Psychic TV. I dont think we could do anything without him. He really is the fifth member of the band. We take a very long time to record and hash over every little sound and phrase always experimenting along the way. Safe to say this pisses off alot of record labels but I do not cut corners with my art. It is the most important thing in life and I feel bad for people without an outlet to fully express themselves.

Q. Which new bands do you recommended?
I really love all the Sacred Bones bands. Dead Skeletons are the best live band right now in my opinion. I am also really into Moon Duo, Follakzoid, Deerhunter, Tame Impala etc.

Q: What´s the plans for future....
We will be releasing our third full length album this winter and you can expect ALOT of touring around it. We also have a live record and a split 12" coming out in the summer. Its a very busy time for us.

Q: Any parting words?
Be cool and but more Naam records.
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Thanks

http://naammusic.tumblr.com/
https://www.facebook.com/KingdomOfNaam

quarta-feira, 5 de março de 2014

To Here Knows When with Moonsters - An Interview



Existem coisas que só o TBTCI pode fazer por vocês, e é exatamente isso que acontecerá nas linhas abaixo, diretamente de Montevideo, Uruguai, apresento o Moonsters, sônicos, deliciosos, e sedutores, shoegazer, noise, dreamy, apaixonante.

Prove a música do Moonsters através do bandcamp deles, lá tem dois preciosos aperitivos para o que estar por vir, sim, apenas duas pérolas, Fairy´s Vomit e Closet servem pra agucar a vontade e o desejo absurdo de querer mais dos caras, é viciante, sedutoramente abrasivo, shoegazer at the top.

Como eu disse, tem coisas que só o TBTCI pode fazer por você, então aproveite o frescor de algo em ebulicão, amigos, com vocês Moonsters....


***** Interview with Moonsters *****


Q. When did Moonsters starts, tell us about the history...
Actually it was all quite accidental. Cobra and I have a personal multimedia project and played together, Lucho invited us to jam one day and it was instant chemistry. Later on August, 2013 Koopa joined on the drums and Moonsters began. We never had the intention of creating Moonsters, it kinda happened naturally. 

Q: Who are your influences?
We have really eclectic tastes and influences, we´re really different from one another, something I think it´s one of the coolest parts of being a part of Moonsters. We don´t try to follow a musical path or don´t try to sound as part of a genre or a scene, or to imitate other artists. Kill your idols, you know... We find inspiration in varied sources, of course in music (we enjoy a lot of different bands from multiple eras and genres, from underground noise, to shoegaze atmospheres, deathrock darkness and no wave beats) also poetry and literature, pop culture, a lot of films (we all have audiovisual background) our own life experiences and of course being born in the 80s and growing up on the 90s forged us, with all that it means.

Q. Made a list of 5 albuns of all time…
Well...this is always a tricky question, specially since we are 4 people and the list is ever expanding. 5 seems like a really tight number, but I´ll try at least to say the first 5 that come to my mind ATM...

All of them in vynil format if possible and in no particular order.

The Velvet Underground & Nico.
Unkown Pleasures by Joy Division
Loveless by My Bloody Valentine
Daydream Nation by Sonic Youth
Anything by Siouxsie and the Banshees

Q. How do you fell playing alive?
We haven´t had any gig yet. We are planning going on tour this year. We love to play, though, the energy flow we get is unbelievable. We always end up extatic and music high. Best drug ever, really.

Q. How do you describe Moonsters sounds?
Since I am a girl in front of 3 males, I think the dychotomy female/masculine is quite evident. My vocals aren´t polished or perfect, just visceral as the lyrics. From the guts and the heart. We describe our sound as atmospheric and skizophrenic at the same time. We use several effects on the guitar which sounds jagged and fuzzy to suddenly turn ethereal and dreamy. Bass lines are rythmical. Drums are solid, and vary between drone and dynamic beats. We´d like to make you feel something. We don´t want to be background music.

Q: Tell us about the process of recording the songs ?
We recorded our singles at Retrotrak, the studio of our friend Marcos. We decided we wanted to record a live take and then we recorded some vocals. It was a blast! I loved the process, the adrenaline level was high and it was intense. Then the songs were mastered by Marcos, who is awesome to work with. He really got our style and the kind of sound we wanted to give to the songs.


Q. Which new bands do you recommended?
We are constantly digging for new sounds, and I think that after many years without a lot of new bands which tickled my fancy there is a wave of great ones arising. We love Savages, an amazing powerful band, finally playing post-punk the way I like it.

We also dig the shoegaze and psy comeback, great stuff´s going on.

Q: Which bands you love to made a cover version?
We are not much into covers, we prefer versions of songs in which artist imprint their own feel instead of copying the sound of others. We are working on a version of a Joy Division song at the moment. I´d also like to version a Slowdive song.

Q: What´s the plans for future...
To be the first band ever to play on the moon. No, really... We´d love to go on a worldwide tour and of course to release an album or two.

Q: Any parting words?
Take care of the sense, and the sounds will take care of themselves.
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Thanks guys

https://www.facebook.com/moonstersofficial
http://moonsters.bandcamp.com/

quinta-feira, 27 de fevereiro de 2014

SIlver Rocket with Creepoid - An Interview


Simplesmente uma daquelas bandas que tem tudo pra arrebentar tudo mas que por enquanto permanece restrita a iniciados, estou falando do Creepoid da Philadelphia, que em 2011 jogou no mundo Horse Heaven, um petardo altamente viciante.

Nuances de Sonic Youth e um apelo pop considerável os caras caminham por shoegazing, noise, alt rock e com propriedade já estão ensaiando vôos mais altos, vão fazer parte do SXSW e estão preparando o que será talvez o debut de "verdade" que virá ao mundo dia 04/03 próximo, ou seja, nada mais perfeito do que o TBTCI antecipar a esbórnia toda aqui nestas páginas, srs, Creepoid na área.

***** Interview with Creepoid *****



Q. When did Creepoid start, tell us about the history...
December of 2009, Sean came over to Pat and I's house and got snowed in. He was stuck there for a couple of days so out of cabin fever, the boys went into the basement and started jamming on some songs Sean had in the back of his mind. It started sounding awesome down there, so they laid down the tracks to tape, and asked me to try some back up vocals. We decided to ask our friend Pete Joe to see what he could come up with on second guitar , and it all just sort of fell into place after that.

Q: Who are your influences?
We all have different influences but I'd say major themes are : The Silver Jews, Beck, Nirvana, Sonic Youth, Unwound.... other 90s bands that feed our nostalgia

Q. Made a list of 5 albums of all time…
Geez, I don't know about of ALL TIME, but these albums have stood the test of time for me

Sonic Youth - Day Dream Nation
The Shipping News - Save Everything
MBV - Loveless
Joy Division - Unknown PleasuresThe Jam - All Mod Cons

Q. How do you feel playing live?
I can say personally that I feel incredible playing live. It's the most fun part of being in a band - because you're able to share this thing you've made in an immediate way. We've played some great shows with some amazing bands, but the best shows are always the ones where the crowd is right there with us - in our face, pushing, shoving and being a part of the experience.

Q. How do you describe Creepoid sounds?
Dark, Unsatisfied, Aching, Howls


Q: Tell us about the process of recording the songs ?
We generally always have a few things that are somewhat unresolved that we figure out in the process of recording. Perhaps we work best under pressure. "Horse Heaven" was recorded with the awesome Kyle "Slick" Johnson at Fancy Time Studio in 2010, and we returned to do drums and vocals with him for the "CREEPOID" S/T. We're now moving into doing our own engineering, and building our own studio. Our newest releases coming out later in the year will all be self engineered.

Q. Which new bands do you recommended?
Hookworms, Fletcher Johnson, Hunters,The Diamond Center,

Q: Which bands you love to made a cover version?
We talk about doing covers a lot, but we almost never do. One time we covered "Fume" by Beck and that kind of ruled.

Q: What´s the plans for future....
We're going to tour as much as possible this year - dates in SXSW, Pouzza Fest in Montreal are some of the highlights.  There are also some more surprises coming up soon, notably a one sided 12" to be released on Record Store Day!

Q: Any parting words?
Be kind.
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Thanks

http://creepoid.bandcamp.com/album/horse-heaven
https://www.facebook.com/creepoid

terça-feira, 25 de fevereiro de 2014

Anyway, Anyhow, Anywhere with The Frowning Clouds - An Interview



E a Austrália esta se tornando uma meca de psych, garagem e psicodelia, e acrescente aí toques poderosos de Mod também, assim é o The Frowning Clouds.

Psicodelia inglesa e mod este é o caminho que o Frowning Clouds percorre em suas albuns, transpirando Kinks, Monks, Who, Small Faces pra tudo que é lado, obviamente com a cara dos nossos tempos, mas se o menos desatento ouvir Whereabout o último dos caras pode certamente dizer que os caras são dos 60´s tamanha a ambientacão melódica.

Whereabout é grudento como toda boa psicodelia britânica da época áurea o era, e isso aqui neste contexto é especial delicioso, pegue-se ouvindo Propellers e sinta na pele.

O The Frowning Clouds vai certamente fazer seu dia muito mais feliz, acredite....

***** Interview with The Frowning Clouds *****


Q. When did The Frowning Clouds starts, tell us about the history...
A: We started about 5-6 years ago. Just Nick and I (Zak) doing acoustic versions of Velvet Underground songs etc. Its was really really bad. I went to school with Daff who wanted to join and knew a guy Ben who played drums. Just been jamming ever since.

Q: Who are your influences?
A: A lot of things. Musically speaking I guess all the old 60s pop/psych/garage, 70s british glam, new wave etc. Heaps of things outside of music can have an influence too, movies, books.. Just people who have done great things.


Q. Made a list of 5 albuns of all time…
A. This list is always changing, here's five that I like... T

he Soft Boys - Underwater Moonlight
Kevin Ayers - Joy of a Toy
The Move - The Move
Pretty Things - S.F. Sorrow
The Kinks - Village Green Preservation Society

Q. How do you fell playing alive?
A. Yeah it's what being a band is all about. It's fun and I like playing the songs a little different every time.

Q. How do you describe The Frowning Clouds sounds?
A. 3 guitars, bass, drums, sometimes keyboard and reverb and fuzz and wah wah.

Q: Tell us about the process of recording the songs ?
A. It's different every time. The album we just recorded (not released yet) was done at our home with a friend who came and recorded us on his computer. It was quick, cheap, easy and stress free. The Album will be out sometime this year

Q. Which new bands do you recommended?
A. Any of our friends bands. There's lots of good music around at the moment.


Q: Which bands you love to made a cover version?
A. We havn't done any covers in a long time and I don't really like doing them.

Q: What´s the plans for future....
A. Make more songs.

Q: Any parting words?
A."be your self, no one else, burn the flag"
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Thanks guys

http://saturnorecords.bandcamp.com/album/the-frowning-clouds-whereabouts
https://www.facebook.com/thefrowningclouds

segunda-feira, 24 de fevereiro de 2014

In Out Of Grace with The Rifle Movement - An Interview


Diretamente do México, ou poderia ser Seatle, o lance é que o The Rifle Movement, tem um pé, ou melhor tem a banda inteira na sonoridade da Sub Pop, quando a Sub Pop era a Sub Pop de verdade, guitarreira nervosa, sabbath pra tudo que é lado, toques de Touch and Go e Blast First, esse é o ep de estréia Carbonera Ojo Caliente, lógico que não esperem a podreira de outrora, mas o Rifle Movement cumpre otimamente o recado, principalmente na poderosa Disierto, música de gente grande.

***** Interview with The Rifle Movement *****



Q. When did Rifle Movement starts, tell us about the history...
It started on February 2013, Pepe (Bass) and i (Mauricio – Guitar/Vocals) we’re playing just for fun.. but in that time he was playing drums, then i meet Zavala (Drums) at school. Because Zavala played drums only, Pepe started playing Bass.. and we started playing for fun.. party and stuff.. i guess.

Q: Who are your influences?
Em.. i think The Velvet Underground, Sonic Youth, Neil Young, Dead Meadow, etc..

Q. Made a list of 5 albums of all time…
Well, it’s kind of hard.. but i think this are our favorites, not in order..
Bob Dylan - Bringing It All Back Home (Mauricio)
The Beatles - Sgt. Pepper (Zavala)
The Velvet Underground – White Light / White Heat (Mauricio)
Ten – Pearl Jam (Pepe)
Cream – Wheels of Fire (All of us)

Q. How do you fell playing alive?
Well, it’s like pizza, the best thing.

Q. How do you describe Rifle Movement sounds?
People feeling like it’s Saturday everyday.


Q: Tell us about the process of recording the songs ?
Well, go to the studio, buy some beer and pizza and just record drums then bass then guitar then vocals.

Q. Which new bands do you recommended?
Parquet Courts.. The Underground Youth.. also in our city, Leon Mexico, is starting a pretty good scene.. like Hexagrams, Ladymen, 33 (good metal) etc..

Q: Which bands you love to made a cover version?
The Velvet Underground – Sister Ray

Q: What´s the plans for future....
Playing, non stop.

Q: Any parting words?
Keep on rocking in the Free world.
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Thanks 

https://riflemovement.bandcamp.com/
https://www.facebook.com/TheRifleMovement?fref=ts

quinta-feira, 20 de fevereiro de 2014

And Then Nothing Turned Itself Inside-Out with No Wave Cinema - An Interview



2014 já deu provas de que sera um belíssimo ano musical, alguns belos albuns já saíram e estamos ainda no início do ano, o que me deixa extremamente entusiasmado.

Um desses belos albuns é Sunsets by Midnight, do No Wave Cinema, na verdade mais uma banda de um homem só, no caso Jonathan Carom, o cara criou um shoegazer dreampop lo-fi daqueles de fazer abrir sorrisos de ponta a ponta, uma doce candura perpetua todo o trabalho do No Wave Cinema, Sunsets by Midnight que saiu na semana passada é sedutor do inicio ao fim.

Mas daí, Mr Carom não contente, já soltou outro album a ser lancado em abril e que já esta livre e disponível pra download no bandcamp do No Wave Cinema que atende pelo título de Shu Qi, mas dream pop ainda que o anterior, Shu Qi é um mix de Ultra Vivid Scene e Pale Saints pra fica na melhor definicão, uma delicia isso sim.

***** Interview with No Wave Cinema *****


Q. When did No Wave Cinema starts, tell us about the history...
No Wave Cinema started in October of 2013 which was towards the fall of last year in my cozy bedroom. The name No Wave Cinema comes from an underground New York City film movement from 1976-1985 which was established in the lower east side. One can argue that this film movement is similar to French New Wave in the likes of Godard and Tuffaut during the 50's and 60's. A ground breaking movement for American Independent Cinema at that time.

Q: Who are your influences?
The Durutti Column, Yo La Tengo, My Bloody Valentine, The Jesus and Mary Chain, Slowdive, Spacemen 3, Galaxie 500, Shocking Pinks, The Radio Dept.

Q. Made a list of 5 albums of all time…
Not in any particular order.

1. My Bloody Valentine - Loveless
2. Yo La Tengo - And Then Nothing Turned Itself Inside-Out
3. Galaxie 500 - Peel Sessions
4. The Velvet Underground - The Velvet Underground
5. My Favorite - The Happiest Days of Our Lives


Q. How do you fell playing alive?
At this time I haven't had the opportunity to play live as No Wave Cinema is a personal solo project of mine. I love making records late at night in the comfort of my own bedroom. I would compare my songs as self portraits that you would find in a art gallery.

Q. How do you describe No Wave Cinema sounds?
My sound started as ambient shoegaze and now it has progressed into dream pop gems drenched in reverb.

Q: Tell us about the process of recording the songs ?
I record on an 8 track Roland which has its limitations. I do not dub or cut my tracks. I play each track in full and masters them in the end. As for the song process, I like to start with some rarity chords on my jazzmaster and then adding the bass, keys, drums and finally my vocals, Which I like to bury just to make the songs a little more interesting on a second listen.

Q. Which new bands do you recommended?
Shocking Pinks, The Raveonettes, Craft Spells, Au Revoir Simone, The Beets, Best Coast, Carsick Cars, Human Television, M83, The Radio Dept, The Pains Of Being Pure At Heart, and Travelling Wave.

Q: Which bands you love to made a cover version?
I cover a mean version of "Just Like Honey" from The Jesus And Mary Chain. I haven't officially recorded yet but I have this one down to the ground.

Q: What´s the plans for future....
I just received word from an independent label named Peer Group Records from Colorado. I'm working with them on releasing my catalog in a limited cassette tape on a 60mins run. I'm extremely excited for my future.

Q: Any parting words?
I have yet to be abandoned in a stream of no consciousness.
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Thanks Jonathan

http://nowavecinema.bandcamp.com/
https://www.facebook.com/NoWaveCinema

quarta-feira, 19 de fevereiro de 2014

Black Mettalic with Floorian - An Interivew



Desde 2004 o Floorian vem despejando doses extremas de psicodelia stoner, psicodelia shoegazer ou chame como quiser, o debut What The Buzzing de 2004 é ótimo exemplo pra que você iniciante, adentre a este mundo soturno, perigoso e psicodélico do Floorian.

What the Buzzing é dissonante, estridente e viajante, como toda grande obra de psicodelia deve ser, outros ótimos exemplares são More Friend e Cosmosaic, respectivamente de 2009 e 2012, discos raros de serem encontrados por ai, mas que repletem exatamente o poderio do Floorian, andamentos hipnóticos, decifram o lado mágico da psicodelia, um verdadeiro amor declarado por BJM ecoa em toda a obra, e não a toa o pessoal do BJM é grande fã do Floorian, então, quem sou eu pra fazer o oposto? Há tempos já sou discipulo dos caras, se você precisa ferozmente de uma banda pra adorar, é possível que o Floorian seja exatamente o que você procura.

***** Interview wth Floorian *****



Q. Who are your influences?
Chronologically speaking... the Beatles' psychedelic-era stuff; early to mid-period Pink Floyd; Joy Division; '80s Paisley Underground bands (The Dream Syndicate, Rain Parade, Opal); late 80s/early 90s U.K. psych and shoegaze (Spacemen 3, Bevis Frond, Sun Dial, Catherine Wheel, Ride), the Brian Jonestown Massacre, some postrock stuff (Godspeed You Black Emperor, Mogwai) and heavy stoner psych (early Monster Magnet, Bardo Pond).

Q. Made a list of 5 albuns of all time…
The Beatles -- Revolver
Pink Floyd -- The Piper At The Gates Of Dawn
Opal -- Happy Nightmare Baby
Sun Dial -- Other Way Out
Catherine Wheel -- Ferment
The Brian Jonestown Massacre -- Give It Back!


Q. How do you fell playing alive?
Playing shows is what makes it all worthwhile. We have our own projector, and there's nothing better than firing up some trippy visuals, cranking up the amps and freaking people out! It's totally cathartic. It gets tougher after each album to come up with a new set, when older favorites get bumped to make room for new songs, but we always try to feature a wide variety of styles and sounds, with stuff from each of our albums. Our most recent set includes: Sine Qua Non How Far, How Fast Symptoms Alone Heavium The Lower Room Daze Aether Spill We wish we were able to play more shows, but we all have careers with day jobs, families and other interests... so we do our best with the time we have. We're not able to hit the road for a month or more, but we try to hook up with like-minded bands and do as much regional touring as possible, basically anywhere within a 12-hour drive. We were lucky to join up with the Brian Jonestown Massacre for a week-long string of shows on their 2010 tour... those guys were awesome, what an amazing trip! We also enjoyed a rapturous tour of the west coast for a week in May 2012, and last year we played in Chicago and the magnificent Bathysphere Festival in Minneapolis during the July 4th weekend. We're still dreaming of doing a week in Europe someday... tomorrow never knows!

Q. How do you describe Floorian sounds?

Various combinations of dark, spacey, melodic, hypnotic, heavy, trippy, atmospheric, noisey, droney, gloomy and groovy... all channeled through vintage gear. Or, as a fan said after one of our shows long ago, "elegant, yet... threatening."

Q: Tell us about the process of recording the songs ?
Our mantra for writing and recording has always been "every song is a new adventure". We have no set way of writing and recording, we're always looking for new ways to approach the process. Our earliest songs in the late '90s were recorded at Diamond Mine Studio here in Columbus, but shortly thereafter we got ProTools and have been DIY ever since. We've done everything from loosely structured, largely improvised live recordings with no overdubs, to meticulously crafted compositions recorded piece-by-piece. We recorded "Aether Spill" live in a cave at Olentangy Indian Caverns on a Tascam digital 8-track and finished it in ProTools. The "untitled instrumental" piece posted on youtube was a live improvisation recorded in a basement with a Zoom H2 portable digital recorder. We don't have the luxury of being able to record drums and loud guitars at our home studio, but with an IMac and ProTools, we're totally mobile and able to record things at a variety of places, as the track listing notes on our website can attest. The best thing about doing everything ourselves is the freedom we're afforded to get exactly what we want, without the time restrictions of a studio... which can also be the worst thing, because sometimes it takes forever to get things done!

Q. Which new bands do you recommended?
Some of our favorite bands from the past few years include Quest For Fire (sadly, they broke up last year), Nordic Nomadic (solo project from Chad Ross of Quest For Fire... brilliant psych folk!), Ty Segall, Sleepy Sun, Lorelle Meets The Obsolete, Chatham Rise, and Christian Bland & The Revelators, to name a few.


Q: Which bands you love to made a cover version?
We've actually recorded a few covers over the years. The first was for a Brian Jonestown Massacre tribute album back in 2002 which never saw the light of day. It was a mash-up of 3 BJM tunes called "In Around Who", and you can download it on our website. We also covered "Vegetable Man", Syd Barrett's swan song with Pink Floyd, as part of The Vegetable Man Project on the Italian label Oggetti Volanti back in 2004. The last one we did was "Sway", for a Spiritualized tribute album that also fell through. More information on these can be found on our website. We also played a few covers in our earliest shows, mainly because we didn't have enough originals yet! The songs we played were "The Inner Light" by The Beatles, "No Good Trying" by Syd Barrett, and "No Shine For The Shoes" by Plasticland. Ahh, yes... the good old daze!

Q: What´s the plans for future....
We're in the midst of recording our fourth album, and we're planning to play some select shows throughout the year.

Q: Any parting words?
Thank you so much for your interest in Floorian! We're always blown away when we discover how many fans we have around the globe. Keep on keepin' on!
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Thanks 

https://www.facebook.com/pages/Floorian/274872402582795?ref=stream
http://www.floorian.com/

terça-feira, 18 de fevereiro de 2014

The Sound of Confusion with First Communion Afterparty - An Interview



Dia meio triste esse de hoje, acabei de tomar conhecimento da morte do grande Bob Casale guitarrista do DEVO, uma grande perda, um cara inventivo de uma banda absolutamente genial.

Deixando atriste notícia de lado, agora nas páginas do TBTCI é a vez do combo psychgazer do First Communion Afterparty, que em dezembro do ano passado soltou o delirante Earth Heat Sound, encharcado de psicodelismo a´la BJM, carregado de nuances shoegazer principalmente nos vocais.

O debut do FCAP passou absolutamente despercebido mas não por tanto tempo, o TBTCI aqui faz as pazes com o esquecimento, e mergulha por completo nesta simbiose de muralhas psicodélicas, Earth Heat Sound é daqueles albuns de se viciar instantaneamente, inebriantemente majestoso, pérola fundamental em discotecas que se prezem, com o aval do TBTCI é óbvio.


***** Interview with First Communion Afterparty *****


Q. When did First Communion Afterparty form? tell us your story….
We formed in the summer of 2005. Carin had just returned from University when I asked her if she wanted to pursue the idea of being in band. We turned to MySpace and searched profiles of people that lived in town that were into the same bands. Thats how we found our first line up. In the beginning it was myself and 5 girls. We were more of a cult than a band, making up our own scene in a little basement in South Minneapolis. Over time we started to branch out and meet other kids as various Psych bands toured through town. By 2007 through word of mouth the local media started picking up on our name. The next few years would see several line up changes and by 2009 we had released a full length album, started touring and had solidified an official line up.

Q: What are your influences?
We are all influenced heavily on Brit Pop, Shoegaze, 60's Psych and 70's rock and roll.

Q. Your 5 albums of all time…
1. Fleetwood Mac - Rumors
2. Sonic Youth - Dirty
3. The Beatles 1967-1970 (Blue Album)
4. Stone Roses - Self Title
5. Brian Jonestown Massacre - Methadrone

Q. How do you feel playing live?
Playing live really brings out a range of emotions and there are so many factors that come along with that. You know the vibe is right when you get goosebumps. Then again sometimes its a complete shit show, nothing is going right, the underage bass player is shit faced and on the floor by the first song and none of your pedals are working. That is my idea of hell. Q. How do you describe First Communion Afterparty' sounds? When I think of our sound I kind of think about a soup that has been made out of all of these delicious left overs. Throw your favorite parts in a big pot and turn up the heat. The end product is familiar but there are many surprises floating around.

Q: Tell us about the recording process....
We are big fans of recording live. We like to get the scratch tracks all recorded together then we go in and do our over dubbing. From there we often pick the songs apart and experiment with new ideas and sounds.

Q. Which new bands do you recommend?
I think Tame Impala are hands down one of the best bands I have heard in the last ten years. I also really like Grass Widow.

Q: Which band and song would you like to cover?
We had for a time talked about covering the Nancy Sinatra / Lee Hazelwood song "Lightning's Girl" but never got around to making it a reality. We aren't big on covers anyway. It is very rare to find a band that can even come close to reproducing a song that is better than the original. Kurt Cobain was really good at that but he's dead


Q: What are the plans for the future….
As far as the future of FCAP I really can't say. We are toying with the idea of releasing one more EP but I am pretty much focusing all of my time on my new band Driftwood Pyre.

Q: Any parting words?
I hope this doesnt sound too corny but seriously follow your dreams. Dont give up when shit gets messy. Stay focused on the positive and love life because we arent here for long so lets make the most of it.
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Thanks

http://pictureinmyearrecords.bandcamp.com/album/earth-heat-sound-2
https://www.facebook.com/FirstCommunionAfterparty

quinta-feira, 13 de fevereiro de 2014

Pharmacokinetics with The Kingdom of The Holy Sun - An Interview


Desde 2012 o The Kingdom of The Holy Sun, nos brinda com preciosidades psicodélicas altamente calcadas na obra de Syd Barret e principalmente BJM, é inegável a influência de Anton Newcombe no trabalho dos caras, mas a psicodelia xamânica do Kingdom of The Holy Sun vai além, busca a salvacão da alma via Jason Pierce e o Spiritualized e ao mesmo tempo busca a transgressão via psico trópicos e alucinógenos musicais.

Pouco menos de um mês atrás nos brindaram com o EP Pharmaco Revisted, que mais parece ser uma seita elevando as mentes e corpos desta para esferas extra sensoriais, música para transcender corpo e alma, música para medicão e tratamento da mente.

E ainda escutamos que a música atual esta morta, nada de bom é feito, bom eu só digo que estes seres necessitam de um pouco mais de ensinamentos psico alucinógenos ou sei lá, talvez eu e vocês estejamos um tanto quanto além disso tudo, o fato é que o Kingdom of The Holy Sun nos indica a cura, basta saber se queremos nos curar.....


***** Interview with The Kingdom of The Holy Sun *****



Q. When did Kingdom of the holy Sun start; tell us about the history...
The band started a little over a year and a half ago. I had been writing music for a while but never had any interest in sharing it with an audience. Once I was able to achieve some semblance of stability in my life, I decided that I wanted to create something with the intent of sharing it with an audience.

Q: Who are your influences?
The Cure, Joy Division, Bowie, Beatles, Slowdive, The Nuggets Compilation, Spacemen 3, Shoegaze, Post-punk, Syd Barrett, Dutronc, Gainsbourg. Tons of non-English language music from Europe, Asia and Latin America.

Lyrically it’s significantly different. French existentialism was a huge influence on me, as well as poets such as Rimbaud, Rilke or Baudelaire. Themes concerning human psychosis, death, religion, sex and interpersonal conflicts, global politics have been a lyrical preoccupation. How humanity relates to such themes as religion and sex, is where I see most things go wrong in the world.

As far as arrangement…getting my hands on a copy of The Beatles - Complete Scores was really influential. I’ve been into the arrangement side of music for a while and I find it fascinating how some bands put their music together.

Q. Made a list of 5 albums of all time…
This is certainly not easy…I couldn’t be held to 5 sorry.

Pink Floyd - Piper at the Gates of Dawn (including Candy and a Currant bun and Scream thy last Scream from around the same era)

The Monks - Black Monk Time
Velvet Underground - The Velvet Underground & Nico
Spacemen 3 - The Perfect Prescription
Slowdive - Souvlaki
The Cure - Pornography
Joy Division -Closer
David Bowie – Low (or anything from The Berlin era)
Jacques Dutronc - Et moi, et moi, et moi
Cocteau Twins - Head over Heels

Q. How do you feel playing live?
It’s difficult to describe but it comes close to the Aristotelian cathartic experience for me. In addition, it’s great opportunity to meet new bands and people in the crowd after the show.

Q. How do you describe Kingdom of The Holy Sun sounds?
Not sure. You tell me. I’m not really self-reflective about what I do really. I feel once you create something and it becomes part of a discourse, it no longer “belongs” to the creator. Once something is done too, I tend to want to move onto the next thing.


Q: Tell us about the process of recording the songs?
I don’t typically begin with a riff or melody; instead I occasionally have a concept that could be challenging to work out or song idea that I want to get out of my head. Sometimes I have an idea that consists of desperate style that I want to bring together into one song. I often times can hear the full arrangement in my head including the rhythm of the drums or what the solo should sound like. I make it a goal to try and demo out a song or two a week if I have time. Once a demo has been recorded for a new song, I generally then switch gears and listen to the demo repeatedly, even ad nauseam with the goal of approaching the demo with a critical ear and examine if something is wrong or not working with the song.

As far as recording in the studio, it is basically an extension of this process. I typically know what need to be recorded before we even begin.

Q. Which new bands do you recommended?
Lots of great music right now. Here’s a few bands:

Holy Wave, Tales of Murder and Dust, Dead Horse One, Jetman Jet Team, Blondi Salvation, Kikagaku Moyo

Q: Which bands you love to made a cover version?
"I'm a Tangerine" from Tommy James and the Shondells

“Lambaya Püf De” from Barış Manço

“Demain, ça ira” from Les Lutins

Possibly something from Jacques Dutronc or The Cure.


Q: What´s the plans for future....
Hopefully release 2 new full length albums this year. Our 3rd West Coast tour in the Spring. Big future plans is a European tour.

Q: Any parting words?
“Ohne Musik wäre das Leben ein Irrtum” ― Friedrich Nietzsche
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Thanks guys

http://kingdomoftheholysun.bandcamp.com/album/pharmaco-revisted-ep
https://www.facebook.com/kingdomoftheholysun