segunda-feira, 23 de setembro de 2013

Skeletons with The Liar Script - An Interview


Não vou me estender muito na introdução do The Liar Script, prefiro me ater a música, um mix do que de melhor foi criado no pós punk mais focado na cold wave, The Sound, The Chameleons, Joy Division, para ilustrar um pouco da sonoridade dessa novidade e ótima banda com um single apenas onde as duas músicas All  My Frustrations e Lesser Men, resumem bem a admiração do Liar Script por Adrian Borland, mas procurando no youtube você ainda acha a redenção da banda para o clássico Winning do The Sound, tudo isso já serviria para deixar claro que o Liar Script tornou-se um dos queridinhos do TBTCI, mas a parte final da entrevista explicita mais ainda o porque que o TBTCI segue adiante, passando por cima dos falastrões de outrora, aqui nestas páginas, a música e o amor por ela falam mais alto.

Obrigado The Liar Script, o TBTCI aguarda ansiosamente os próximos passos.....

***** Interview with The Liar Script *****


Q. When did The Liar Script starts, tell us about the history...
I started writing material alone back in 2007, though in truth, there was stuff I was working on years earlier that I would later salvage. A drummer friend of mine and I had talked about starting a band, but it wasn't until three years later in 2010 that we'd get together to flesh out some of the songs I had already done. We ended up recruiting a friend of his on guitar, his wife on synths and found a bassist through a classified. By year's end, we did our first live gig, playing locally in the Bay Area here in California as well as down in L.A. It's cliche, but a few members have been in and out, specifically on bass and synth. Usual band stuff haha. It's been recently stripped down to just myself for the time being, at least until I find some new musicians for a fresh start. There's absolutely no bad blood between any one of us, so there's that; we're all still good friends. The Liar Script just needs people that are all on the same page and can commit fully to what the band overall needs. I still continue to write music, and when the line-up's redone, we'll continue playing live and recording new material, etc.

Q: Who are your influences?
Well, other post-punk bands from back in the day are an obvious one. Joy Division, PiL, The Birthday Party, Section 25, The Sound, The Pop Group, early Echo, bands like that. Although I listen to far more in the genre, I wouldn't necessarily call those others influences. Some more modern ones are, though outside of post-punk, Portishead, Massive Attack, godspeed you! black emperor, Cocteau Twins, Slowdive, My Bloody Valentine, even if they're harder to tell in our music. Then there's film. Directors like Ingmar Bergman, Lars von Trier, Wong Kar-wei; all have just as much of an influential hold on our music as does any band. Subject matter and emotion/atmosphere are the main driving force in both music and film In the end, I guess it's all just expressive art.

Q. Made a list of 5 albums of all time…
This one's kind of a hard one. I clearly can't speak for anyone else, but my own choices? I can give you two lists.

All-time 5:
Joy Division - Closer
The Stooges - Funhouse
Massive Attack - Mezzanine
Carcass - Necroticism: Descanting the Insalubrious
Slowdive - Souvlaki

Post-punk 5:
Joy Division - Closer
The Sound - From the Lion's Mouth
PiL - Metal Box/Second Edition
The Birthday Party - Mutiny/The Bad Seed
Section 25 - Always Now

Q. How do you fell playing alive?
I've always felt being on stage performing music is preferable to being anywhere else. I personally love it. It's odd, because I'm not really a very social kind of guy. I keep to myself most of the time, but there's something about music I feel compelled to do. Performance is exhibition, I suppose, and though our music is intensely personal, I feel at ease most when expressing it in front of a crowd. It's not an ego thing, though. It's always about the music itself, and the people behind it are, the way I see it, almost irrelevant. It's a rawer, more intimate look, and I love that. Music indeed should be experienced live.

Q. How do you describe The Liar Script sounds?
First and foremost, we're definitely a post-punk band, however anyone categorizes the term. In a lot of ways, we'd probably fit in with that first generation of bands coming out of the UK in the late 70s. I'm fine with that. That said, considering our other influences, we also bring a little something different to the table to give us relevance. There's a point to our existing out there, rather than simply, "Hey, we want to do that style, too." There's a strong modern noir theme throughout. When writing, I always think of a cinematic angle to our material, almost like we're writing songs for a soundtrack to a film that never existed, some dark or gritty indie drama or some Criterion film. It sounds so pretentious, but it's true haha. Also, since there's a bit of shoegaze in there, you could think of us as sort of a mix of Factory Records and 4AD. The Liar Script is dark, but it's grounded in real life. The world is a screwed up place with all its screwed up folk, and that's how we sound.


Q: Tell us about the process of recording the songs?
Unfortunately, we haven't had a full band recording yet save for a few low quality live videos using someone's phone. The actual recordings on websites like Facebook, Last.fm or Bandcamp have been done at home so far. Bass is the lead instrument, so songs basically start from there. Then come the drums, and when that's done, the guitar can be laid down as a textural kind of thing. Our synth-work is minimal, again meant more for texture and atmosphere than melody. Vocals are always last, and in a sense, never really meant to be the main focus of any song. The bassline and rhythm are always king. Everything's recorded digitally, but there's little to no "studio trickery" going on with either editing or performance. It's all pretty straight-forward, really.

Q. Which new bands do you recommended?
Admittedly, there isn't too much new music that really does much for me, but of those that do, I'd have to recommend the British band 2:54 most, definitely in line with what I like and with the overall mood our own music has. Other bands I might suggest would be Warpaint, Savages, Chelsea Wolfe or The Soft Moon. A few friends' bands, like Man in the Planet and The Science of Deduction, are also worth checking out. There are others that I think are alright, but again, I'm not all that big into too many current bands.

Q: Which bands you love to made a cover version?
Live, we've covered two songs: The Sound's "Winning" and Joy Division's "Colony." I may or may not consider a few others, like Echo and the Bunnymen, The Stooges, Massive Attack, etc. As enjoyable as they are to do, I wouldn't want to get too hung up on doing them, though.

Q: What´s the plans for future....
Well, the immediate goal is getting our four song EP, Lesser Men, finished as soon as possible. I also need to round out our line-up, as mentioned, in order to get back to playing shows again. I'd like to eventually start doing some festivals to get our name out there more and expose our music to new audiences. I'm not overly enthusiastic about signing to labels, but with it does come a certain degree of name recognition and exposure, depending on promotion, of course. So, I suppose that's the direction The Liar Script will continue heading in to whatever extent we can. More gigs, some travel, some studio time and a bit of courting a label or two.

Q: Any parting words?
There really aren't very many post-punk bands in the world today, but the fans of the genre are definitely out there. It'd be good to see the post-punk scenes grow a little, and we'll do our own part to that end. Blogs like yours can really help out both sides, the bands themselves and audiences looking for new music, so I certainly appreciate the interest. Despite the over-saturation of bands on the market today, where some people can grow complacent to new names, I think it's now more important than ever to actively support underground music. After all, the best, most interesting stuff out there usually comes not from the mainstream but from the underground scenes, where passion for the art is more important than fame or wealth, where you do it for the love of itself above all else. Anyway, thanks, of course, for the interview. Was a pleasure. Cheers!
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Thanks Dan, the pleasure is mine!!!

https://www.facebook.com/theliarscript
http://theliarscript.bandcamp.com/

segunda-feira, 16 de setembro de 2013

Tsunami with Future - An Interview


Discípulos diretos de Skywave e suas ramificacões, Ceremony e A Place to Bury Strangers, o Future, diretamente de Paris, agride gelidamente, coldnoise waves pra todos os lados, em doses cavaladores de loops e guitarras, tal qual seus tutores, o underground do underground é sua residência, Abyss o EP de estréia lancado em abril deste ano, mostra claramente o que será o album cheio a ser lancado no início do ano que vem.

Pela frente certamente teremos tudo que New Order e Jesus & Mary Chain criaram, passando principalmente pelo Skywave, o que é algo a se celebrar por si só, porque o mundo esta carente de um noise cold attack, que venha o Future.

***** Interview with Future *****


Q. When did Future starts, tell us about the history...
Like a lot a band, we are long time friend, and we decided to make a band...We like the same things...

Q: Who are your influences?
Jesus and Mary Chain, Skywave, Ceremony

Q. Made a list of 5 albuns of all time…
The Cure - Pornography
Beatles - Revolver
Oasis - Definitely Maybe
Jesus and Mary Chain - Psychocandy
My Bloody Valentine - Loveless

Q. How do you fell playing alive?
We are free, and we like playing in the dark

Q. How do you describe Future sounds
It's very simple, hard beat, acid guitar and cold vocals melody.


Q: Tell us about the process of recording the songs?
haha, it's simple, one SM57 for everything. Bass / Guitar / Vocals and re-amping. It's enough for our small home studio in paris.

Q. Which new bands do you recommended?
All the bands of our Art Collective who is called "nothing". There are Venera 4, Maria False, DEAD, Saintes, Dead Horse One… http://nothingcollective.com

Q: Which bands you love to made a cover version?
I don't know, maybe a unknown band? I have never did a cover.

Q: What´s the plans for future....
We will release our first LP in march 2014. And we maybe release a single with two tracks for December.

Q: Any parting words?
Vive la France!
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Thanks Yann

quinta-feira, 12 de setembro de 2013

Pink Flag with 12 Dirty Lovers - An Interview



Art noise já é foda por si só, dai você pega uma molecada nova e joga na cabeça deles, SY, Wire, No Age, Fall, Gang of Four, Scratch Acid e Pixies e deixa eles se virarem, isso é o 12 Dirty Lovers, uma esbórnia literal de noise cadenciado e altamente pegajoso.

Sem dó, sem nada lançado oficialmente ainda, simplesmente este contato imediato do 12 Dirty Lovers com o TBTCI é um daqueles que como reza a lenda, já já os caras vão gravar e vão tocar em tudo que é canto, e para deleite deste que vos escreve a exclusiva, ficará eternamente cravada nestas páginas, acha pouco? Eu quero mais é que se foda, estou mais interessado no futuro disquinho e shows desses esquzofrenicos, vida longa ao 12 Dirty Lovers.

***** Interview with 12 Dirty Lovers *****


Q. When did 12 Dirty Lovers starts; tell us about the history...
Eric/Danny -Danny (our drummer) and I had been playing together since high school and had stopped for a couple years in our late 20’s, I’m always playing guitar, making silly songs or making noises and since I had drums and all sorts of instruments, I decided to make up some songs or at least have some fun with recording because I hadn’t really recorded whole songs by myself. I made a dozen or so and didn’t really think anything of it, posted it on MySpace because that was thing to do at the time. People liked it so I thought it would be fun to play shows, I emailed a few places and surprisingly got booked so I asked Danny if he’d like to play, he did. Since then we’ve played and recorded a few things. For the most part it’s been Danny and I but we’ve always wanted at least one additional member. We had posted a couple ads on Craigslist and jammed with a couple people but nothing ever picked up.

William Tutton of the Geraldine Fibbers actually answered one of our ads, it was awesome, I think he had answered the ad more in curiosity because I had sited his band as one of Danny and I influences, either way it was awesome. I think we jammed twice. Recently we found Tyler a kick ass bass player who enjoys mixing red eye coffee and red bull.

We just recorded Eyeball Madness (EP) at Los Angeles’ Cave studios. Eyeball madness is a collection of six original songs that the band has been playing at our live shows.

Q: Who are your influences?........
Tyler - Inge Johansson, Tim Armstrong, Kira and Mike Watt

Eric – The Cure, Dylan, Pavement, Dead Kennedys, Oingo Boingo, C. Parker, Dead Milkmen, J. Lennon,

Danny - Roy Orbison. Peggy lee. Hank Williams. The damned. The jam. Joy division. Sonic Youth. Echo and the bunnymen. All the music/score from both the godfather movies.

Q: Make a list of 5 albums of all time….......
TYLER
Electric Lucifer - Bruce Haack,
Another Green World - Brian Eno,
Death Church - Rudimentary Peni,
Don't Be Concerned - Bob Lind,
Mellon Collie and the Infinite Sadness - Smashing Pumpkins

Eric
Eleni Mandell – Thrill
Aretha Franklin - Rare & Unreleased Recordings from the Golden Reign of the Queen of Soul
The Clash – London Calling
Dizzy Gillespie and Stan Getz – Diz & Getz
Bob Marley and the Wailers - Simmer Down at Studio One Vol 1

Danny
Goo
All things must pass
Music from big pink
Milo goes to college
When the pawn...
Greatest hits


Q. How do you fell playing alive?............
Tyler - It's the best high I have ever found.

Eric - It’s in the moment, it’s exciting, and it’s unexpected - mostly because something’s going wrong or too right. For instance we played a show couple months ago, first song goes by – not bad, second - getting better, third song I break a string and didn’t bring a spare guitar so I needed to change a string ok bummer but I do it and move on, so I hit the amp on standby and somehow the tube blew up but I didn’t realize it till after the sting was on and I had been playing with the amp, the house lent me the guitar amp – cool. ok next song starts and for some reason there’s no sound from the guitar, uhmmmm, I’m plugged in the amp and there no pedals (in case it was a cable), and then I realize that only one pick-up is working so I guess somewhere between the unplugging the electronic came lose, all in 2 minutes. Sweet!

Or another time we were playing a show where were playing in front of a mirror the width of the stage and I think it was during the first half of the set, something caught my eye and turned, from the mirror I could see the amp head was on fire from a spark form one of the tubes..

Danny - TIcklish

Q. How do you describe 12 Dirty Lovers sounds?........
Tyler – Organic

Eric - Noisy, Chaotic at times, Raw, Unexpected

Danny - The devil Laughing while he had a mouthful of chicken pot pie.

Q: Tell us about the process of recording album?.........
Tyler - The songwriting process is organic and very democratic but recording is another thing altogether. By that time you know your parts, and there's a little room for improv, but it's kind of l stop and go, like maybe even being an actor in some kind of production. Because there's a lot of waiting around and quietly approving or disapproving and then suddenly you have to perform and you know what to do and you are lifted from that frame of mind and put in a position to nail it in a few takes.

Eric / Danny - We went in with the songs mostly completed from our demos, we learned a lot about what we liked and don’t from being in a studio. We record all the time at practice but this was more intense, I think mostly because were unfamiliar with being in a professional studio compared to ours. We did it in three days, drums ‘n bass then guitars, vocals ‘n keyboards, then mixing and touchups. We recorded with Josiah Mazzaschi (Light FM ) in Los Angeles.


Q. Which new bands do you recommended?........
Tyler - New local bands Coup Pigeons, Steppe People, and White Dove

Eric - The Spits, the Electrets
Danny -zFather John misty. Camera obscura. Deerhunter. Speedy Ortiz. Mayer Hawthorne.

Q: Which bands you love to made a cover version?.............
Descendants, Wire, the Screamers, Crass, the Misfits, Del Shannon, Super tramp, Bob seager.

Q: What´s the plans for future....
Tyler - Let it unravel whilst we work hard. There's nothing more to do.

Eric - Right now we’re working on booking shows and new songs. We have a handful were working on so hopefully those should be done soon.

Q: Any parting words?......
Fidlar! Life's a risk. Don't fuck with the devil.
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Thanks guys

www.soundcloud.com/12-dirty-lovers
https://twitter.com/12dirtylovers
https://www.facebook.com/12dirtylovers

terça-feira, 10 de setembro de 2013

CºLD with White Hex - An Interview


São raras as vezes que você escuta algo que nos primeiros acordes já te chocam de imediato, e não a toa o White Hex vem diretamente da Austrália casa de algumas dessas raridades que já nos chocaram em outroas épocas, vide Birthday Party, Venom P. Stinger, Nick Cave e um gênio chamado Rowland S. Howard, é evidente que o darkgazer do White Hex, tem como fonte suas origens, e já por isto basta, mas não, pegue o art noise de um Pussy Galore, Big Black ou seja, darknoisegazer por excelência, não a toa quando o White Hex deu as caras no CºLD na www.antenazero.com.br, e na sequência no TBTCI, os ouvintes ficaram boquiabertos, chocados, apaixonados por algo perigoso, porque nas entrelinhas da entrevista que vem abaixo, o White Hex mostra sua selvageria em tons escuros e gélidos.

O debut Heat já virou objeto de desejo tanto pra este que vos escreve quanto pra parceira de CºLD Tatiana Meyer, como para todos os ouvintes dos programas, o que faz crer que a idolatria ao White Hex tende a se tornar veneracão, melhor termos cuidado, porque o vício esta eminente, ou então, simplesmente deixem-se possuir pela seducão cold do White Hex.

***** Interview with White Hex *****


Q. When did White Hex starts, tell us about the history…
White Hex began when Tara moved from Melbourne back to Brisbane for a whole variety of reasons. She turned up on my doorstep and then moved in a day later. A day later we began White Hex and were practising in the lounge room of this old fucked up house filled with some strange/wild/unhinged people. People we love and hated. We would practise everyday just because we could and it is all we had to do. And then we just decided to go to Egypt and hung there for a while before settling in Berlin to finish the record and record it which we did during a particularly harsh Berlin winter. That winter was wild but that is another story.

Q: Who are your influences?
Nan Goldin, Nico, Robert Gorl, Karl Lagerfeld, Les Rallizes Denudes, Coco Chanel, Whitehouse and our friends

Q. Made a list of 5 albuns of all time…
I have had to do this in other interviews so i will just take parts of that,

Venom P. Stinger - Meet My Friend Venom
Venom P. Stinger were one of Australia’s most guttural and menacing bands in ‘80s. Their single “Walking About" is one song we have all blasted since we were teenagers. It is a fucked up mess of growled vocals, free jazz drumming, scratched out guitar and messy, demented Australian punk. Music at its most self-destructive and mean-spirited.

2. Coloured Balls - Ball Power
A classic Australian record of no nonsense, hard boogie rock. For fans of 1970s Melbourne Sharpie gangs beating up long-haired burnouts. The grunt of “Something New” and 10-minute boogie stomp of “That’s What Mama Said” are the highlights. Another band from the same era that is as good if not better are Buffalo, with wilder riffs but definitely not as wired. Coloured Balls would serve as the soundtrack to Neddy Smith doing a workout in the Long Bay prison yard.

3. Rowland S. Howard + Nikki Sudden - Kiss You Kidnapped

4. DAF - Ales IST Gut LP + Coil - Love’s Secret Domain + Primitive Calculators -Live
. It is a whirlpool of ugly, primitive electronic cum, industrial crank. Sonically it is as accurate reflection of how brutish, authoritarian, earnest and mean-spirited German culture is. DAF serve as an interesting albeit more electronic companion to early Einsturzende Nuebaten records.
c that is as raw as it sardonic in its humor.

5. Pussy Galore - Sugarshit Sharp + Exile on Main Street
Pussy Galore are perhaps the band which I love and loathe more than any other band. They are as violent and vitriolic as they are pretentious and self-conscious. They have upper middle class instincts, which we relate to. This EP and LP sees Pussy Galore covering Einsturzende Nuebaten (Yu Gung) and Rolling Stones most drug-addled, yet pronounced, musical statement (Exile on Main Street).

6. Feedtime - Feedtime + X - X- Aspirations
Two of the most venomous Australian records ever made—the ugly cantankerous end of Australian rock. Both Feedtime and X were from Sydney and both bands unintentionally attracted ruthless hordes of thugs and skinheads to their shows in Sydney in the 1980s. Both of these records are harsh and pissed off, yet steeped in a subtle humor only Australians really understand.

7. Les Rallizes Dénudés - Le 12 Mars 1977 À Tachikawa + Chris and Cosey -Songs of Lust and Love + Throbbing Gristle - 20 Jazz Funk Greats + Thug -Mechanical Ape/Proud Idiots Parade
Considering most Les Rallizes Dénudés records are based on the same five progressions—it ain’t that heavy to pick a favorite but 77 was the first LP of Dénudés I stumbled across so it gets the pick. Japanese psych at it most freewheeling…White Light White Heat for those who thought that LP wasn’t crude enough or Fun House taken to most illogical extreme.

Chris and Cosey’s Songs of Lust and Love and Throbbing Gristle’s 20. They are both albums are beautiful electronic records and to my ears only employ human emotion as a vague theoretic construct, which they manipulate and exploit.
Thug’s album is a different beast, a wild, spewing album of thrusting noise and sound manipulation. Thug were a band from Sydney Australia featuring the usual criminals from Lubricated Goat, Salamander Jim and Beasts of Bourbon (Black Eye Records finest exports). If you wanna hear Australian noise made by men who think with their fists and dicks and are as lyrically retarded and musically hateful as Whitehouse and sonically confused as The Residents, then Thug is for you.

8. Stooges - Fun House + Roky Erickson and The Aliens - Evil One
These two LPs are animalistic and malevolent masterpieces. Both records were made in the space of a decade. Only an asshole would say Fun House is an obvious inclusion. These two records by Roky and Iggy and Co. are drug-damaged, instinctual and forthright in the song craft captured on tape. Both LPs are as potent and relevant today as they were the day they were released.

9. The Gun Club - Miami
L.A. cowboy rock, Jeffery Lee Pierce and Co.’s best LP.

10. Johnny Thunders - So Alone + Scientists - Blood Red River
I never liked New York Dolls so I never thought much of Johnny Thunders until I heard this record. There is something obviously beautiful about “You Can’t Put Your Arm Round a Memory,” “Subway Train” and “Leave Me Alone.” And the title track “So Alone.” I don’t really buy into Thunders’ legacy much and deplore Thunders clones but did he really get killed in New Orleans for a burrito and some methadone? Either way Phil Lynot from Thin Lizzy plays on this record, which is weird and cool. Scientists’ Blood Red River is a record by a band from Perth, Australia released in 1983. It is one of the sleaziest records ever made. It’s really grimy Australian swamp rock that stinks of gooey sweat, domestic violence, obsessed romance, staying awake for a week, $400 a fortnight on the dole. It’s a record we used to listen to a lot at parties at our house but haven’t listened to in a few years but are listening to it right now. It’s ugly Australian underground.


Q. How do you feel playing live?
Nervous, distant, apathetic but concerned that the sound is immaculate. I would prefer to never play live.

Q. How do you describe White Hex sounds?
It is in a state of change, the first record was very representative of our lives at that time, it is a beautiful wash of drugstore cowboy balladry but now the songs are more summery, I want to write synthetic ballads.

Q: Tell us about the process of recording the songs?
We recorded 'Heat' in a day in a cold Berlin room with Olle Holmberg, who I dare say is as close to a genius if I have ever met one. He is one of those people who when the apocalypse comes, you would want to be near. Our second album, which we are just finishing, we recorded it with Todd Dixon and with producer Alex Akers (Forces). Alex is a genius in that he can actualise every sound in my head. We are currently mixing the album which should be finished soon.

Q. Which new bands do you recommended?
Forces, Nun, Prolife, Low Life, …heaps.


Q: Which bands you love to made a cover version?
We always argue about a song to cover. We have never decided on one. We make suggestions to each other and they inevitably get shot down for being too difficult, obvious or not really serving the purpose of interpreting an old song in a new way. We will cover a song one day when we agree.

Q: What´s the plans for future….
I actually have no idea aside from releasing this new White Hex record and touring America and Europe. I think that is all that is on the cards at the moment.

Q: Any parting words?
XO JK & TG
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Thanks

https://www.facebook.com/pages/White-Hex/126787447427961
https://soundcloud.com/white-hex

terça-feira, 3 de setembro de 2013

Sigh of You with Time Supply - An Interview


Contatos imediatos via TBTCI, assim inicia-se o enlace deste que vos escreve com a doçura e a ternura do Time Supply, dreampop com letras maiúsculas, um ep digno de abrir sorrisos de ponta a ponta, assim é rétroviseur, um toque shoegaze sim, mas leve, apenas a candura, uma lembrança de The Auteurs, um pé nas girl groups, uma beleza de ep, que faz o TBTCI dar um tempo nas guitarras e soturnidades e se curva perante a beleza do Time Supply.

Um ep que seduz do inicio ao fim, mergulhem sem medo e apaixonem-se pelo Time Supply, faz bem pra alma.

***** Interview with Time Supply *****


Q. When did Time Supply start, tell us about the history...
I've been recording and writing songs since I was 18, in 2001, with little promotion. Initially it was mostly lo-fi instrumentals and weird 'freak folk' types of songs, as well as some spoken word. Time Supply started in late 2012 immediately following the recording of a comedic hip-hop album under a different name. I wanted to do something that expressed the more serious side of my personality, so I started writing songs on guitar and keyboard until I had about 17 finished songs in the spring of 2013.


Q: What / Who are your influences?
I feel like I've only been truly in love once, when I was 14 years old and a freshman in high school. I still have strong feelings for that person and intentionally used her as a muse for a lot of the songs, whether realistically or not. Some songs deal with how things could have been, others deal with what happened at the time, and how I've felt since, etc. Feelings of regret and sadness that continually derive from that part of my life are influences. The 90's in general provide a lot of inspiration for me, because a lot was happening then and it was an exciting time - kind of like my own 60's experience socially, in varying ways. Friends, family, and my dog are influences. The weather, or "set and setting", are key influences as well. I wrote most of these songs sitting on a rock by a creek behind my house, in the morning mostly, when it was fall / winter and the air was crisp and the sun was out. In the summer I typically don't feel as good as I do in the winter.

My musical influences vary extensively because I'm a fan of so many different types of music. But a key influential period to my songwriting is the early 2000s rock scene, when people were making music with exceptionally honest lyrics, so much so that they'd probably be considered square by today's standards because they are so direct and at times positive sounding. I cite STP's "Shangri La Dee Da", Zwan's "Mary Star of the Sea", Bicycle Thief - "You Come and Go Like a Pop Star", the song "Here to Stay" by New Order, Scott Weiland solo, and Silverchair's "Diorama" as key examples of what I think I'm most influenced by in my songwriting, especially lyrically. In general sound-wise, the solo music of John Frusciante and Syd Barrett are key influences as well. Ishmael Butler from Digable Planets / Shabazz Palaces is a major influence as well, mainly as someone who's a true original and who was until recently very underground, even though his music was in my opinion some of the most original ever made. Being an underground artist who feels pride in what I do, I relate to him strongly. I'm also strongly influenced by the films of Terrence Malick and the novels of Thomas Hardy, and have a strong interest in poetry by people like Jim Carroll, Percy Shelley, Gergory Corso, Rimbaud and Kerouac. The name "Time Supply" is taken from Dr. Sax by Kerouac, as one of the names of the marbles he used to race against each other as a kid. I subsequently found out it was also the name of a 1930's race horse that he'd named the marble after.


Q. Make a list of the 5 best albums of all time…
I'll pick 5 out of about 25 that I think are the best.

1. Stone Temple Pilots - Tiny Music... Songs From the Vatican Gift Shop
2. Digable Planets - Blowout Comb
3. Smashing Pumpkins - Mellon Collie and the Infinite Sadness
4. John Frusciante - Shadows Collide With People
5. Tripping Daisy - Jesus Hits Like An Atom Bomb

Q. How do you feel about playing live?
I wish I knew! I've only played maybe 3 or 4 solo shows in my whole life. They were fun and I thought I turned on some people to what I was doing by the end of my set, when I'd see more and more people sitting down and watching as the show went on, which made me feel good. But I think the kind of music I do, the honesty and sincerity of it, is something that takes a little getting used to. I'd like to play more live shows, tour, the whole bit. I played a lot of live shows with my former band, School Police, and it's something I miss. I think some of my songs could be felt in a more intimate and perhaps more proper context live.

Q. How do you describe Time Supply sounds?
Without sounding too pretentious, I'd say it's very sincere and honest music. We went with a minimal 80s vibe on a lot of the songs too, with hardly any drum machine or percussion. I think the term "Space Pop" is an accurate description as well.

Q: Tell us about the process of recording the album?
I hadn't seen my good friend, Kevin Dehan, from the band Love Inks, in a while, and when we got together again finally I played him some of the new songs I'd been working on live. He felt like it was the best music I'd ever written up to that point, but that I should play the songs more minimally. He made an offer to produce the album, which I gladly accepted. He has a 1/2" tape machine that he primarily records with, so I bought a couple of reels of tape and we got to work. How we worked generally was I would play a song, and he'd make suggestions as to how to go about recording them. Almost every song changed significantly from how I originally wrote it, in terms of tempo, instrumentation, and key. We had a couple of late night sessions and several shorter day sessions, and in between he'd add some additional elements, like synth or bass, to the songs in his spare time. It took about a month to record. The songs on bandcamp now are just a sample of the 10 song record.

Q. Which new bands do you recommended?
I recommend Love Inks first off, who have a new album called "Generation Club" coming out on Monofonus and will be touring soon. There's some similarity sound-wise between my music and theirs for sure. I also recommend my friend Chris Oliver's band The Solar System, who I believe you've written about before. He's done brilliant solo work for a long time now but his band is finishing an album called "Great Song!" right now and I think it makes his songs sound a lot more complete to have a band playing them with him now. I also enjoy The Cairo Gang, Magic Leaves, Telekinesis, and Raw Geronimo as far as relatively new bands go. A lot of my favorite music from this year has been made by older acts, like OMD, David Bowie, and Iggy and The Stooges, to name a few.

Q: Which bands would you love to make a cover version?
I'd be honored if anybody covered my music! My future plan right now is to make a little lo-fi EP of cover songs recorded similarly to my new album. I have several songs already picked out, so look out for that soon.

Q: What are your plans for the future....
I'd like to play shows and tour, but I hardly know any other bands right now so it's hard to know where to start. I'd like this music to find a wider audience and I'd like to see the full length album released on a label. Beyond that, I want to continue working on new music mostly. Promoting myself and trying to convince people to listen to me is something I find very difficult, and it can be counteractive to actually making music. So I will make every effort in that regard within reason, but I'm not going to stress out about it too much. I'm more concerned with making more music. Other than the EP of covers I mentioned, I'd like to make a Beck - Odelay inspired record with a lot of samples cut and pasted together to make songs. I'm also looking forward to winter so that I can get back to writing again. It's so hot in the summer in Texas that I don't feel very inspired until it cools down, so I'll be making the most of the better weather creatively.

Q: Any parting words?
No, not really, other than..... BABA BOOEY!
Thanks for the interview.
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Thanks my friends

quinta-feira, 29 de agosto de 2013

Take Me To The Other Side with 3AM - An Interview


Diretamente do Peru com conexão na Dinamarca via o selo Levitation Records, o debut do 3AM simplesmente chega como um murro bem forte no meio da cara, com o sugestivo nome de Ufo Blues Tapes o disquinho soa como um album perdido do Spacemen 3 ou do Loop ou melhor a fusão de ambos, e vejam bem, isso é algo a se comemorar, porque o 3AM não só presta reverência mas também agride os tímpanos por seus próprios méritos.

Encharcado de distorção e repetição tal qual os mestres ensinaram, o 3AM vai um pouquinho mais fundo, evocando Hawkwind e ai meus amigos, é fritação em níveis altíssimos.

Obviamente que o disquinho virou predileto aqui no TBTCI e recomendo aos fanáticos das chapações em geral.

Pegue sua bebida predileta, coloque em alto e bom som o Ufo Blues Tapes e veja o que o 3AM tem a nos contar.

***** Interview with 3AM *****


Q. When did 3AM starts, tell us about the history...
3AM started a year ago, about a week before went on tour with my other band La Ira de Dios, so the weekend before the tour I recorded this Ufo Blues Tapes and did a raw mix, and leave it there. This year, in january i started to mix it and in april we did our first show in Lima. Right now I'm touring north Europe

Q: Who are your influences?
Suicide, The Stooges, Joy Division, Hawkwind, Kraftwerk, Johnny Cash and tons of 60s garage punks

Q. Made a list of 5 albuns of all time…
In no particular order...
MC5 - Kick out the Jams
Klaus Schulze - Cyborg
Xmal Deutschland - Fetish
Loop - Fade Out
Ash Ra Tempel - S/T

Q. How do you fell playing live?
It's really awesome...enjoy it a lot, and like I said, right now im answering from the road, I'm in Copenhagen in a freeday of the tour. We had 10 shows already and there's 3 more to go to finish this tour and had been an incredible experience.

Q. How do you describe 3AM sounds?
like I said before, it's like Alan Vega and Martin Rev meet Ron Asheton of a very hard-drinking binge, strung out on drugs and deciding to play some Joy Division covers. It’s drone haunted rock’n'roll


Q: Tell us about the process of recording the debut?
Was very relax and with no budget. I recorded with the help of a friend as sound engineer and we recorded the guitars layers in his bedroom and then the vocals at my kitchen, took us a weekend to do it all. The mixing process we did in 4 sessions and that's it. Was a very easy going production.

Q. Which new bands do you recommended?
from Peru, i would say Bang Bang Band Girl, Los Entierros, Gritalobos, Liquidarlo Celuloide...internationally, The Road to Suicide, The Hedgehogs, Narcosatanicos, ET Tumason.

Q: Which bands you love to made a cover version?
In our live shows we do Joy Division's Interzone...would love to do some Siouxie and the Banshees, Malaria!, Link Wray. Stuff like that

Q: What´s the plans for future....
Keep on droning

Q: Any parting words?
Thanks for the interview and support and get the vynil, see ya all
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Thanks Chino!!!!!!

quinta-feira, 22 de agosto de 2013

Super Electric with Summer Aviation - An Interview



Algumas vezes poucos acordes, um pé nos Beach Boys, ou no Stereolab e os dois afundados no Raveonettes é o suficiente pra criar música pop de altíssima qualidade.

É o caso do duo Summer Aviation de Seatlle é pois é a cidade do grunge, nos dá o prazer de conhecer Kevin e Lee ou Summer Aviation, o ep de estréia, Elevator, é uma delicia, fuzzpop de qualidade sem ser enfadanho e pedante, as vezes me lembra Black Tambourines no que diz respeito a simplicidade e na imaturidade, simplesmente viciante, meu amigo Lex Designo do programa Dose Indie na Antena Zero certamente vai delirar, e muito outros fãs do TBTCI, a comecar por mim mesmo, já se deliciou com o Summer Aviation.

Contato imediato através do TBTCI, logicamente que a entrevista não passaria batido, vamos de Lee e Kevin ou Summer Aviation.

***** Interview with Summer Aviation *****


Q. When did Summer Aviation starts, tell us about the history... 
A: Two summers ago, Kevin started playing music again after a long hiatus. He was inspired to play again after getting into the Carpenters and 60s sunshine pop. I started singing with him, and we decided to play music together. After he took me on his introductory flight lesson (he did great, by the way) we settled on the name Summer Aviation. Then we spent the next year practicing (I am still new to this) and writing and rehearsing material. Last year we started playing live shows, and eventually finished recording our EP.

Q: Who are your influences?
A: Roger Nichols & the Small Circle of Friends, My Bloody Valentine, Carpenters, Stereolab, Velvet Underground, Sunshine Company, lots of 4AD stuff, lots of shoegazey stuff... 60s pop, Pink Floyd, Sonic Youth, Beatles, Bacharach. Lots of noise-pop and kraut-rock, atmospheric drones, lots of stuff that may not manifest itself in our EP.

Q. Made a list of 5 albuns of all time…
A: 1. My Bloody Valentine -- Loveless 2. Roger Nichols & the Small Circle of Friends -- self titled 3. Carpenters -- Close to You 4. Stereolab -- Transient Random Noise Bursts With Announcements 5. Ennio Morricone -- Once Upon a Time in the West -- these may not be the best albums ever, just five favorites that made an impact on us.

Q. How do you fell playing alive?
A: We love playing live. It takes a lot of equipment to reproduce our sound, but it's worth it.


Q. How do you describe Summer Aviation sounds?
A: Simple, melodic, fuzz-textured songs with thick arrangements. Electro sunshine fuzz?

Q: Tell us about the process of recording ep?
A: We did it at home on a Tascam 24-track machine. We tried working on a computer, but got frustrated with it and went back to the old-style knobs and sliders.. Kevin does all the music parts. Keys and bass on the EP was recorded with a Korg SV-1 electric piano and Roland SH-101 synthesizer. Guitars are mostly Gibson Les Paul, with a little Jazzmaster in there. Recording everything at home was trial-and-error. We probably do a lot of things the "wrong" way, but feel the positives outweigh the negatives at this point. We felt we could use it to our advantage to have limitations, go for a raw lo-fi sound. It's easier and cheaper to tinker around at home instead of trying to carve stuff out in a real studio... Although it would be nice to use top-notch equipment. Someday maybe!

Q. Which new bands do you recommended?
A: We've been so infatuated with 60s and 70s pop lately, we have no idea about newer bands right now! For the last few years, that's all we've been listening to. It was partially an artistic decision to only listen to old stuff, let the influence sink in. It's still sinking in, hopefully it will show up more on our next recordings.


Q: Which bands you love to made a cover version?
A: We do a Nilsson cover at live shows, we've done Roger Nichols songs. We're planning on covering a Sunshine Company song in the future, for sure... Some others would be Love Generation, Peppermint Rainbow, Zombies, Eternity's Children.

Q: What´s the plans for future....
A: Start recording the next album! We want to learn from the first one, and do better. We're also looking to play more live shows and possibly tour, but we'd have to get our name out a bit more.

Q: Any parting words?
A: We just want to create something beautiful.
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Thanks Kevin and Lee

segunda-feira, 19 de agosto de 2013

Nightime with [aftersun] - An Interview


Stephan Cherkashin (Telltale, Audn) já é um dos grandes nomes aqui nas páginas do TBTCI, e não a toa o cara retorna novamente com seu [aftersun], pos punk, shoegazer em tons negros, vocal que remete a Jaz Coleman do Killing Joke e um instrumental que mescla Chameleons com Moose, ou seja shoegazer e pos punk abracados e simplesmente de modo que a perfeicão do [aftersun] transporta entre o amor e o ódio é explicita nas letras, Stephan C e Adam Humphreys criaram um mundo pessoal onde as almas podem ser confortadas e enlouquecidas, depende do seu estado de espirito.

A discografia desse duo do Brooklyn é por completo fundamental, então vai no link lá embaixo e leia o que eles tem a dizer, porque avisa quem amigo é.

***** Interview with [aftersun] *****



Q. When did [aftersun] starts, tell us about the history...
The band started when Stephan's band Telltale broke up in 2010. He had written several songs that he still wanted to record and he decided to do a solo project called [aftersun]. He recorded and released an EP called Pain Sounds in 2011. Adam and Stephan knew each other from the bar where Stephan bartended. Adam had recently finished an album with the band Denner in 2011 and was looking for a new project. The two decided to work together shortly after that.

Q: Who are your influences?
Adam: I'm still influenced by a lot of classic alternative music from the 80s. Echo and the Bunnymen, New Order, Killing Joke. I also read a lot of existential literature which influences me as well..

Stephan: French cold wave, synth pop, shoegaze, trip hop.

Q. Made a list of 5 albuns of all time…
-Killing Joke - Fire Dances
-Echo and the Bunnymen - Porcupine
-Depeche Mode - Music for the Masses
-My Bloody Valentine - Loveless
-Joy Division - Closer

Q. How do you fell playing alive?
Originally [aftersun] was thought of as a studio project. We had no intention of playing live shows and haven't done one yet. We have received several offers and requests to play live recently and may end up doing some shows later this year.. First we will both need to buy new amps, though, because both of our amps were covered in 10 feet of water in a rehearsal space in downtown Manhattan during hurricane Sandy last year! We would also need to add a few more people to the project to get a good live sound. We're accepting applications..

Q. How do you describe [aftersun] sounds?
Moody, dark, reverby.. It's hard to describe. We prefer people to listen and come to their own conclusions.

Q: Tell us about the process of recording the album?
We both brought a few songs to the project and then we wrote several together in a rehearsal space. The recording process was totally DIY. We got together at each others apartments and recorded using our own equipment. Finding time was always an issue because we both have busy lives with work and relationships needing attention.. Stephan did all of the mixing and mastering himself on a home computer.

Q. Which new bands do you recommended?
We shared a rehearsal space with Dead Leaf Echo for a while and their new album "Thought and Language" is great. Screen Vinyl Image are putting out really good stuff as well. Xeno & Oaklander are great. Kindest Lines. Spirit System. Factory Floor. Replicas. Stargazer Lillies. Vinyl Williams released an EP called "Naked Sanctuary" that's amazing.


Q: Which bands you love to made a cover version?
It's hard to do covers of songs by bands that we love because we love their versions and couldn't improve on them. If we were to do a cover it would probably be of a song that is not related to the style of music that we like. That way we can explore and experiment more..

Q: What´s the plans for future....
We're going to continue recording and hopefully have a new single ready before the end of the year..

Q: Any parting words?
Keep calm and stay sexy.
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Thanks Stephan






terça-feira, 13 de agosto de 2013

A Forest with Schonwald - An Interview


Cold Wave em estado bruto diretamente da Itália para virar prediletos do TBTCI e logicamente do CºLD, assim é o Schonwald, na realidade um duo formado por Luca e Ale, o mais interessante de tudo é os caras fazerem parte do cast da barulhenta Hozac Records, casa de gente como Woven Bones e afins, mas existe uma linha tênue que explica isso, o Schonwald além de exercitar os demônios pessoais através de sua gélida música fortemente influenciada por The Cure, Joy Division e outras máximas da saudade época, o duo definitivamente explicita sua admiracão pela obra prima máxima do wall of sound, logicamente Psychocandy, é só notar em sua influèncias na entrevista cedida ao TBTCI, onde os gentis Luca e Ale abrem todos os detalhes sobre a história e os próximos passos do que o Schowald nos prepara, por hora é mais do que necessário a audicão do 7" Mercurial, eu se fosse você não perderia muito tempo, a não ser que você não esteja preparado para tal.

Por hora, Luca e Ale comandam as páginas do TBTCI.....

***** Interview with Schowald *****


Q When did Schonwald starts, tell us about the history...
Ale: We met way back when Luca was still attending the School of Arts and I was already a musician I used to play in another band. We fell in love and then Luca started to play the guitar after a while he joined me in my band.

Later we decided to create the project Schonwald which is our main project now.

Luca: We started to play as Schonwald in 2008 we are a duo: Alessandra sings and plays the bass guitar and keyboards I play the guitar and the drum machines. A lot of people asked us about the meaning of our name: Schonwald is a german word, it means "already in the forest" but it has a personal connection because it's a variation of my mother's surname, in fact I'm of German descent. We released the first album called Amplified Nature in 2009 on Pocket Heaven Records from Luxembourg. Our debut was in London at "Myogenic Festival" and Amplified Nature has been supported by 4 European tours through Italy, England, France, Switzerland, Luxembourg, Germany.

Ale: Last year we signed with HoZac Records after having written and sent them some new songs. We knew his label from Chicago because we like many bands of their rooster.

A 7" single "Mercurial" has been released last March and we've just come back from the promotional tour. (here the official video http://www.youtube.com/watch?feature=player_detailpage&v=UMJV8E30Uhg )

Q: Who are your influences?
Luca: Our music is inspired by the 80s sound.

We grew up listening to the New York NO WAVE scene and British post punk bands mainly.

Ale: Moreover we live in Ravenna a small town near the sea which is characterized by fog, marshes and swamps.These places especially in winter are very suggestive and riches of gloomy atmospheres. So it's very easy to have inspiration of creating our kind of music.


Q. Made a list of 5 albums of all time…
Suicide - SUICIDE
New Order- MOVEMENT
The Cure - FAITH
The Jesus and Mary Chain - PSYCHOCANDY
Algebra Suicide - THE SECRET LIKE CRAZY

Q. How do you fell playing alive?
Ale: Playing live is one of the most fantastic things in life.

Our live set is a sort of emotional waterfall created by the feelings between me and Luca.

Q. How do you describe Schonwald sounds?
Ale:Schonwald is all about reverberated atmospheres, hypnotic minimalist mood and a noise inclination.

Q: Tell us about the process of recording the songs?
Luca: our creative process starts with composing some patterns on drum machine then we had the keyboard lines followed by guitar, bass guitar and last but not least the voice.

Q. Which new bands do you recommended?
Luca: we love BLACK BUG from Bordeaux they are really cool

and another french band called AVGVST from Paris which we had the pleasure of sharing the stage last April. We also saw NORTH AMERICA for the first time a month ago, they were very interesting.

Q: Which bands you love to made a cover version?
Ale: sometimes it happens that we play live A Forest by The Cure and some years ago we recorded WHO BY FIRE for a tribute to Leonard Cohen. (you can hear it here: http://www.youtube.com/watch?v=K_5OWrlavog )


Q: What´s the plans for future....
Ale: Play more and more!!!

Luca: We are very excited for the release of the new album that will be out early months of 2014 via HoZac Records.

Q: Any parting words?
Luca: KEEP CALM AND LISTEN TO SCHONWALD
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Thanks Luca & Ale

https://www.facebook.com/schonwald.music
http://hozacrecords.com/2013/03/schonwald/
http://soundcloud.com/schonwalder
https://twitter.com/#!/weareschonwald

quinta-feira, 1 de agosto de 2013

Beggars Banquet with Drone Project - An Interview


Enfim após momentos de turbulência máxima que enfim chegaram ao fim, eis que voltamos em 01/08 ao TBTCI, e para voltar com total chapacão, vamos de Drone Project, ou Jean Pierre e seu alucinógeno combo francês de psych moderna, com pitadas de 60´s pra todo lado o ponto é Spacemen 3 com BJM ou BJM com ácido, ou ácido com BJM + mescalina, ou tudo isso junto e misturado.

Album novo chegando porém só pro ano que vem, o Drone Project é daquelas coisas que diríamos simplesmente assim, peace, love and psych, e que paremos por aqui e vamos direto a entrevista.

Amigos, é bom retornar, que venha o Drone Project.

***** Interview with Drone Project *****


Q . When did Drone Project starts, tell us about the history...
Project drone began 2 years ago ( we are 6 ) i am a child of the punk while listening to the punk bands I say:
"me too i can play guitar". drone project is a small presentation and a collection of ideas Who works together to create a hearing space influenced by the 60's.

Q: Who are your influences?
the beginning of the rolling stones, the velvet underground, the doors, the beatles, the stooges,  the west coast psychedelic bands ( jefferson airplane ), the folk ( donovan ), the old chicago & detroit blues.
I like generally the aestheticism musical and visual entousiasme of the 60s.

Q. Made a list of 5 albuns of all time…
The Velvet Underground & Nico - the velvet underground
beggars banquet - the rolling stones
Sgt. Pepper's Lonely Hearts Club Band - beatles
hunky dory - david bowie
the stooges - ths stooges
and more, and more, and more.

Q. How do you fell playing alive?
playing alive is the same thing : a small presentation and a collection of ideas Who works together to create a hearing space in a small architectural frame with people.

Q. How do you describe Drone Project sounds?
The writing of songs is made in a rather spontaneous way On the other hand the search for new sounds is constantly evolving. my guitar is a vox bossman 1968 and my Tube Amplifier is a vibrolux fender FX : delay sib !, fuzz acidfuzz, freeze ehx, banana boost jhs, tremolo empress.


Q: Tell us about the process of recording the songs?
we record the guitars and keys with a beatbox  we finish with the drums, the bass and the voices.

Q. Which new bands do you recommended?
celestial bums
helicon
black market karma
cosmonauts
telescopes
singapore sling
black angels
and more, and more, and more.

Q: Which bands you love to made a cover version?
We play the song "anemone" of the brian jonestown massacre and "heaven" of the talking heads.

Q: What´s the plans for future....
a new album in 2014.

Q: Any parting words?
DRONE PROJECT is extremely persisted and fascinated. it energy and it soul are immediates.

DRONE PROJECT hesitates between the presentation of the talent of the little realistic group who take them too high  - and can frighten most of 'normal' said people - and a wide naivety and idler's reluctance which makes them as all your friends: of funny idler.

DRONE PROJECT is always dissatisfied, their provocative nature is in reality of the self-defence, that is why you should never buy a car and rather to listen to of the rock 'n' roll.

DRONE PROJECT is influenced by the psychedelic music of the 60s, it is described as inflexible and adapts few commercial contingencies.
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Thanks Jean Pierre

https://www.facebook.com/pages/Drone-Project/115372265242669
http://droneproject.bandcamp.com/album/drone-project

terça-feira, 23 de julho de 2013

A Spy in The House of Love with Drakes Hotel - An Interview

 

O TBTCI e sua incansável busca pelo pop perfeito parece que finalmente concretizou sua missão.

Drakes Hotel, pense em Chameleons, House of Love, Go-Betweens, Smiths, Teardrop Explodes e você terá a receita que o Drakes Hotel ou Amy e Chris nos prepararam para a seducão completa.

Simplesmente vá atrás de toda a discografia e deixe-se apaixonar pelo Drakes Hotel, e por hora veja e saiba mais sobre essa pérola.

***** Interview with Drakes Hotel *****


Q. When did Drakes Hotel starts, tell us about the history...
1. The band started when we met in a record store in Santa Cruz, California where Chris worked. Knowing we wanted to make music together we got engaged, moved to Seattle and started recording. We put out our first self recorded CD in 2004 titled Chains for Two. We've moved around quite a bit over the years going from Seattle to Omaha to Portland and back to Omaha where we've settled in. In that time we've put out a record on Reverb Records called Tell Me Everything in 2007, and followed it with two self released albums- Sparks that March in 2009 and Logic Adopts Senses in 2011.

Q: Who are your influences?
2. It's kind of hard to say. Chris loves everything from Chameleons, The Smiths, Teardrop Explodes, Psychedelic Furs and Killing Joke to the Cars. Amy likes Metric, Interpol, The Go-Go's, New Order and The Horrors. We're not sure how much of the music we like translates to our music.

Q. Made a list of 5 albuns of all time…
3. Chris: House of Love-Self Titled Butterfly Album, Psychedelic Furs-Forever Now, The Teardrop Exploders-Wilder, The Smiths-Self Titled, Killing Joke-First Self Titled

Amy: Interpol-Antics, Metric-Fantasies, The Cure-Disintegration, The Horrors-Skying, The Go-Go's-Beauty and The Beat

Q. How do you fell playing alive?
4. We love recreating our songs live as a duo. We love playing loud and surprising people with the scope of our sound.

Q. How do you describe Drakes Hotel sounds?
5. We're guitar focused with touches of retro electronics. We've been described as everything from Post Punk and Shoegaze to New Wave and Dance Rock.

Q: Tell us about the process of recording the songs?
6. We have our own studio and it's a creative space where we can go in at any time and lay down tracks. We usually decide to put out a record when the backlog of songs gets too big.


Q. Which new bands do you recommended?
7. Current Bands in rotation:
Chris: I'm listening to Crocodiles (San Diego), New Canyons (Chicago), The Microdance (London). The new Boards of Canada is cool

Amy: Houses, The Perishers (Sweden), Alpine (Australia), Soley (Iceland)

Q: Which bands you love to made a cover version?
8. At practice we do, "Just Like Honey" by Jesus and Mary Chain, "Christine" by House of Love, "Killing Moon" by Echo and the Bunnymen and "Metro" by Berlin. We have fun with covers in practice but don't have space in our set when we play out.

Q: What´s the plans for future....
9. We're getting ready to release our next cd by the end of August and if all goes well we hope to release an EP every few months for the next year. We're gearing up to start playing live this fall and plan to throughout the year with a longer tour next summer.

Q: Any parting words?
10. Thank you for the opportunity to talk to you and we hope to see you out on the road sometime.

All The Best,
Amy and Chris
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Thanks Amy/Chris

segunda-feira, 22 de julho de 2013

Players for Rain with Lenorable - An Interview



O lado sombrio e escuro do TBTCI sempre esteve visível, misturado as dissonâncias dos wall of sounds, as trippy sounds, mas a cold wave sempre esteve presente, e agora pra reforcar a tendência, Lenorable um duo de Washington DC, Ian e Lisa, pegam todas as vertentes que o TBTCI aborda e condensam em sua vertente mais densa, soturna e minimal.

O novíssimo Disconnect é um mix de shoegazer, minimal, cold wave e psicodelia totalmente voltado as sombras, um daquelas epzinhos que fica em looping na cabeca.

Simplesmente altamente recomendado, e pra ilustrar, como de praxe, o TBTCI convidou o Lenorable pra uma entrevista que saiu melhor do que a encomenda.

***** Interview with Lenorable *****


Q. When did Lenorable starts, tell us about the history...
Lisa and I started making music together in the summer of 2010. It took us a while to find the right sound -- there are some videos our friends and fans put on YouTube that show some of our first shows, chronicling the growing pains. We had no idea what we were doing. It was a lot of fun, trying new sounds and learning to use and play along with a drum machine. After maybe a year, we started to use synthesizers and the music got darker and more intense. That's what you hear on some of our demos online and on The Prince EP, which we recorded in 2011 and self-released (with help from our fans and Kickstarter) on vinyl in 2012. A sort of growing darkness.

Q: Who are your influences?
We're both big fans of the Cure, Joy Division, Clan of Xymox, Siouxsie, Bauhaus, Echo and the Bunnymen, a lot of those classic goth and post-punk bands. Screen Vinyl Image is a big influence locally and otherwise. I've been listening to a lot of coldwave, bands like Xeno and Oaklander, Eleven Pond, KaS Product, OTO. The French are really good at electronic music.

Q. Made a list of 5 albums of all time…
In no particular order:
- Beatles Revolver
- MBV's Loveless
- Joy Division's Closer
- The Cure's Disintegration
- Beach Boys' Pet Sounds

Q. How do you fell playing alive?
Playing live is one of my favorite things. I'm definitely a shoegazer, I sort of fall into my own little world for each song, staring at the floor and spacing out. If I'm not careful, I'll forget where I am and miss a chord change or step on the wrong pedal. There's kind of a hypnotic, psychedelic element to our live performance, at least for me.

Q. How do you describe Lenorable sounds?
Goth/gaze, darkgaze and deathgaze are all terms we've used. The guitar sounds are very goth-meets-shoegaze. Cold, sharp, but very big and noisy. We keep the electronics sparse -- heavy bass, synths ranging from ghostly ethereal sounds to icy stabbing sounds to walls of noise. But Lisa's vocals really define our sound. Her lyrics and singing give the songs some urgency. She adds the drama and tension.

Q: Tell us about the process of recording Disconnect?
Disconnect was definitely a process. It's the first EP we recorded on our own. Originally we had planned to only release a single, for Halloween 2012. Then we wrote a new song. Then we wanted to record another song. Then we wanted to have some friends do remixes. Then Halloween 2012 became spring 2013, which became summer 2013, and here we are.

Recording was pretty painless, but we did a lot of pre- and post-production. Had we been paying for a studio by the hour, we probably could have recorded most of the vocals, synths and guitars in a day, maybe two.

We spent a lot of time mixing, trying different effects, tweaking arrangements. I spent a lot of time experimenting with guitar sounds, both live and with modeling software, trying to match what I play on stage with what would work on a recording. I'm glad technology has evolved to where it is, because Ableton Live makes my life so easy once everything is tracked.

We were also touring and playing live a lot, so recording sessions were few and far between. I try not to rush things, but I also know that spending too much time on something can make you crazy. Disconnect took a lot of time (our first songs were recorded last fall), it was a very deliberate, relaxed process.


Q. Which new bands do you recommended?
There's a lot of good, dark music coming from Washington, DC right now. Pleasure Curses, Technophobia, Motion Lines, No Paris. Of course, Screen Vinyl Image, they're great. I just saw Ars Phoenix for the first time a few weeks ago, they were very good. Last Remaining Pinnacle was amazing live, too. I haven't seen Glitterlust live yet, but I want to. I've only seen pictures and their stage show looks wild.

Q: Which bands you love to made a cover version?
It's safe to say we have a pretty unique sound, and I love taking other bands' songs and making them our own. We've covered A Forest, by the Cure (there's avideo from a fan on YouTube that's pretty good). For Halloween 2011, we covered Bela Lugosi's Dead. A Forest and Bela Lugosi's dead are fun to play, but they aren't that far off soundwise from where we are. It's more fun for me to take a song from a completely different genre and make it ours. We recorded a cover version of Wham!s "Last Christmas," I think it turned out well. People have told me they can't listen to it in the house because their girlfriend says it's too scary for Christmas music.

On Disconnect, we recorded a version of In Heaven, Everything is Fine, from the movie Eraserhead. I'd like to cover "I'm Waiting Here," the new David Lynch/Lykke Li track. That one would be fun.

Q: What´s the plans for future....
We have some remixes for Pleasure Curses and Glitterlust that we've been working on, those should be done in a few weeks.
We have a few shows left this summer. We'll be at the Elephant Talk Indie Music Fest in Atlantic City, New Jersey, August 4. After that we're playing with Technophobia for their live debut, August 17 at Black Cat in DC. I think this fall we'll start working on a new single or EP. Book some shows and hit the road a bit. Hopefully a Halloween show, those are always fun.

Q: Any parting words?
I want to say thanks to my lovely wife and bandmate Lisa, for putting up with all of the stress she didn't know she'd be facing when I said "Hey let's be a band!" Thanks to all of the bands I've mentioned, our friends and fans, and our family for their support as we've evolved into the band we are today. You know who you are.
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Thanks Ian!!

https://www.facebook.com/lenorable?fref=ts
http://music.lenorable.net/

quarta-feira, 3 de julho de 2013

The Ghost In You with Prevrat - An Interview


Dreampop, synths, ambiência 80´s com roupagem moderna, este é o Prevrat que apresenta Symbols lancando em Abril deste ano e que chega ao TBTCI através de contatos imediatos através das redes sociais, um debut brilhante e delicioso pra se ouvir cuidadosamente, saboreando cada elemento contido na obra.

Talvez um dos melhores albuns de dreampop lancando até então neste grande 2013.

E obviamente que o TBTCI apresenta em primeira mão quem, e o que é o Prevrat, deixe-se seduzir.

***** Interview with Prevrat *****


Q. When did Prevrat starts, tell us about the history...
I started working on music again in 2008, after a break of some years with school getting a PhD in physics and getting a job going. It took me quite a while to get my songwriting and playing skills back up to where I was happy with them. Released my debut album as Prevrat, titled "Intelligent Discontent" in March of 2012 to modest reception. My sophomore album Symbols was released on April 9th this year and it has really made me happy with how it has been received. Has been featured by over 30 blogs and that is continuing to grow.

Q: Who are your influences?
My influences are many and varied. They include the Velvet Underground, XTC, Ultravox, The Psychedelic Furs, The Jam, The Clash and Brian Eno.

Q. Made a list of 5 albuns of all time…
In order of when they were released it would be:
The Beatles - Yesterday and Today
Jimi Hendrix - Are You Experienced
Velvet Underground - White Light White Heat
The Clash - London Calling
The Decemberists - Crane Wife

Q. How do you fell playing alive?
I love to perform live and have a pretty cool show. Half my show is electronic based and half is guitar based. Use samples from my recordings to get a full band sound and have very cool lighting from behind with many beams going all over the place. Have a 50 inch video screen in front of my electronics table showing incredible computer graphics.

Q. How do you describe Prevrat sounds?
My music is a blend of influences from electronic, post-punk and new wave that is woven into songs ranging from synthpop to indie rock.

Q: Tell us about the process of recording the songs?
I have a fully equipped Protools studio in my house and do all my recording there. I have seven guitars, four synthesizers and lots of outboard gear. I write my material in the studio and having unlimited time makes it a very organic process. Just a wonderful creative luxury.

Q. Which new bands do you recommended?
I'm glad you asked this. There are two Brazilian artists I like quite a lot, The Sorry Shop and Gimu. I also really like Can Can from Ecuador and I Am Genko who is from Lima, Peru. I would encourage your readers to check these artists out on their Bandcamp pages.


Q: Which bands you love to made a cover version?
While there have been some covers I really like, for myself it is just not something I want to do. I also don't sample other people's music and I'm not into remixes. Just a personal thing. For me creating music is a very intimate experience and there is still stuff inside me I want to get out. Maybe if I hit a time where my writing hits a wall I'll think about doing a cover. For now though it's just not something I find compelling.

Q: What´s the plans for future?
Am doing some touring to support "Symbols" and I have also started working on my next album, but that won't be released for a year. I operate a small indie label, Russian Winter Records and that takes some time to nurture. Have signed a great post-rock cellist, David Downing, and we are preparing his debut album for release in early July.

Q: Any parting words?
A big thank you to Renato and The Blog That Celebrates Itself for the opportunity to let your readers get to know me and my music. Até mais ver .
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Thanks Ric