quinta-feira, 8 de novembro de 2018

Fields Of Mars with Holy Monitor - An Interview


Lisergias krautianas vindas de terras gregas, apresento-lhes o combo de freaks, Holy Monitor.

Os caras chegam agora com sua segunda viagem, leia-se, segundo disco, intitulado sinteticamente por "II".

"II" sucede o debute homônimo de 2017, e permanece em ácidas vibrações matematicamente sequenciais. Algo como um kraut espacial com sabores de psilocibina em tons cinzentos.

Bad trips sonoras.

***** Interview with Holy Monitor *****



Q. When did Holy Monitor begin? Tell us about the history...
A. In the summer of 2014 George and Stefanos started recording and producing a bunch of abstract ideas and giving them a form, with no intention of creating a band, but working on music as a studio project. In 2015 two EPs "Golden Light" and "Aeolus" were digitally released. The need to perform these songs live emerged and Alex (bass), Vangelis (keyboards) and Dimitris (drums) joined the band.

Q. Who are your influences?
A. Our musical interests vary, from Brian Eno to Neu! and from Tinariwen to Wooden Shjips.

Q. Make a list of 5 albums of all time…
A. Can - Tago Mago
Pink Floyd - Piper at the Gates of Dawn
The Beatles - Revolver
Ali Farka Toure - Talking Timbuktu
Brian Eno - Music for Airports

Q. How do you feel playing live?
A. There is nothing like it. When you free your self and get in trance, giving in to the music, you are off the track of space and time, creating every time a unique, not-turning-back moment.

Q. How do you describe Holy Monitor´s sounds?
A. It's like a travel in the desert, on a strange planet, through balmy days and halcyon nights.

Q: Tell us about the process of recording the songs?
A. Sometimes it starts with a drum beat and sometimes with a guitar riff in the studio. The bass and the second guitar and the keyboards are added and the vocals and lyrics complete the recording. Simple as that.

Q. Which new bands do you recommend?
A. Check out our good friends The Steams, Acid Barretts, Alien Mustangs and Zaira Effect

Q: Which band would you love to made a cover version of?
A. Spacemen 3

Q: What are your plans for the future?
A. Gigs, studio, gigs...
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Thanks

https://holymonitor.bandcamp.com
https://www.facebook.com/holymonitor/

quarta-feira, 7 de novembro de 2018

Interview with April ZImont (Tambourina / Vida Eterna / Glowfriends and Kalamashoegazer Festival)


Heróis para alguns são aqueles seres dotados de poderes extra naturais dentre outra facetas, mas estes são heróis fictícios, que apenas servem para uma certa idolatria pessoal, agora heróis da vida real são diferentes, os "super poderes" são outros, alguns são líderes natos, capazes de fazer uma nação unir-se em prol de crescimento e bem estar, outros, são dotados de dons pessoais, podendo criar vacinas contra doenças, outros ainda, são anônimos, pais, mães que lutam diariamente para ensinar valores fundamentais a seus filhos e amigos.

E no mundo do música, como são os heróis? Bem, apresento a vocês, uma verdadeira heroína, daquelas de que, quando se conhece a história, não há como não aplaudi-lá copiosamente, estou falando de April Zimont, residente à cidade de Kalamazoo em Michigan.

April, é daquelas entusiastas da música, desde criança, quando nos seus primeiros anos de vida já cantava, aos 10 anos, tocava tamborim, e por aí vai. April teve sua doutrinação musical com seu pai, aquelas pessoas com um extremo bom gosto, através dele, April descobriu as pérolas do submundo dos bons sons, leia a entrevista e entenda melhor.

Mas, vamos resumir um pouco a trajetória desta garota. April, debutou em bandas ao lado de seu marido Adam, seu irmão Mark entre outros integrantes com o Glowfriends, lançaram belíssimos trabalhos, com destaque para o excelente "Gather Us Together", mas eles sucumbiram a si próprios e a banda terminou.

Das cinzas do Glowfriends, nasceram o Tambourina, com April, Adam e Mark. April e Adam possuem também outro projeto paralelo, o Vida Eterna, detalhe, notem que a garota não para.

O Tambourina esta em estúdio gravando seu debute, mas April ainda arruma tempo para ser curadora de um dos festivais mais importantes da cena shoegaze atual, o Kalamashoegazer.

O Festival já esta em sua 12ª Edição, neste ano, simplesmente Ringo Deathstarr, Tear Run Rings, Airiel, Soft Science entre outros fazem parte do Festival.

O Kalamashoegazer, é daqueles poucos eventos que mantém a chama acessa, aquela sensação de que nada vai acabar, é só ir atrás, pense você, já passaram pelo festival gente como Astrobrite, Whimsical Crash City Saints, entre outros tantos, afinal doze edições não é pouca coisa não.

Por essas e outras, que a heroína April, merece todo respeito, amor e claro, aplausos.

Que venham mais doze edições do festival, que venham muitos discos com o Tambourina e com seus demais projetos, e gaze your shoes garotos(as).


***** Interview with April Zimont *****


Q. When did you start created music? Tell us about your history...
I’ve been singing since I was a little girl, probably 4-5 years old, started playing tambourine at about 10, and learned to play the vibraphone just a few years ago. I started my first band, glowfriends, with my brother Mark, when I was 16 in 1996.

Q: Who are your influences?
Too many too list! I was brought up listening to my Dad’s amazing record collection and then later found so many great bands and artists while working at various record stores in my hometown. To name a few bands that come to mind: Slowdive, Ride, MBV, The Go-Betweens, Galaxie 500, Adorable, Echo and The Bunnymen, New Order, The Pastels....I could list hundreds of bands. I’ve always been a big fan of Creation Records/Sarah Records, C86 and twee stuff, a lot of psych stuff from the 60’s, 60’s folk and I’m a big fan of a lot of 80’s underground and college rock, post punk stuff, too. Tons of great indie bands from the 90’s as well...I feel that everything you’ve paid tribute to so far with TBTCI so far is right in my wheelhouse of favorite bands of all time!

Q. Make a list of 5 albums of all time…
This is impossible for me. Here are the first 5 that come to mind...
Slowdive “Souvlaki”
The Stone Roses “s/t”
Ride “Nowhere”
My Bloody Valentine “Ecstasy and Wine”
The Cure “Disintegration”

Q. How do you feel playing live?
Playing live is my ultimate comfort zone, it’s a very freeing space for me, and cathartic, definitely. I love the feeling of disappearing from myself into a song, and particularly to feel that with the audience at the same time is a great joy, for sure.

Q. Talk about Tambourina and Vida Eterna, What are the main differences between the two bands?
So, Vida Eterna is a side project with my husband Adam, who is the drummer in Tambourina, and was also previously playing guitar in glowfriends. He and I write the songs together and we sing together in this band, it is mostly acoustic, kind of like a Damon & Naomi type of thing, although recently we have started experimenting with synthesizers and beats...it will be interesting to see how the final versions of the songs take shape for the debut album. We’ve been performing acoustic and sometimes with a bassist and drummer in our hometown, playing shows here and there. We loved recording 14 Iced Bear’s “Cut” for the TBTCI’s Sarah Records tribute, and “Quiet Heart” for The Go-Betweens Tribute.


Tambourina is the culmination of ex-glowfriends members, Mark Andrew Morris on guitar/vocals and Holly Klutts-Morris on bass (from Overly Polite Tornadoes) and Adam Zimont on drums/vocals and me (vocals/tambourine/vibraphone) (from Vida Eterna)

After glowfriends essentially dissolved, my brother Mark and his wife formed their own side project, OPT, and Adam and I started Vida Eterna, it just seemed like the next natural step, writing new material with our spouses, since life was changing again, children being born into our little families made it harder to devote significant amounts of time to practice all together.

A bit of time went by and we got together again work on songs as a four piece, and for the first time there wasn’t old glowfriends songs hanging in the background that we had to work on. It felt like a clean slate, and with much time we had invested in our side projects, once we returned to play together again, (this time with Adam on drums, and me on vibes, which was new) our sound had changed and developed, it just felt like a departure from glowfriends, and in need of a new name. Tambourina just made sense, it popped into my mind out of nowhere and I had no idea it wasn’t a word I made up! It is actually a French word meaning, “To drum” which is appropriate, since the drums and percussion are setting this new music apart from what we’ve done before. We do feel we are starting all over again, doing something completely fresh and exciting for us—we cannot wait to record these songs for the debut album! Recording “Sunshine Smile” was SUCH an inspiration for us, we had the idea to cover the song for our album before we heard about this tribute, and the fact that we were gifted the opportunity to record it for the comp, we feel it was meant to be. We are huge fans of Adorable, since the 90’s, and it is just an absolute honor to be a part of this.

Q: Tell us about the process of recording the songs ?
Well, with glowfriends we worked with a producer friend of ours, Charlie Piper, out of Chicago, IL, on “A Farewell to Fair-weather,” “To Have and To Hold,” “All Things Made New” and our last album, “Gather Us Together.” On the last one, half of it was recorded by him at a studio in Chicago, and half by Kevin Dixon of Brief Candles at his studio in Milwaukee, WI.

For the Tambourina debut album, my brother Mark, our guitarist, will be recording us at his home studio, and I’m very excited about this because we’ll be able to work at our own pace and not have to worry about packing in and paying for studio time, etc. I don’t normally love recording, but I’m actually really looking forward to recording these songs with Mark since we had a ton of fun recording the song for the Adorable tribute! Definitely feeling encouraged about jumping right into making this album, keeping a sense of playfulness throughout. Something definitely feels really right this time around, and all 4 of us are all in and psyched about making this record!

Q. You are the creator of Kalamashoegazer, perhaps the oldest festival dedicated to shoegaze, in activity, how did it all begin? Tell us the history of the Festival
Well, my brother Mark and I, since the 90’s just scoured every independent music magazine for any and all obscure shoegaze/dreampop bands we could find. I remember when the internet was young, I looked for chat groups related to shoegaze in the hopes of meeting other fans of the genre. A turning point for me was when we were out playing shows in Los Angeles, and we found in a local paper that The Autumns we’re playing a show at The Troubadour. We went to see them, and after the show, someone outside the club passed me a flyer for an event, there were shoegaze bands listed on all sides of the flyer, I was intrigued. So we ended up going to a few of these events, they had them once a year in July, and it happened each time to coincide with when we were playing on the West Coast. The events consisted of a DJ spinning shoegaze/dreampop, and a couple of bands playing. What I loved most was the community aspect of it—getting bands and fans together, that seemed magical to me. When we started in 2007, we had 6 bands booked for the fest, it was a bit of an experiment, shoegaze was not known like it is now, and we didn’t know we’d still be doing this, but here we are! It’s grown slow and steady over the years, at a pace I feel like has been manageable, and for that I am grateful!

Q. What is the concept behind the Kalamashoegazer Festival?
It’s an all day shoegaze and dreampop fest in Kalamazoo, Michigan, we have DJs spinning shoegaze throughout the fest, which typically consists of 7-8 bands, and runs from 4 pm to midnight, 1 am. The main concept is really just getting like minded people together who love a lot of the same music, getting fans and bands to meet each other. There is an energy about it, and some very original dancing you won’t see anywhere else! I’m serious. We’ll have to come up with a name for it.

Q. How was the process of curation and selection of bands?
I get submissions from bands that want to play throughout the year, and I typically select at least 1-2 bands that way per year, the other groups I choose based on just personal preference, perhaps we played with a particular band and loved them, or a friend’s band recommended them. Jen Dixon from Brief Candles has great input, and her and I tend to like a lot of the same stuff. It’s always nice to have an up-and-coming younger band on the bill, along with one band that has a cult following and has recently re-formed, maybe hasn’t played a show in a very long time. That is always a very exciting thing to have happen at the fest.

Q. What are the most memorable shows in your opinion?
Last year Kalamashoegazer 11 at Bell’s Brewery was really, I think, the best one yet. Whimsical re-formed and played their first show in many years and that was really special for a lot of people. DKFM shoegaze radio out of Los Angeles were there for the first time and they were a huge support of the fest. There are memorable mo

Q. What is your opinion on the effervescent new scene of bands
(shoegaze / psych / post punk) around the world? I think there’s so much out there that it’s pretty overwhelming, but I’ve definitely heard some really great bands in the last few years. It’s encouraging when I hear stuff I’m really excited about. I really enjoy the show “When The Sun Hits” on DKFM. Amber plays a lot of bands I like.


Q. Which new bands do you recommend?
I have to recommend all of the bands that are playing Kalamashoegazer 12 this year! Not all are “new” per say, but definitely worth a listen! Ringo Deathstarr from Austin, TX, the legendary Springhouse (Jack Rabid from The Big Take-Over magazine, re-formed, first show in 8 years) Soft Science from Sacramento, CA (I know they did a great cover of “I Don’t Know Why I Love You” on your House of Love tribute) Tambourina (my band, from Kalamazoo, MI, Brief Candles from Milwaukee, WI, Seashine from St. Louis Missouri, Tears Run Rings from Portland, OR (First show in 13 years!) and Airiel from Chicago, IL. It’s going to be a blast!

Q. What are your plans for the future?
Keep on putting on this fest as long as we are able to, make more records and hopefully tour again.

Q. Final Thoughts....
You’re wonderful, Renato. Thank you for all you do for this community. We value it so much!
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Thanks

https://www.facebook.com/tambourinaband/
https://www.facebook.com/events/215256405834003/
https://www.facebook.com/Kalamashoegazer/

terça-feira, 6 de novembro de 2018

Fan The Flames with Girls in Synthesis - An Interview


Sempre que vejo imprensa suspeita ou hipsters travestidos de entendedores a indicar possíveis grandes bandas, fico na defensiva.

Dias desses li por aí que a banda mais interessante do momento é o Shame, que os caras teriam a capacidade de agradar fãs de The Fall, Swell Maps, Gang of Four, etc, etc, mas quando fui ouvi-los, logicamente que soaram mais como um Art Brut pré fabricado do que qualquer outra coisa.

Agora, se você esta realmente interessado em pós punk torto, agressivo, sarcástico e caótico, o TBTCI indica sem vacilo o também londrino Girls in Synthesis.
Pegue qualquer um dos trabalhos dos caras que você vai perceber o que estou tentando dizer. Os EPs, "Suburban Hell" ou "We Might Not Make Tomorrow", ou, o aperitivo do novo trabalho, "Fan The Flames", podem te direcionar ao que o submundo dos bons sons tem de mais atraente, enérgico e doentio.

Acrescente a receita a insanidade da Crass e você terá a dimensão do estrago que o Girls in Synthesis faz.

Definitivamente esses caras são não recomendados a indie kids e hipsters metidos e descolados.


***** Interview with Girls in Synthesis *****


Q. When did Girls In Synthesis begin? Tell us about the history…
We formed, proper, in 2016, although the ethos and idea behind the band was around for about a year before we started playing together. We wanted to create a sound that was relentless and unforgiving, without resorting to busy arrangements and noise for the sake of noise. We wanted to create something very simple, stripped down and with parts that of importance to the song, not the importance of the musician.

We self-released our first digital single The Mound/Disappear and started playing opening slots in London. Our live performances ramped up and up until we really found our feet about a year later. We then released our first physical E.P “Suburban Hell” with brothers-in-arms Blank Editions. This sold out very quickly, as did it’s follow up “We Might Not Make Tomorrow”, which came out about 6 months later.

Our sound really began to develop during this time, and we began playing shows further afield. That leads us up to the forthcoming E.P. “Fan The Flames”, and our forthcoming tour which is the longest we have undertaken.

Q: Who are your influences?
Lots, musical and non-musical: Crass, 1970s soul boys, pegged trousers, army surplus clothing, Swell Maps, 1970s disco, The Fall, cheap musical equipment, each other.

Q. Make a list of 5 albums of all time…
Too difficult, but I would name:
Swell Maps “A Trip to Marineville”,
Adam and the Ants “Dirk Wears White Sox”, “Tighten Up Vol. 2”,
Bad Breeding “S/T”
and The Fall “Live at the Witch Trials” as goodstarting points.

Q. How do you feel playing live?
Amazing… it’s the only place we feel totally free, maaaannn.


Q. How do you describe Girls In Synthesis´ sounds?
Aggressive, sparse, frantic, considered.

Q: Tell us about the process of recording the songs ?
We record ourselves, so generally, start with recording the drums in a large rehearsal room. We then add the layers of guitar and bass, then vocals, then we add what we like to call “additional production” on top… this usually consists of subtle but harsh noise that sits underneath the songs and is manipulated to add inflections of dynamics and pace. Then it's mixed and mastered, although the recent on ewas mixed by James Aparicio (Liars, Factory Floor, These New Purtians).

Q. Which new bands do you recommend?
Bad Breeding, Revenue (RIP), Slags. Not many more beyond that.

Q: Which band would you love to made a cover version of?
The Four Tops: Reach Out (I’ll Be There).

Q: What are your plans for the future?
We haven’t really made any firm plans for the future, but no doubt more recording and playing live. We’re hoping for another release around March/April 2019.

Q: Any parting words?
Be good to each other, be good to yourself.
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Thanks

https://www.facebook.com/girlsinsynthesis/
https://girlsinsynthesis.bandcamp.com

segunda-feira, 5 de novembro de 2018

She Never with Toy Tambourine - An Interview


Nos dias de hoje quando nos deparamos com bandas como o trio da Indonésia Toy Tambourine e seu mix de guitar dream pop eletrificado, é inevitável não fazer uma rápida viagem ao meio dos 80´s e relembrar o frescor da geração batizada pela NME de Class of 86. Anos depois, toda aquele raiva e inocência sofreram outros desmembramentos através Matt Haynes e Clare Wadd e o selo de qualidade Sarah Records.

O mais interessante é que toda essa geração surgiu como um furacão varrendo universo indie, quando o termo era algo a se orgulhar, e desapareçam tão rapidamente como.

Mas a influência e o estrago que aquelas bandas tiveram e. ainda tem sobre uma legião, ok, talvez uma pequena legião, é enorme. E o Toy Tamoburine 30 anos depois seguem a risca  que bandsa como 14 Iced Bears, Field Mice, Bodines entre inúmeros outros heróis de um certo punk adocicadamente bubblegum fizeram.
Pegue "Sommertraum" debute dos indonésios, e sinta aquele raivoso e sonhador frescor de outrora, e sinta jovem ao menos por alguns momentos.



***** Interview with Toy Tambourine *****

Q. When did Toy Tambourine begin? Tell us about the history...
A: Toy Tambourine began in the midst of 2016. I always wanted to make a pop band but it's hard to find someone from my peer whose also a popkids. I made another band called Soft Blood before Toy Tambourine (and still running) and it was too modern in terms of music and songwriting though it still have lots of pop sensibilities. So i made Toy Tambourine for the sake of my everlasting love for classic and pure pop hahaha.

Q: Who are your influences?
A: The almighty Harvey Williams and his Another Sunny Day moniker! Also 14 Iced Bears, Sharesprings, The Pastels, The Field Mice, The Dentists, McCarthy, The Clientele, Blossom Diary and there are still a lot but I think you can guess the rest.

Q. Make a list of 5 albums of all time…
A: 1. Another Sunny Day - London Weekend
2. Blossom Diary - S/T
3. Blueboy - Unisex
4. Sharesprings - Paraparlor
5. The Clientele - Suburban Light

Q. How do you feel playing live?
A: It's fun, of course. But I always got nervous everytime I stood on stage. So i think i have a love/hate relationship with playing live.


Q. How do you describe Toy Tambourine´s sounds?
I think it's like a mix of Ramones' power chords and noisy guitars with the slacky and poppy 14 Iced Bears early sound. Oh and Kip Berman's style of songwriting kinda shape Toy Tambourine sound too.

Q: Tell us about the process of recording the songs ?
It was always me in my bedroom recording all parts of the songs. Sometimes i get help from my friends because I have no bass guitar. I mixed and mastered the songs all by myself.

Q. Which new bands do you recommend?
A: I think it's not actually new but I'm gonna recommend some cool bands from Indonesia. Sharesprings always be my favourite since 10 years ago. Blossom Diary were such an influental bands for lot of us. Grrrl Gang are also great, those pop brats really know how to craft a good songs. The Sensitive are also good with their sarcastic lyricism. Ocean Chimes is amazingly great to bring back The Ocean Blue-esque sound. The Whistling Possum also great, I think there are not a lot of bands that make Orange Juice as their main influence.

Q: Which band would you love to made a cover version of?
A: I did release a three cover songs of Another Sunny Day. But if i have to choose again, I think i want to cover Weezer. Or The Rentals.

Q: What are your plans for the future?
A: Recording another EP or maybe an LP. Do more show and then I don't know, I planned to put Toy Tambourine on hiatus or maybe called it quits.

Q: Any parting words?
A: It's cool to be unpopular.
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Thanks

https://toytambourine.bandcamp.com

sexta-feira, 2 de novembro de 2018

Port with Jemez - An Interview


Já conheceu a história de uma banda que começou através do Tinder? Ainda não? Bem, agora você conhece, trata-se do quarteto de Nova Iorque, Jemez.

Escutar o single "Port / Edna" dos caras é ouvir guitarras gritando, implorando por mais reverb, clamando por distorções fritantes e estridentes.

Seguindo a cartilha de ícones como Medicine, MBV e afins, o Jemez é puro shoegaze para shoegazers.

Aqui as guitarras só faltam falar.

Escute alto e com fones de ouvido, a sensação é muito mais completa.


***** Interview with Jemez *****


Q. When did Jemez begin? Tell us about the history...
Ethan and I met on a Tinder date. Neither of us really felt a “vibe” romantically, but it turned out we shared a lot of common musical interests and had a lot of musical chemistry. The rest is history! Arielle and Dan used to date in college.

Q: Who are your influences?
The idea Ethan and I had starting out was to make a band that sounded “not indie rock,” with Unwound and the Swirlies being the main points of reference. I also remember Ethan playing the band Medicine at his crib when were first starting out and saying we should sound like them. We’re definitely indie rock and sound nothing like Unwound, so I don’t know what happened there. I think Sonic Youth and Yo La Tengo are other bands we at least semi-consciously try to emulate.

As far as the other members of the band go — Arielle has no joke been listening to the song “Scat Man” a lot recently, but thankfully it doesn’t seem to be affecting the way she plays drums (yet). I think she sounds kind of like Georgia Hubley, but that’s probably a lazy comparison because they’re both female drummers. Dan is way fucking older than the rest of us and has a lot of hilariously dated references, like Faith No More and Graham Parker and shit, but I think that’s part of why his baselines are so unique sounding. He also used to rap in the 90s which he claims gives him a good sense of time, but I definitely don’t hear that.

I’d like to think my guitar playing sounds like a cross between Neil Young and Kevin Shields, but if I’m honest I definitely sound like The Edge more than I’d like to admit. I don’t think either Ethan or I are in danger of sounding like Bono though.

Q. Make a list of 5 albuns of all time…
Flaming Lips — Zaireeka
Sonic Youth NYC Ghosts & Flowers
Kiss — Music from “The Elder”
Travis Morrison - Travistan
Culturecide — Tacky Souvenirs of Pre-Revolutionary America (just for the title)

Q. How do you feel playing live?
"There is no greater bliss than dancing and performing.”

Q. How do you describe Jemez´s sounds?
https://www.youtube.com/watch?v=MC8Zvl-8ziA

Q: Tell us about the process of recording the songs ?
The EP was recorded in our practice space on a Tascam 688, which is basically the pinnacle of cassette home-recording technology before everything starting going digital. It has 8 tracks and the fidelity is kind of nuts considering that they’re all squeezed into the width of a cassette tape. The more recent stuff was recorded digitally, but I think we’re going back to the 688 for the next one.

Q. Which new bands do you recommend?
Us, honestly.

Q: Which band would you love to made a cover version of?
I have a lot of ideas for covers that the rest of the band doesn’t really seem to be into. We did a version of “Twist and Shout” in the beginning that was modeled after the Mama’s and the Papa’s, but we kind of phased that out of the set and the rest of the band just sort of laughs nervously when I suggest bringing it back. Other than that… “The Calvary Cross” by Richard and Linda Thompson, “Laid” by James, “Love Me Harder” by Ariana Grande… the list goes on.

Q: What are your plans for the future?
What future?

Q: Any parting words?
No!
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Thanks

https://jemez.bandcamp.com
https://www.facebook.com/jemezband/

quinta-feira, 1 de novembro de 2018

Gloom with Marly Reds - An Interview


Malang, Indonésia é a casa do quarteto Marly Reds.

Os novatos, estrearam há pouco mais de um mês com um daqueles trabalhos que deixaria o mestre Kid Vinil de sorrisos abertos. Um guitar pop, com fortes doses noventistas, sem adentrar a nenhum subgênero da época, apenas filtrando tudo que de melhor fez a cabeça dos quarentões, trintões e hoje vintões.

Tudo despretensioso, feita com aquele sabor juvenil, que pra quem quer manter aquela chama ardente, faz todo sentido.

Escute alto e vá se divertir.

***** Interview with Marly Reds *****

Q. When did Marly Reds begin? Tell us about the history...
1. Me (Ibay), Yoga (our guitarist), and Danu (bassist) oftens go to the studio just for a random jam, without any intention to form a band until Hadi (drummer) soon joined them on the first year of college.

Q: Who are your influences?
2. Our influences are Nothing, Ringo Deathstarr, Whirr, and Yuck. Initially, we used to play some math-rock jam, until we decided to play alt-rock riffs with lots of fuzz and reverb instead of twanky guitar melodies hahaha. For me (personally), I was heavily influenced by Nothing and Smashing Pumpkins' Siamese Dream album.

Q. Make a list of 5 albuns of all time…
3. A very challenging question... hahaha. Here's what me and my bandmates think of when it comes to 5 greatest album.
Dark Side of The Moon - Pink Floyd,
Siamese Dream - Smashing Pumpkins,
Title Fight - Hyperview,
MBV - Loveless,
and Blur - Leisure.

Q. How do you feel playing live?
4. We haven't been in a proper stage before, but a small gig is still the best experience for us. The first time we play at out first gig, we were very nervous because of the technical issues. Gonna miss that moment because we really have no idea what to do at the time hahaha.

Q. How do you describe Marly Reds´ sounds?
5. We define our sound is something like a marriage between pop pattern chords and heavy, fuzzy guitar ambience. When listening to our Debut EP, you'll get the strange feeling between "oh shit this music's too loud" and "I can't stop singing to their songs!". I think that is how we define our sound.

Q: Tell us about the process of recording the songs ?
6. The recording process started back in mid 2018. We did a lot of research before finally decided to record our songs at Satrio Piningit Studio in Yogyakarta, Indonesia. A lot of cool bands recorded their songs there, such as Skandal (https://skandalrockband.bandcamp.com/) and Grrrl Gang (https://grrrlgang.bandcamp.com/album/stop-this-madness). Oh fyi, the tambourine part in "Gloom" was a bit of a last-minute decision. We decided to add tambourine to the song because it gives a dancy feeling to the song.

Q. Which new bands do you recommend?
7. Hmm.. We haven't got any idea yet. I think you might as well check the bands that have been mentioned in the previous answer first.

Q: Which band would you love to made a cover version of?
8. Personally, I would glad to have a Stone Roses' cover band. But we haven't got any thoughts of making any cover band.. too many ideas and influences at the same time hahaha.

Q: What are your plans for the future?
9. Publications first. We want Marly Reds to be something massive. We want as many people to notice our debut EP. Beside that, we're trying our best to perform in more stages, with more materials to bring with. Lets hope for the best shall we? hahaha

Q: Any parting words?
10. Thank you for the interview, we really appreciate it. Thank you for your opinions on our music. By the way, we'll be happy to know what do you (readers) think of our music and our bands. Please don't hesitate to have a chat with us thru Twitter (@marlyreds) or Instagram (@marlyreds). Godluck and Good Speed!
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https://www.instagram.com/marlyreds/
https://marlyreds.bandcamp.com

quarta-feira, 31 de outubro de 2018

The City Gates, "Forever Orbiter" - Vinyl Edition!!!!!!


Bem o The City Gates você já conhece certo?

E sabe que os caras lançaram um dos grandes discos desse ano certo?

Agora, "Forever Orbiter", o disco, ganhará o formato clássico em vinil. Corra porque só serão confeccionadas unidades dessa pérola. 

Se por ventura você quer saber mais sobre o álbum leia o "Track by Track" exclusivo que a banda fez para o TBTCI, aqui.

Reserve sua cópia antes que seja tarde no bandcamp dos caras.


https://www.facebook.com/thecitygatesmusic/

Grey Goes Black, "Break Apart Again / Don't Stop" - Premiere


O trio de New Jersey, Grey Goes Black, já conhecido pelos frequentadores das páginas do TBTCI, retorna com seu mais novo single "Break Apart Again" / "Don´t Stop", depois do belíssimo debute "And Inside There Was Only Water", lançado no ano passado.

Nesta nova jornada, o GGB mergulha fundo em um certo soulgaze, conexões sonoras com A.R. Kane são notadamente sentidas em "Break Apart Again". Já em "Don´t Stop", o tom épico do trabalho anterior vem a tona. 

A pedido do TBTCI os caras revelaram os segredos de ambas canções, em detalhes.

Em tonalidades eloquentes o Grey Goes Black os caras confidenciaram ao TBTCI que novos singles e EPs estão previstos para o próximo ano, com um souvenir, um cover de Jeff Buckley prometido para o próximo single.

Para ficar de ouvidos e olhos bem atentos.


***** Grey Goes Black,  "Break Apart Again / Don't Stop" - Premiere *****


"Break Apart Again" attempts to capture the slow death of love. Caught between mixed signals and a 1000 miles from home. Screaming your devotion into the wind with no response. Constantly going back to the same rose bush to only have your heart bled out from the thorns again.

"Don't Stop" is the confusion and excitement that comes from kissing someone for the first time after they've broken your heart. Laying on your floor with heavy breath wishing it would and wouldn't end.

Knowing it should but asking please" Don't Stop" recorded in house by the band with Assistance from Benjamin from coffee Haus studios.
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https://www.facebook.com/greygoesblack/
https://greygoesblack.bandcamp.com

terça-feira, 30 de outubro de 2018

Feel The Energy with Treasure Box - An Interview


Já nos primeiros segundos do novo trabalho do duo phillie, Treasure Box, "Treasure Junkie", fica claríssimo com o que estamos lidando, o lado mais experimental do MBV, leia-se "Loomer", "Glider" entre outras são literalmente a fonte de energia onde Tim e Colin alimentam-se.

Claramente as fritações vão se tornando mais experimentalmente profundas com o desfile das canções, e o fantasma de Mr. Shields perambula o disco do início ao fim, mas o Treasure Box não apenas se limita a dar andamento a obra de Shields, elementos de eletrônica pesada aparecem constantemente, cortesia da conexão deles com o Aphex Twin.

O Treasure Box, não se trata de um plágio, mas sim de uma sequência lógica, mas é apenas indicado para fãs xiitas.


***** Interview with Treasure Box *****


Q. When did Treasure Box begin? Tell us about the history...
Tim: Treasure Box started in the summer of 2016 when I bought my first 4 track cassette recorder. We began by putting together some rudimentary releases and have been progressing and picking up new equipment ever since. The band consists of my brother Colin and I with input from friends at times. We record songs separately in our home studios (Colin in Philadelphia and I in Easton, PA) and also come together to collaborate and change it up. Our focus is to make interesting analog shoegaze/ experimental lofi music at home however we want.

Q: Who are your influences?
Colin: I think The Jesus and Mary Chain and The Cocteau Twins were the ones who influenced us to use old drum machines on our recordings. My Bloody Valentine are a huge influence on the guitar sound. Other artists like astrobrite/lovesliescrushing, Seefeel, Slowdive, Swirlies, and Aphex Twin have inspired me as well.

Tim: There are too many great artists to name but a few who have really stood out to me are Kevin Shields, Richard D. James and Robin Guthrie.

Q. Make a list of 5 albums of all time…
Colin: My Bloody Valentine - You Made Me Realize
Cocteau Twins - Treasure
Dinosaur Jr - You're Living All Over Me
Swirlies - They Spent their Wild Youthful Days...
Bedhead - whatfunlifewas

Tim: My Bloody Valentine - Loveless
Aphex Twin - Richard D. James
Harold Budd and Brian Eno - Ambient 2 The Plateaux of Mirror
Slowdive - Blue Day
Cocteau Twins - Heaven or Las Vegas

Q. How do you feel playing live?
Tim: We have yet to play live to an audience but we'd like to. Otherwise I love performing alone at home.

Q. How do you describe Treasure Box´s sounds?
Colin: Fuzzy, hissing, blurry

Tim: Textural and a little bipolar.

Q: Tell us about the process of recording the songs ?
Colin: All of our tracks are recorded to various 4-track cassette recorders and feature drum machines. I usually start by recording the drum part in full and then build from there. Adding guitars, bass, loops and vocals etc. Since there are only 4 tracks you gotta get creative, but that is most of the fun.

Tim: I start with the drums as well, sometimes with a guitar loop or something. I try to make each track a little performance on it's own that's sort of evolving throughout so when it's time to mix down, the sound might surprise me. We each have our own collection of guitar pedals, old processors and instruments to work with. Everything is recorded and mixed on tape, only being converted to the computer lastly so we can put it out there.

Q. Which new bands do you recommend?
Colin: This band called Just Mustard recently released a new album that i liked a lot. Scott Cortez is still releasing some of the best shoegaze/ambient with his various projects. I'm excited to hear the new Ringo Deathstarr album as well.

Tim: nubble light, testphase, turbo ether.

Q: Which band would you love to made a cover version of?
Tim: I'd love to do a super lofi cover of Winona by Drop Nineteens.

Colin: Maybe a Kraftwerk song.

Q: What are your plans for the future?
Tim: Our plan is to continue making music, gathering equipment and putting tapes together in an effort to improve to the point where we may influence others to create something of their own.

Q: Any parting words?
Colin: Thank you so much for checking out our music and for doing this interview. I am very grateful for anyone who takes the time to check our band out.

Tim: Thanks again and always remember to fight evil (don't succumb).
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segunda-feira, 29 de outubro de 2018

Flashes of Sound with Already Dreamers - An Interview


Depois de alguns singles e EPs, o quarteto sonhador inglês, Already Dreamers chega a seu primeiro álbum "Flashes of Sound"

Como não poderia deixar de ser, "Flashes of Sound", é um passeio cintilante por entre texturas hipnóticas que soam como um convite a levitar até as nuvens, contemplando-as sem pressa.

Sonoramente, o Already Dreamers me remete diretamente ao saudoso Rumskib, obviamente que, com isto colocado, as matrizes Eno, Cocteau, entre outros, são ainda mais óbvias.

Uma doce purificação para momentos cinzentos.

***** Interview with Already Dreamers *****


Q. When did Already Dreamers begin? Tell us about the history...
Already Dreamers have existed in numerous forms (and under different names) for several years now. The current line up have played together since 2015 and we are really pleased with the work we’ve produced together so far.

Q: Who are your influences?
We are an eclectic group so our influences range far and wide from Beethoven to the Beastie Boys! But our main inspiration comes from Cocteau Twins, My Bloody Valentine, Mike Oldfield, Hammock, and Brian Eno. We have a Spotify playlist showcasing the artists and works which have had the greatest impact on our sound if you’re interested in finding out more.

Q. Make a list of 5 albums of all time…
We’ve gone for the ones which we’ve felt have had the greatest impact on both ourselves as musicians and music as a whole. In no particular order:
1. Pet Sounds: Beach Boys
2. St. Pepper Lonely Hearts Club Band: The Beatles
3. Paul’s Boutique: The Bestie Boys
4. Loveless: My Bloody Valentine
5. Tubular Bells: Mike Oldfield

That wasn’t an easy list to curate though. 5 seems like a short number considering all the musically significant albums that have been made over the years. But the direction each of these masterpieces individually helped to push both popular music and sound engineering to new areas of innovation are unparalleled . At least in our nerdy opinion anyway!

Q. How do you feel playing live?
We don't know because we have never played live. Not in our current line up anyway! That's down to two main reasons. Firstly, acute shyness. And secondly, we've yet to find a way of re-creating the sound we record in the studio, on the stage. We are starting to think about possibly doing some multimedia based live show which will incorporate visuals as well as our own songs. But as we say, that's very much in the early stages of development so watch this space.

Q. How do you describe Already Dreamers´ sounds?
We like to mix elements of electronica, rock, dream-pop, and ambient into all our work. The main part of our sound though originates from the guitar and our use of reverb and delay. We hardly ever use synthesisers which is something people are surprised to hear. We had a conversation with a journalist once who refused to believe that the only instrument we used in “Safely in the Arms of October” was a guitar. They could have sworn they heard an array of keyboards in the intro. But there isn’t. It’s all exclusively guitars and the way we treat them.

Q: Tell us about the process of recording the songs ?
We never enter a recording session with any songs or preconceived ideas. We jam, play around and generally make a large noise before the basics of a song starts to come together. Our trick is to record everything. Then our lead guitarist Christopher listens back to our sessions the next day. He’s brilliant at picking out motifs, chord changes or sound effects and then splicing it up with other jamming sessions. Then sometimes we will come back to the studio and he’ll excitedly say “we’ve got something really great here, let’s work on this and possibly add this or this”. The buzzing guitar effect during the chorus of Even The Whitest Snow Melts, took about a week to create with an array of distortion, reverb and compression. But Christopher (who produces all our stuff) will have an idea and of what will work with a particular element of the song and we’ll try our best to create that. He’s not a perfectionist per se, but he does like to get it right!

Q. Which new bands do you recommend?
Well they aren’t new as such as they’ve been producing music for while, regardless though, they are new to us.

Olan Mill (anything Alex Smalley produces with either OM or Pausal is truly special), Hammock (melancholy personified) and Jefre Cantu Ledesema (ethereal doesn’t do his music justice, as it seems to come from another time in space way back when life seemed a lot simpler).

Q: Which band would you love to made a cover version of?
We are not confident of our own ability to deliver any cover with the right amount of justice. We are huge admirers of musicians who can deconstruct a song and make it sound like their own. That’s not a skill we’ve mastered yet, but never say never! We would love the opportunity to remix someone else’s songs though. That would really excite us.

Q: What are your plans for the future?
It’s taken a while for us to get the debut album off the ground, but we are now committed to releasing two or three new bodies of work a year, as a minimum. That doesn’t mean we would sacrifice quality for quantity though. That’s part of the beauty of running our own label; we can release what we feel will resonate with our listeners the most, as often as we need too.

Q: Any parting words?
Thank you so much for listening.
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https://alreadydreamersmusic.bandcamp.com
https://www.facebook.com/Alreadydreamers/

sexta-feira, 26 de outubro de 2018

In This Life with Violet Waves - An Interview


Apesar de declararem amor e devoção ao Radiohead e ao Explosions in The Sky, o quarteto de Langhorne na Filadélfia, Violet Waves, não soa em nenhum momento como suas referências, pelo contrário, o que se ouve em "In This Life/Otosis", é um indie rock com fortes influências de shoegaze, claro que momentos eloquentes como o que acontece lá por volta do quarto minuto de "In This Life", remete sim a baluartes do post rock, mas aquela fórmula manjada de crescendo/tranquilidade/esporro, não necessariamente nessa ordem, definitivamente não é perpetuada pelos caras.

"Otosis" o lado B do single sim, já possui estruturas mais próximas à concepção do post rock básico, mas mesmo ela, contém um encantamento muito mais sonhador do que os pseudo delírios do post rock, o que agrada muito mais.

De qualquer forma, o Violet Waves, agradará fãs de shoegaze, post rock e principalmente de música, melhor assim.


***** Interview with Violet Waves *****

Q. How did Violet Waves begin? Tell us about the history…
John started playing with the original drummer Greg Diamond in 2016, and met Brett and Nate shortly thereafter through Craigslist. They wrote and recorded the Endless EP together during the fall of 2017, and I joined the band shortly after that when Greg started going to school in New York. The current lineup has been together for almost a year. We’ve written a lot of material and played shows consistently, but In This Life/Otosis is the first recording we’ve put out together.

Q. Who are your influences?
We’re all into a lot of guitar-heavy bands like Explosions in the Sky, My Bloody Valentine, Slowdive, Caspian, This Will Destroy You, etc. We’ve all been way into Foxing lately. There was a great period over the summer during which Radiohead and My Bloody Valentine played Philly within three days of one another. That was a really inspirational week for us. Nate tends to use a lot of visuals when describing ideas for songs- a lot of references to space and oceans and mountains. I think we really find our sound in the differences we individually bring to the group. We would probably all pull the music in a different direction if we had full control, so our collective sound comes from the point where we intersect.

Q. Make a list of 5 albums of all time…
In Rainbows by Radiohead,
Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever, and,
The Earth is not a Cold Dead Place by Explosions in the Sky,
The Albatross by Foxing,
and Slowdive by Slowdive.

Q. How do you feel playing live?
Energized. We get pretty into it when we play. Lately we’ve been focusing on making our show more cohesive lately and working to fill in the space between songs so things flow as a single fluid set. The physical set lists are twice as long because they now include notes on what we’re doing between songs. Playing live is so much fun, especially in Philly. People are really supportive in this town.

Q. How do you describe Violet Waves’ sound?
Cathartic.

Q. Tell us about the process of recording the songs.
The writing process was pretty much entirely from jamming, which is our typical way of doing things. Sometimes someone brings in a riff and we work off of that. We tend to loop the same few measures over and over while people figure out their own parts for it, which makes the writing process pretty fast but also organic and keeps us from overthinking things. We recorded the instrumentals in our practice space, which is inside an old warehouse in Philly. It’s a pretty small room with just the right amount of natural reverb in it. It’s not too dead, but also not so resonant that a band like ours becomes too muddy. There were a lot of small mishaps along the way that go along with recording in an old space you share with several other bands- lots of tiny rattles and creaks all around the room. We accidentally left the air conditioner running in the background of one of the drum tracks, which inevitably ended up being the best take. Nate did all the sound engineering and worked around all of it. He did the all the mixing too. We had a very long text exchange full of different onomatopoeias trying to describe the specifics of certain snare sounds or exact overdrive tone. He did a really amazing job of listening to each member of the band and getting a sound we were all really happy with. We had both tracks mastered by Corey Coffman of Gleemer, and the results were exactly what we were hoping for.

Q. Which new bands do you recommend?
Definitely Lovelorn. They’re a band out of Philly comprised of three of the four members of Creepoid. We were at Creepoid’s final show earlier this year at a 1,200 capacity venue, which was amazing. Now it’s great to see Lovelorn play more intimate shows around town. They opened for A Place to Bury Strangers at a house show a few months ago and blew everyone’s minds. Gleemer (Colorado) is also a band favorite. There are so many great local bands that are worth checking out. We just played a really fun show with Mesa Glow, Pale Shade, and Elbowache, who are all from Philadelphia or New Jersey. Slenko & McKeys lays out some great dark bootgaze. I listen to them while studying all the time. A Film in Color is another Northeast band that’s doing great things right now. Our band group text is mostly full of self-deprecating post-rock memes and links to obscure shoegaze music we find on the internet. We’re all looking for new music pretty much constantly and we enable one another in our internet deep-dives.

Q. Which band would you love to make a cover version of?
Probably something by Radiohead. We play “Weird Fishes/Arpeggi” constantly in practice. Any one of us will start a riff from the song and we’ll all join in and start playing it immediately. We like to choose songs that pay tribute to our favorite bands but we can also make our own. We used to cover “Scientist Studies” by Death Cab for Cutie. It was fun to stretch out and make really loud during the instrumental measures at the end.

Q. What are your plans for the future?
We’d like to put out a full LP and possibly do some regional touring. Lately we’ve been trying to play shows around Philadelphia with bands that are coming from a similar musical standpoint. We’ve been on a lot of very diverse bills, which is awesome, but it’s really something special when all the bands are genuinely excited to hear everyone else and not just focused on their own set.

Q. Any parting words?
Thanks for listening. It always means a lot <3 br="">*
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https://violetwavesmusic.bandcamp.com
https://www.facebook.com/Violetwavess/

The Spiral Electric, "A Descent Into The Maelstrom" - Premiere


Os freaks californianos do The Spiral Electric estão de volta.

Depois da acidez em formas sonoras de seu último trabalho "Ask The Sky" de 2016, os caras retornam com o primeiro apetite de seu futuro álbum que esta em ebulição.

"A Descent Into The Maelstrom" é a canção, uma peça intensa do mais puro acid space rock. Com letras adaptadas de um conto de Edgar Allan Poe do mesmo nome a canção foi produzida por Steve Kille do Dead Meadow) e masterizada por Howie Weinberg  que já trabalhou com gente do nível de Nirvana, Smashing Pumpkins e Mars Volta.

O The Spiral Electric é, fritações, delírios em esporros frenéticos exalando psilocibina para todos os lados, "A Descent Into The Maelstrom" é pura viagem com os olhos abertos.

Escute alto, em todos os sentidos, e boa viagem!


***** The Spiral Electric, "A Descent Into The Maelstrom" *****


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https://thespiralelectric.bandcamp.com
https://www.facebook.com/TheSpiralElectric/


quarta-feira, 24 de outubro de 2018

9617 GRAHAMCHAPMAN with Start Together - An Interview


Ouvir "9617 GRAHAMCHAPMAN", terceiro single dos australianos do Start Together é como se projetar lentamente em algum andaime, caminhando vagarosamente, saboreando ao mesmo tempo, o perigo e o auto controle.

O novo single vai completamente pelo lado oposto do anterior, "Being Born", o que engrandece ainda mais a sonoridade dos caras.

Se em "Being Born", a escola MBV/Swervedriver era evidente, em "9617 GRAHAMCHAPMAN", o que se ouve é um delírio gazer moldado via The Church ou HOL, um lirismo latente exala da canção que a torna viciante a cada audição.

Vale ressaltar que o Start Together esta em meio às gravações de seu debute, e pelos aperitivos teremos algo sublime por vir.

O TBTC aguarda ansiosamente ao som de "9617 GRAHAMCHAPMAN"....


***** Interview with Start Together *****


Q. When did Start Together begin? Tell us about the history...
Start Together began in October 2016 - Gerard (guitar, vocals) had previously played in a band with James (drums) and when that band ended they reached out to Emma (bass) and to create a new band. They jammed on songs Gerard had been writing at James’ house at Mt Glorious (just outside of Brisbane, Australia) on the weekends and a couple of months later Gerard asked Demetry (guitar) to join the band. Their first live show was in June 2017, and since then we have been playing many live shows, recording and releasing music.

Q: Who are your influences?
The Cure, Sonic Youth, Au Paris, Fugazi, Sleater-Kinney (that’s where the name ‘Start Together’ comes from.

Q. Make a list of 5 albums of all time…
Emma: An impossible task! Some of my favourites would be Silence Yourself - Savages, Slowdive - Slowdive, Nothing Feels Natural - Priests, In Bloom - Beach House, Tapestry - Carol King.

James: Lately i’ve been listening to Relationship of Command - At The Drive In, The Shape of Punk to Come - Refused, III - Badbadnotgood, The Mouse and the Mask - Danger Doom, Animals - Pink Floyd

Demetry: Get To Heaven - Everything Everything, The Agent Intellect - Protomartyr, 1000001 - Seagull, Big Skies -Mere Women, Summer Make Good - Múm.

Gerard: Right now i’ve been listening to Laurel Halo, Lala Lala, Relay Tapes, Protomatyr.

Q. How do you feel playing live?
Gerard: Live is fine! Sometimes it’s chaos, sometimes it’s scary, but always better then not playing live

Emma: We are very comfortable playing live - that’s mostly what we do. It feels good to take the audience on a journey.

Demetry: Playing live is extremely enjoyable. During rehearsals and recording I'm usually thinking about changing parts or experimenting. Playing live allows me to just play the songs without thinking too much.



Q. How do you describe Start Together´s sound?
Emma: Post-punk, shoegaze…

Demetry: Loud, somewhat thoughtful, and fun.

Q: Tell us about the process of recording the songs ?
Emma: Gerard is the main songwriter - He brings the concept of the songs to the rest of the band at band practice and we each add of own parts from there, but we try to follow Gerard’s intent of how the song should feel and sound.

Q. Which new bands do you recommend?
Gerard: Some other Brisbane bands we recommend are Sweater curse, Pool Shop, Relay Tapes, Sleepclub, Terra Pines.

Q: Which band would you love to made a cover version of?
Gerard: Curtis Mayfield

Emma: or maybe Womack & Womack?

Demetry: Television by IDLES

James: A song by Doves.

Q: What are your plans for the future?
Emma: We are currently in the studio right now recording an album, which will be released next year. We’d love to tour soon.

Demetry: We often dream about touring overseas - more like a band holiday rather than making money.

Gerard: Release an album, get a dog.
James: Eat more hummus and seaweed crackers.

Q: Any parting words?
Demetry: When our album comes out you should probably listen to it while walking the dog or driving to see someone you love.

Thankyou for the interview!
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https://www.facebook.com/StartTogetherBand/
https://start-together.bandcamp.com

terça-feira, 23 de outubro de 2018

Me I My with Whitelands - An Interview

Quando coloquei minhas mãos e ouvidos no trio londrino Whitelands, através do primeiro álbum, "Whitelands", lançado nos primeiros dias de Julho, senti um certo shoegaze com pitadas claras de melancolia mas um certo charme diferente, algo meio soul, algo como se o Cheatahs flertasse com o The Veldt, o barulho e as texturas do shoegaze e principalmente dos loucos anos noventistas estão ali, mas algo suingado exalando a cada canção.

Após algumas audições, a conclusão de estar diante de um soulgazer ficou ainda mais evidente depois de ir a fundo na curta história dos caras, onde Jagun Meseorisa, bateria, Etienne Quartey, guitarras e vocais e Nathan Mckinnon,, baixo, seguem de certa maneira a tradição de ícones como A.R. Kane e o próprio The Veldt.

Sim, o Whitelands é puro soulgaze.


***** Interview with Whitelands *****

Q. When did Whitelands begin? Tell us about the history...
Whitelands began in 2016 as a small solo project of mine, a friend and I played a small acoustic show for a birthday party around June, I had only been playing the guitar for a few months and was really rough around the edges, to say the least.

For my birthday that year in January, I saw my first ever gig, Beach Slang. It was at scala I never knew rock and roll could be something so inviting and brilliant, I think that when I started to take music seriously from then on, I wanted to one day be on the same stage he was on.

A few months later during my school's exam season, I decided to apply to a gig called first-timers at a venue in London called DIY space for London. I still hadn't really found my voice as a 17-year-old playing music in a genre that isn't common at all for my race, but I wanted to do it out of pure love and respect. I met with Jagun shortly after and we started gigging as a duo, really grateful to have met him he's very talented and gung-ho about gigs and performances which contrasts my own self-depreciation a lot haha.

Q: Who are your influences?
My main influences stem from beach slang, citizen, local natives and hibou. I've always been into the dream-pop/shoegaze genre and really wanted to make my own music in that style. When the band was originally a two piece it was much more rock and roll oriented, you can see that in our song 'something else'.

Q. Make a list of 5 albums of all time…
1)Bon Iver- Bon Iver
2)Citizen- jet
3)Local Natives-hummingbird
4)Strfkr- Being no one going nowhere
5)Hibou-Hibou

Q. How do you feel playing live?
Playing live is always scary sometimes like we don't know how an audience is going to be, if they're gonna hate us or anything. Thankfully I'm always wrong and we get some of the most inviting and loveliest people. For Jagun he's very used to playing live so most of the anxiety comes from my end.

Q. How do you describe Whitelands´ sounds?
We are a mix of slow, reverb-drenched lead lines that are contrasted by heavy distorted guitar, and that's the sound I love so that might not change for a while.

Q: Tell us about the process of recording the songs?
For the album and Ep, it was all recorded in Di through a Focusrite using stock plugins, there's not much to say about it other than the fact I'm learning along the way. For the album every song except 'something else ' was done digitally, we couldn't get the band together to record so I just did it at home with logic's drummer software.

Q. Which new bands do you recommend?
The Tuts, Colour me Wednesday, Panic pocket, Charmer, Whitelands (of course), Okay Alright, War is over.

Q: Which band would you love to make a cover version of?
We are actually in the process of making a song for a cover album of a band called modern baseball, but otherwise, we would love to cover local natives.

Q: What are your plans for the future?
Record songs, Gig, and enjoy the music!

Q: Any parting words?
Thanks for interviewing us we really appreciate it, for the audience, listen to us here! https://whitelands.bandcamp.com
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https://whitelands.bandcamp.com/album/whitelands
https://www.facebook.com/Whitelands-1916620258445042/

segunda-feira, 22 de outubro de 2018

malcontent, "Just Loneliness Can Save The World"


"É num mundo polarizado, ainda mais intolerante, violento, com milhões subjugados ao poder do dinheiro cada vez mais na mão de poucos que os malcontent regressam. “This Is The Violence of Institutions”, o terceiro longa duração, é um retrato desse mundo onde até a democracia se autodestrói. Quatro anos após a edição de “Riot Sound Effects”, “This Is The Violence Of Institutions” traduz um som ainda mais contundente, questionando a surpreendente incapacidade de contestar o status quo. Num universo sonoro que espelha uma sociedade onde a violência e o entretenimento se confundem, os malcontent incentivam à objecção, a uma atitude diferente. Just Loneliness Can Save The World é o primeiro avanço do álbum que ficará disponível a 5 de novembro. O single, disponível nas plataformas digitais já a partir de 17 de outubro, é um estímulo à autoconfiança, à determinação, à liberdade individual em oposição ao unanimismo.

Quanto a influências, não temos uma referência concreta. O nosso som está um pouco mais pesado, mas mantém a identidade. O som traduz aquilo que observamos no mundo. É uma reacção, como diz no press, a um mundo cada vez mais violento, polarizado e injusto. O tema acaba por concluir que por vezes o melhor será a solidão a única forma de "salvar o mundo"

Foram quatro anos em que nos questionamos a nós próprios. As versões originais dos temas do novo álbum são radicalmente diferentes do produto final. Não queríamos repetir a fórmula e o resultado está aí. Julgamos ter um som mais contundente e afirmativo."


Assim, os portugueses do malcontent, apresentam seu retorno depois de um certo hiato, digamos que atualmente 3 anos, é um tempo considerável, principalmente na época onde o consumo desenfreado é feito tão vorazmente que se um álbum e lançado hoje, pode ser que na próxima semana ele já tenha sido completamente esquecido, o que, de certo, é altamente cruel.

O ponto é que os caras do malcontent voltaram mais ferozes, a fonte primária de sua música esta presente, leia-se J&MC, mas uma nítida injeção hormonal com sabores e fantasmas de NIN são ecoados por todos os poros do primeiro apetite de "This Is The Violence OF Institutions", o single "Just Loneliness Can Save The World" é exatamente como seus criadores a definem: É uma reacção, como diz no press, a um mundo cada vez mais violento, polarizado e injusto. O tema acaba por concluir que por vezes o melhor será a solidão a única forma de "salvar o mundo".
Se é que o nosso mundo tem mesmo uma salvação, quem viver verá.
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Thanks

https://malcontent1.bandcamp.com