quinta-feira, 11 de setembro de 2014

Stone Free with Samsara Blues Experiment - An Interview


Viageira das pesadas, stoner rock poderoso e psicodélico é a parada que os alemães do Samsara Blues Experiment fazem, três álbuns destruidores no currículo e participação em tudo que é festival para os iniciados em stoner não reclamarem de forma alguma.

O último álbum tem para se ter uma ideia, quatro canções em mais de 40 minutos de trips e mais trips.

Seria simplesmente fantástico apreciar o Samsara Blues Experiment ao vivo, certamente a viagem seria intensa.


***** Interview with Samsara Blues Experiment *****




Q: When did Samsara Blues Experiment start, tell us about the history...
I started the band in 2007 after the break-up of my former band Terraplane. We started as a three-piece jam band, then added second guitarplayers for the last years and since 2014 are again a three-piece. We played most of Europe, the US-Westcoast, released three albums, you should know all about that already ;-)...

Q: Who are your influences?
I started being a musician around 15 years ago. Back then I was influenced by Hendrix, Zeppelin, Doors and these bands. Nowadays I am more into Soul, Folk and what I´d call "weird music" like some electronic meditative stuff or else. I also love crooners like Frank Sinatra a lot. But end of the day we are still sort of a psychedelic Stoner/Doom band and guess we´ll remain this.

Q. Made a list of 5 albums of all time…
Oh man, don´t know where to start so I´ll pick one for each different and significant period as there were Metallica "Black Album" when I started playing music, Nirvana´s "Unplugged" when I was heavily in love for the first time, Zeppelin "BBC Sessions" when I got older and tired of most of the Metal stuff I used to listen to and really yearned for Heavier Blues tunes, then I have to mention the Dorrs, my all time favorite band if to name one. My fave Doors album would be "Waiting For The Sun". Last but not least an album no one might expect, but these days, actually for almost two years, I am heavily addicted to Margie Joseph´s "s/t" album, which is lady soul in its pure form and maybe too sweet for most of you heavy rockers, but I love her music.

Q. How do you feel playing live?
Good. For most times at least. I like getting connected to people by sharing that similar vibe, which is our music, which I find at the same time weird and beautiful ;-). I am not much a fan of my own music sometimes, but then it´s who I am. Sounds weird? I guess so.

Q. How do you describe Samsara Blues Experiment sounds?
Weird and beautiful. Sometimes even weirder.


Q: Tell us about the process of recording the songs ?
We record the basic tracks live all together and then overdub some Guitar solos, Synthesizers or other instruments and finallly the vocals.

Q. Which new bands do you recommended?
I love the Heartless Bastards. In terms of Stonerock I dig Wight, Mos Genereator and Yob.

Q: Which bands you love to make a cover version?
Ten Years After maybe?

Q: What´s the plans for future...
Having fun but being responsible, aware, more open to the real life which is often beyond a veil of distraction.

Q: Any parting words?
Thanks for your interest! Best wishes Chris Peters & SBE!
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Thanks guys

quarta-feira, 10 de setembro de 2014

Love's Secret Domain with Popsimonova - An Interview



Mudança radical de temperatura e sonoridade nas páginas do TBTCI, hora e vez da musa croata Lana Popsimonova.

Em uma conversa curta e grossa nos moldes de sua música, crua, densa e altamente sexy, que antes de mais nada não dá tempo para respiros, o negócio e dançar, dançar, dançar nos becos escuros, nas pistas esfumaçadas e cinzentas. Sua música, um mix de minimal wave, e todas as tendências e adjacências estão definitivamente condensadas em suas canções, dignas de entorpecer e enlouquecer seus adeptos.

Cuidado, melhor não se apaixonar por Lana Popsimonova, poderá ser fatal......



***** Interview with Popsimonova *****


Q. When did Popsimonova starts, tell us about the history...
A: Popsimonova is active in the music scene since 2006., as one of founding members of the electro band Dekolaz. In the year 2008., after the break up of Dekolaz, Popsimonova started solo project.

Q: Who are your influences?
A: DAF, The Klinik, Suicide, Anne Clark, Chris and Cosey, Aphex Twin, Sonic Youth...

Q. Made a list of 5 albums of all time…
A: 1. Joy Division - Closer
2. Sonic Youth- Goo
3. Tuxedomoon- Half Mute
4. Aphex Twin- Classics
5. Nick Cave - Henry's Dream
6. The Klinik- Sabotage
7. Coil - Love's Secret Domain
8. Suicide - Suicide

Q. How do you fell playing alive?
A: I feel good on the stage.


Q. How do you describe Popsimonova sounds?
A: Dark, marching, danceable, powerful

Q: Tell us about the process of recording the songs ?
A: I work music in Reason and Cubase; when I record matrix, then I start make a vocal.

Q. Which new bands do you recommended?
A: Sumerian Fleet, Kali Jugend, Umrijeti za strojem, Keluar, Noi Kabat...

Q: Which bands you love to made a cover version?
A: Chris and Cosey, Suicide..

Q: What´s the plans for future....
A: I currently working on a new EP for 2015.
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Thanks Lana

https://soundcloud.com/popsimonova
http://www.discogs.com/artist/Popsimonova
http://www.myspace.com/popsimonova
http://innumerals.bandcamp.com/track/fal

Some Weird Sin with The Walking Who - An Interview



Vamos pensar da seguinte forma, quando você pesquisa de verdade sobre uma banda, que é exatamente o que acontece aqui nestas páginas, e simplesmente você dá de cada com o seguinte: quesito influências, daí, estão listados de forma curta e grossa, Anton Newcombe, Syd Barrett e Lou Reed.....

Qual a atitude a tomar? Precisa mesmo escrever alguma coisa? É pegadinha?

Basicamente no caso dos australianos do The Walking Who é jogo ganho, serve apenas pra ilustrar e exemplificar o que te espera. Tipo assim, pega o Ep Mansions do ano passado e deixa rolar, aposto com você que nos primeiros acordes de Rita, faixa de abertura, vem direto na cabeça BJM e daí meu camarada, sem chance de volta, porque primeiro, a referência é lógica e serve de armadilha pra você correr atrás de alguma coisa pra beber e deixar fluir...

Complementando, vem material novo, e eu digo mais, tem alguma coisa nas águas australianas que eu preciso dar um jeito de tomar.....


***** Interview with The Walking Who *****



Q. When did The Walking Who starts tell us about the history...
We started playin together a few years ago after meeting at a party. There was a bunch of instruments set up, everyone playing songs, and we eventually just ended up playing together. From there we made a record or two, played a whole bunch of shows and here we are.

Q: Who are your influences?
We all bring something new and different to the table from our own influences, but together we're influenced by strange people, saunas and Lewiside.


Q. Make a list of 5 albuns of all time…
Couldn't even begin to cram it all into just 5 albums, but at a glance at the 5 records on reg rotation in my house would be:

Iggy Pop 'Lust For Life'
Neil Young 'On the Beach'
George Harrison 'All Things Must Pass'
Sade 'Diamond Life'
Fleetwood Mac 'Rumours'

Q. How do you feel playing alive?
It varies from show to show and venue to venue. Generally, it's like blacking out. You start, there's a mental blank, then it's over

Q. How do you describe The Walking Who sounds?
Sounds like Neo-Krautrock spacesynth dream-pop with more of that north eastern Turkey influence.

  

Q: Tell us about the process of recording the songs ?
For our new record we all went up to Byron Bay in Northern NSW to record together in the country. We spent the better part of a month up there, once we had the songs we came back to Sydney to finish up. The country - city environment really had an effect on the sound of the record.

Q. Which new bands do you recommended?
The Pinheads, You Beauty, Unknown Mortal Orchestra,

Q: Which bands you love to made a cover version?
I'd really like to cover Iggy Pop's 'Lust For Life' or maybe 'The Passenger'. Sick songs ay

Q: What´s the plans for future....
Release a dope video for 'With Roses', release a dope ass record and just generally keep on keepin' on

Q: Any parting words?
Fat bottomed girls, You make the rocking world go round

Biiiiiiiiiiiiiiiiirrrrrd
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Thanks guys

terça-feira, 9 de setembro de 2014

A Spy in The House of Love with Sky Between Leaves - An Interview


Sky Between Leaves no originário através de uma historinha contada por Jarvis Cocker, e que se prepara para lançar seu debute com um time de produtores de primeira grandeza, leia-se Pat Collier (J&MC, Primal Scream) e Brett Shaw (Daughter & Swim Deep) além dos dois pés fincado no Paisley Underground e na psicodelia pos punk de Echo & The Bunnymen e no lirismo do House of Love, simplesmente os londrinos cativaram de imediato este que vos escreve.

O.B.E. (Out of Body Experience) é uma das músicas perfeitas, pra ouvir, ouvir de novo e assim diversas vezes.

Fiquem espertos.....


***** Interview with Sky Between Leaves *****



Q. When did SBL starts? Tell us about the history.
SBL started out essentially as a bedroom project. I guess it's a generational thing. That's the way most of my favourite bands at the moment (Deerhunter, War on Drugs) started as well. You see, technology isolates us from each other but at the same time gives us the opportunity to make and record music very easily, holed away at home.

After a while the project had a shape, an idea, but was still lacking a name. Then I watched an interview with Jarvis Cocker. He was narrating an episode of his childhood, about how meningitis left him seriously myopic and turned the world into a blur. And then, he told, he was given his first pair of glasses. He immediately looked up at the treetops and finally realised that what he thought to be holes in the trees were actually the sky between leaves! Suddenly that sentence tied it all in. Except that instead of a pair of glasses, music was my way out of darkness.

But it would all have gone awry if I hadn't met Julie and Brenno. Expanding into a proper band transformed our sound. It became more organic and rounded. They are not only good musicians, but multi instrumentalists (Brenno plays bass and synths; Julie plays drums, percussion and piano). That makes all the difference. We always have people saying how massive we sound for a three piece band.

Q: Who are your influences?
We are heavily influenced by Neo Psychedelia and Paisley Underground. We own a lot of course to 1960s psychedelia and krautrock, but in a more abstract way. I'd say The Church, House Of Love, Echo And The Bunnymen, Neu!, Psychic TV, Love and Rockets and Jesus and Mary Chain are very present in our sound.

Q. Make a list of 5 albums of all time
House Of Love - House Of Love (Butterfly)
The Church -Starfish
Rain Parade- Explosions in the Glass
Palace Del-Byzanteens - Lies to Live By
Spiritualized- Ladies and Gentlemen We Are Floating in Space

You won't be necessarily listening to those influences on SBL's songs all the time, but those albums are a constant source of motivation, a reminder of why we wanted to be in a band in the first place.


Q. How do you feel playing live?
Playing live is a wonderful and weird thing. Time spent on stage is impossible to be counted in minutes or hours. It's a time dilation_as if we were at a different pace to reality. And something pretty special happens when we turn our Dreamachine on. We put this flickering device on stage and the combination of sound and light is hypnotising. We feel it and the audience feels it too. At that moment they're not spectators, they're part of an experience.

Q. How do you describe SBL sounds?
It's dynamic and hypnotic, the musical analogue of a Dreamachine. It's a lucid dream, an out of body experience.

Q: Tell us about the process of recording the songs
It starts out as an amalgam of home recorded guitar pedals and electronic drums which we then play thoroughly in our rehearsal studio. The next step is substituting those pre-recorded drums for real ones. We love recording drums with this guy, Brett Shaw, from Miloco Studios because he really knows how to convey a robust and natural ambience. He combines a very interesting acoustic technique with an adjustable ceiling drop which do wonders for reverberation.

We also had the privilege of recording some songs with producer Pat Collier. I've always been fascinated by the sound and mood of early Creation Records captured by Pat and also his work with Robyn Hitchcock and The Soft Boys in the late 70s. I wanted that sort of shine that he extracted from Terry Bicker's guitars. Bicker is my guitar hero.

Q. Which new bands do you recommend?
Vaadat Charigim, Yppah, Pure X , Lumerians, Posse, Weed, Tripwires, The Men, King Dude. Let me stop here, otherwise the list would be too long.

Q: Which bands you would love to make a cover version?
On our first gig we played "I wanna destroy you" by The Soft Boys. At the moment our cover versions are restricted to our spare time in our rehearsal room. Sometimes we toy around with songs we really like. We have a floaty version of Husker Du's Green Eyes. Today by Ride is another favourite. One of them could make its way onto our setlist sometime.

Q: What are the plans for future?

We're now preparing the release of our new single, called Klein Blues. It's inspired by French artist and leading Nouveau Realism figure Yves Klein who first developed a particular shade of blue. It was produced by Pat Collier (JAMC/ HOL/ Primal Scream) and Brett Shaw (Daughter/ Viv Albertine). We should get back on the road by the end of October.
Q: Any parting words?

Nietzsche wrote:“Without music, life would be a mistake.” And you know? Thank him for that!

These days we see the recurrence of extremist ideals and the radicalisation of opinions all over the world. It's happening in Europe, Middle East and certainly in Brazil as well. Apparently the more we conquer in terms of tolerance, the greater the backlash.

But even in this mad world_ as Nietzsche pointed_ music matters. It matters exactly because it is universal and inclusive. That is, at least, what we hope to achieve when we're making music.
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Thanks guys

A Stormy in Heaven with Purple Heart Parade - An Interview


De Manchester vem a trip psicodélica shoegazer do Purple Heart Parade que viaja profundamente nas nuances chapantes e delirantes do Verve era Stormy in Heaven.

Muito próximo de bandas da atualidade como Exit Calm e Lucid Dream muito pela maciça influéncia do Verve e outros ícones da Scene That Celebrates Itself, os caras mais parecem terem se teletransportados dos 90´s para os dias de hoje, o novo ep Painting Pictures mostra exatamente o que estou escrevendo, vai de cabeça e boa viagem.

Uma verdadeira celebração, altamente recomendado.

***** Interview with Purple Heart Parade *****




Q. When did Purple Heart Parade starts, tell us about the history...
Me and Ste ( Bass ) used to be in a band on the verge of greatness together many moons ago which sadly broke up in heartbreaking circumstances. Anyhow after a while Ste joined another group in which their singer left. Ste got in touch and asked if I fancied coming for a jam?. I'd not done anything for years and was in limbo tbh, I wasn't too sure about going? as I'd been out of music for too long. Luckily my girlfriend talked me round, I went along and it went like a dream.

Q: Who are your influences?
We have loads of influences from all decades and genres, I'm a massive Shoegaze fan and love bands like Ride,Verve,MBV etc...

I grew up in the same area as Mani - Sone Roses and Puressence, so seeing local lads making it big was also a massive influence, it showed that working class lads can have a crack at the big time too.

Q. Made a list of 5 albuns of all time…
1.) A storm in Heaven - Verve.
2.) Black Sabbath - Black Sabbath.
3.) Spirit of Eden - Talk Talk.
4.) The Stone Roses - The Stone Roses. }
5.) Lazer Guided Melodies - Spiritulized,

That's a tough one that! It will have changed by the time this goes to press ha

Q. How do you fell playing alive?
I love playing live! Though you wouldn't think so?
If you met me just before a gig. I suffer from dreadful nerves which at times makes us have panic attacks and makes us vomit! Ha Once I'm up there, I just close my eyes as the tunes start and let the colours and magic fill my head and soul. I move about too much for some people, which I don't mind! Fuck em! I just get lost in the sounds, it's a beautiful feeling.

Q. How do you describe Purple heart Parade sounds?
A roller coaster ride through the heavens, soul scraping bone shaking spiritual bliss


Q: Tell us about the process of recording the songs ?
We lay the basic tracks down in the studio, and work on it a layer it with sonic dust at The Lunar Suite which is Stephen De Sarasolas ( our manager & sound engineer ) studio in Stretford, Manchester

Q. Which new bands do you recommended?
I love The Lucid Dream, I honestly think they're the best band in the UK. We're lucky enough to have them as friends which is cool as fuck. I'm digging Helicon, The Underground Youth, Dead Rabbits,Tess Parks, The Watchmakers, Black Market Karma etc... The scenes very healthy at the moment.

Q: Which bands you love to made a cover version?
My uncle was in Hermans Hermits and was good friends with The Hollies. I've always fancied doing I'm Alive by The Hollies, it would be a nice touch especially with us being a mancunian band. I've also thought we'd do a mean cover of Pets by Porno for Pyros.

Q: What´s the plans for future....
We have our self funded debut single Painting Pictures coming out on a limited edition purple 7" and Drifter being released on tape cassette by Liverpool label Blak Hand Records which makes us very happy. Liverpool Psych Fest is also on the horizon which is amazing for me. I've been to the previous 2 as a punter and have loved it! I'd had 2 jams with the band when I attended the first festival. I vowed on that day, that I'd be playing one day! Ha, dreams can come true! A tour of Europe looks likely next year, so that's something that' excites us, fingers crossed Eindhoven and Austin take a shine to us and book us? Cough,cough,hint,hint

Q: Any parting words?
Peace,Love n 60's Dust xxxx

all questions were answered by Peter Cowap lead vocalist ( Reverb Controller & Tambourine Technician) at Purple Heart Parade
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Thanks


https://www.facebook.com/PurpleHeartParade
http://www.purpleheartparade.com

sexta-feira, 5 de setembro de 2014

In Rainbows with Synthesize Her - An Interview



Synthesize Her é um duo de Reno, Nevada, que nos primeiros acordes da faixa que abre seu debute o ensolarado Sun Damage, no caso Summer so Sweet acontece aquele famigerado amor a primeira vista, ou seria pela voz da loiríssima Alexandra, ou seria pelo shoegazer, lo-fi a´la Raveonettes.

Tipo, nada de novo, nada que vai salvar o mundo, muito pelo contrário, mas é inegável a doçura e aqueles barulhinho acolhedor que vicia a cada musiquinha.

O ponto é que não há como fugir da armadilha que o Synthesize Her cria, amor, amor, amor, amor.....


***** Interview with Synthesize Her *****


Q. When did Synthesize Her start tell us about the history...
Alexandra. Synthesize Her started out as just a couple of song ideas in the summer of 2012. Together, Alex K. and I saw the bands Girls and Unknown Mortal Orchestra play here in Reno. That show, along with the albums of those two bands sort of made something click in me. I had always sung in choirs and stuff growing up, but besides some dorky diary-written crap, had never tried to create a band or an album. The day following the show, sitting at my office job, I hummed the melodies and wrote the lyrics to Summer So Sweet, Candy Girl, and Don't Get So Down. That same night, I approached Alex K. who I was dating at the time, and asked if he would be interested in doing a one-off shoe-gaze album with me. He was all in, and we finished up the songs in about 2 weeks. Alex could really read my mind in regards to the vibe I wanted for the album, and since he was playing all of the instruments and producing the sound for it, this was really important.

That summer, I had a pretty bad wake-boarding accident, and was in a wheel chair for a while, so we took some time off for a year, and re-visited the album as friends the following summer, with the intention of recording the songs and doing one big show. We released our single "Summer So Sweet" in june of 2013, and our album, "Sun Damage" ten days later. That September we played a show, intending for it to be the first and only, at the Holland Project- a really awesome all-ages art and music initiative for and by young people here in Reno. We had an incredible line up of guys making a 6 piece live band. As Synthesize her was intended to be an art project versus a touring band, the live show was really important to me. I went into it with the desire to show my heart- hurting, and screaming; bearing true human emotion that captivates people, and scares them, and makes them feel uncomfortable, though is still painfully relatable and compassionate. I think we achieved that last year, and even more so this year during our second show, also at the Holland Project, on August 14th. We just released another single "Fuchsia" on band camp last week.

In regards to the name, it didn't come until way later. We had trouble agreeing on something that properly represented our sound, and eventually settled on Synthesize Her (though i'll admit that we were always Flower Cult, in my mind).

AK. Synthesize Her began in 2011 when the singer Alex Crowe and I were dating. We became inspired from a lot of the live music we were seeing and decided the start our own band. We wrote the whole Sun Damage album together in about 2 weeks but didn't record the songs in the studio until the following spring. (We broke up that summer).

Q: Who are your influences?
Alexandra . My Bloody Valentine, Devendra Banhardt, Girls, Unknown Mortal Orchestra.

Ak. Our influences are My Bloody Valentine, Cocteau Twins, Slowdive, Unknown Mortal Orchestra, Girls, Leonard Cohen, Ricky Nelson and R. Kelly.

Q. Make a list of 5 albums of all time…
Alexandra. Shiiiit. This is tough..
1) Grace- Jeff Buckley 
2) Blue Valentine- Tom Waits 
3) Moon Safari- Air 
4) In Rainbows- Radiohead 
5) Big Boi & Dre Presents Outkast- Outkast

if i could put a few more on there i'd add- Mama's Gun- Erykah Badu, Black and Blue- Rolling Stones, Maggot Brain- Funkadelic, Smokey Rolls Down Thunder Canyon- Devendra Banhardt 

Ak. My top favorite albums are Moon Safari by Air, Superwolf by Bonnie Prince Billy, Voodoo by D'angelo, Niño Rojo by Devendra Banhart and Loveless by MBV. I'm not sure what Alex Crowe's top albums are...

Q. How do you fell playing live? 
Alexandra. Incredible- Best feeling ever. After playing a show, I feel like i've been through 2 years of therapy, taken a bath, and had a back massage. Sure, my elbows and knees are cut up and my voice is horse, but it's truly cleansing.

I love the power to navigate the emotions of your audience- when you cry, they cry. When you're angry, so are they. It is as invigorating and addictive as a drug. 

Ak. Personally, playing live to me is very exciting and inspiring. It makes me remember what I love most of all in life, music.

Q. How do you describe Synthesize Her sounds?
Alexandra; A melodic wall of sound. Summer dream pop. Shoe gaze meets drone meets gender bending gospel. I don't really know.. I just say it's free- it's for you- it's for the summers when you feel like a love-sick teenager staying up late on hot nights when the dry sun doesn't go down until 9pm. It sounds like being in love i think. 

Ak.The sound of Synthesize Her is simply the sound of summer, we wrote the album Sun Damage as our ode to the feeling of the summer season. It should be resonant in the songwriting and vibe. The track called 'Summer So Sweet' is the epitome of what we were going for with that album.


Q: Tell us about the process of recording the songs ? 
Alexandra. That's really Alex K's jam. He is the master behind the music. We recorded the songs in his bedroom. I would write the songs, hum out a melodies and drum lines, and he would come back with it fully recorded, ready for me to put the vocals on top. I'd have input on little tweaks here and there, but the recording was ultimately Alex's baby. 

Ak. The recording process for Synthesize Her is very unique and it all takes place in my bedroom. I start with programming the drum beats on my iPhone using a vintage drum machine. After I lay those down, I record about 5-8 different guitar lines per song. Once that is finished I record the bass and then the moog synthesizer parts. Keep in mind that I am a multi-instrumentalist and the band is a duo between myself and the singer. So I do the actual music part and she sings everything. I usually can finish 1-2 songs in a session and then have Alex Crowe come in later and record the vocal parts. Vocals are usually doubled and dubbed/harmonized over to create a really thick ambient effect.

Q. Which new bands do you recommended? 
Alexandra. I'm not sure about new, but new to me: Warpaint, FKA Twigs, Widowspeak, Giant Drag 

AK. I recommend listening to Hiatus Kaiyote and The Stepkids, those bands are amazing and truly innovative.

Q: Which bands you love to made a cover version? 
Alexandra.We have covered 2 songs: I'm Your Man by Leonard Cohen, and Lonesome Town in the style of Ricky Nelson. If we had more time, I would have also loved to cover Touch by Daft Punk- there is a lot left up for personal interpretation with that song- i think it would be lots of fun to play around with. 

Ak. We did a cover of Leonard Cohen's "I'm Your Man" and Ricky Nelson's version of "Lonesome Town". Video for those will be on YouTube pretty soon.

Q: What´s the plans for future.... 
Alexandra. I am leaving on a one-way ticket to India for a while. Now that I'm done with school, it's time to explore, I'm not sure how long i'll be gone for. 

Ak. Plans for the future involve taking about 2 years off from the band but in that time potentially releasing Sun Damage on a physical format like Cassette tape or Vinyl.

I don't know if we'll keep up with Synthesize Her, but she's a beautiful project that I've thoroughly enjoyed and if something comes of it, who am I to deny it?

Q: Any parting words? 
Alexandra. Thanks for taking an interest in our band. Please enjoy our album and singles. Find them here http://synthesizeher.bandcamp.com/track/f-u-c-h-s-i-a for free. We made this for you because inspiration breeds inspiration.. 

Ak.Thank you so much for the interview! We really appreciate your time and interest in Synthesize Her. 
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Catch The Breeze with Vhs_Dream - An Interview




Novos sonhos e imersões a viagens particulares e introspectivas vem diretamente da Austrália, cortesia do exuberante Vhs_Dream.

Ainda sem ter pisado em palcos, somente com um único e lindo registro o ep Wonderfully Hopeness viaja entre o Loveless e o Just for a day, o que já deixa explicitado o que te espera, shoegazer, shoegazer puro e cristalino, guitarras imersas ao saboroso wall of sound, vocais soterrados servindo como um instrumento a mais para os delírios mais íntimos.

Apague as luzes e respire suavemente com o Vhs_Dream.


***** Interview with Vhs_Dream *****


Q. When did VHS_Dream tell us about the history...
VHS Dream has always been a solo recording project, however, there were a few attempts to turn it into a five piece band. Unfortunately, the band format didn't work so I stuck with it as a long term solo project. I started writing songs back in 2008, which were some of the first songs I ever wrote. It was a pretty bleak time, so I wrote obsessively for a couple of years. I've continued to write new songs by myself since then. As a result, I have a collection of songs that I want to release and play live.

Currently, VHS Dream has started to branch out into playing live shows. I'm rehearsing with Mayzie Cocco Wallen, who joins me on guitars and vox. Hopefully we'll have some time to record later this year as well.

Q: Who are your influences?
It's hard to go past Slowdive as a major influence for me, although My Bloody Valentine was definitely the band that got me interested in this sound. I'm also heavily influenced by electronic acts such as Boards of Canada, Ulrich Schnauss, Jon Hopkins and Tycho. All of these artists have an aesthetic that I can really connect to, and have had a profound effect on the way I compose music.


Q. Made a list of 5 albuns of all time…
This is not easy, but I'll give it a go. The only order here is the order that I thought of them. These are the albums that I've definitely listened to the most over the years and most recently.
1. Boards of Canada - Tomorrow's Harvest
2. Stars of the Lid - Stars of the Lid And their Refinement of The Decline
3. Brian Eno - Music for Airports
4. Slowdive - Pygmalion
5. My Bloody Valentine - Loveless

Q. How do you fell playing alive?
Unfortunately, VHS Dream has never played live, so I couldn't tell you! Ask me in a few months and I'll hopefully have a good answer.


Q. How do you describe VHS_Dream sounds?
I find it really hard to describe music with words. I guess that's why we have music isn't it? To describe the indescribable. But I suppose that depends on the purpose of the music.

What I can tell you is how I'm feeling when I write music and why I do it, which is probably the best way I can describe how it sounds. I only ever write music when my life has slowed down and I've got time on my hands. As a result, I'm very slow and lethargic when it comes to writing music. I find that it's very immersive and I'm very easily detached from everything else that's happening. I'm certainly not trying to solve any of the world's problems. It's more of an escape from that. I'm just trying to turn my emotions into something sonically enjoyable.


Q: Tell us about the process of recording the songs ?
To this date, the process has been completely DIY. I have recorded everything myself, in my own bedroom. For Wonderfully Hopeless, one of the songs started out as a poem. The others, I wrote some lyrics, and slowly decorated it with some sounds. The process is ridiculously slow, but sometimes it takes a long time to get where you want to. All of the guitars, bass and vocals are recorded, but I sample the drums. There may be a few exceptions to that rule though. I use synthesisers from time to time, depending on the song.

Q. Which new bands do you recommended?
I'm extremely lucky to live in a part of the world where this part of the music scene is absolutely thriving. These days, I'm so saturated in my local music scene, that I rarely have to look elsewhere for new music. Most of these bands are quite new, and from Melbourne, Australia.


Lowtide
http://lowtidemelbourne.bandcamp.com/
Contrast
http://contrastmelbourne.bandcamp.com/
Hideous Towns
http://hideoustowns.bandcamp.com/track/joy
Miniatures
http://miniatures.bandcamp.com/
Bloodhounds on my Trail
http://bloodhoundsonmytrail.bandcamp.com/
Glaciers
http://weareglaciers.bandcamp.com/
Luna Ghost
http://lunaghost.bandcamp.com/
Jealous Husband
https://soundcloud.com/jealoushusband

Q: Which bands you love to made a cover version?
I'd love to do some covers of some really nostalgic film soundtracks. I'm a big fan of the Neverending Story, so I've been playing a few songs from that film. Whether or not I'll ever do a cover of it is another story. When VHS Dream was a band, we tried to do a cover version of Freur's "Doot Doot", which was ridiculously fun. I've often considered doing a cover of "Katy Song" by Red House Painters, as well as "Like Spinning Plates" by Radiohead.

Q: What´s the plans for future....
I don't plan too much, but the immediate plan is to take VHS Dream to the stage. I'd like to reach a larger audience through shows and launch from there. Beyond that, I would love to put out some more recorded material. I hope to record later this year and have something ready early next year.

Q: Any parting words? Thanks for listening! And thanks to TBTCI for covering VHS Dream. I think that we're all incredibly lucky that there's a heap of great musical artists out there. Not many of them get the attention they deserve. I think it's great that there's a lot of people out there who have the energy and patience to dig deep and find music that they love. So thank you to TBTCI for giving artists a voice and a platform, and thanks to all the listeners out there who keep looking for the sounds they love.

quinta-feira, 4 de setembro de 2014

Transparent Radiation with Bosques - An Interview



No verão de 2009 na Argentina foi formado o combo folk espacial, demoninação dada pela banda que eu endosso, o belíssimo Bosques, que tardiamente diga-se de passagem chega as páginas do TBTCI, mesmo porque este que vos escreve já usufruiu da música dos Bosques em algumas odisséias particulares.

O último registro oficial dos caras é de abril desse ano, El Centro Del Vácio, que para bom entender viaja e transita entre a família Spacemen 3, oras mais Kember oras mais Pierce, o negócio aqui é flutuar em busca de algo que ainda não sabemos ao certo, mas, se eu fosse você, adentraria a viagem dos Bosques e procuraríamos em conjunto, afim?

***** Interview with Bosques *****



Q. When did Bosques starts, tell us about the history…
Bosques started in the summer of 2009, when the two of us –Marcos and Juan Cruz- met. We were neighbors and we met in a park. We became friends and some weeks later we were already making music together. We did not have a pre-conceived idea of what we wanted to do together, we only knew that we were both interested in finding new, unexpected or somehow unexplored musical possibilities. This has been our interest ever since.

Q: Who are your influences?
Perhaps in a way our biggest influence is the freedom and the independence of the artists and thinkers that were also influenced by the freedom and independence of other artists and thinkers.

We have always been interested in a lot of very different musical expressions: folk, tribal, experimental, mainstream, modern and ancient.

Q. Made a list of 5 albuns of all time…
With no particular order:
Deerhunter - Fluorescent Grey EP
Kid A – Radiohead
Spacemen 3 - Playing with fire
Artaud – Pescado Rabioso
Stereolab - Transient Random-Noise Bursts With Announcements


Q. How do you feel playing alive?
Alive.

Q. How do you describe Bosques sounds?
Folk music from a plentiful void.

Q: Tell us about the process of recording the songs?
It really depends on the song we work on. The process is always quite different, but words and music usually come together to create a certain mantra that possesses a certain meaning, a certain strength, and that responds to the quest of a certain state of trance.

Q. Which new bands do you recommended?
La suma de todos los tiempos, Guxguxguxgux, Sue mon mont, Día primero, Kill west...

Q: Which bands you love to made a cover version?
We’ve done reversions of “Lady Godiva’s Operation”, by the Velvet Underground, “Take your time” by Spiritualized. Also of “Hey Man” by Spacemen 3 as Los Cuerpos.

https://soundcloud.com/bosques/bosques-godiva-velvet
https://soundcloud.com/bosques/bosques-t-mate-el-tiempo
http://pleromadiscos.bandcamp.com/track/los-cuerpos-amen

Q: What´s the plans for future...
More freedom.

We’d love to travel more, to share our music playing live around the country, the continent, the world.

Q: Any parting words?
Thanks.
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Thanks Guys

https://www.facebook.com/bosquesbosques
https://bosques.bandcamp.com/music

Drug Magicians with Vague - An Interview



A primeira vez que ouvi o Vague, quinteto de Vienna, Austria, me veio a cabeça imediatamente algumas bandas esquecidas lá do longínquo 80´s, The Bats, The Chills, The Verlaines, Lloyd Cole & The Commotions, tudo pela verve romântica e melodias delirantemente sedutoras.

Sem nenhum album lançado apenas um ep DIY intitulado Television, o futuro que parece ser indefinido ainda, talvez pelo pequeno tempo de existência, esses austríacos merecem toda atenção, porque preciosidades como Park, Television e Space Addict permeiam vibrações a flor de pele.

O TBTCI aconselha, não deixe de se envolver com o Vague.


***** Interview with Vague *****


Q. When did Vague start? tell us about the history...
A: Vague started with the recording of a Demo Tape called ‚The Kraftwerk Tapes’ in Summer 2013. Konstantin and I (Simon) met in the mountains back home, recorded five songs, showed them to our friends later in Vienna and so the idea of forming a band together was quickly born. Gabriel, who has always been busy making music, recording a lot of stuff etc., was in naturally and became the third guitar player and third vocalist/songwriter as well. Soon later, Konstantin met Gregor at University in Vienna and, as Gregor is a kind of experimental, extraordinary drummer, the choice felt pretty easy. Finally Juan, who is a damn good guitar player and even better barkeeper (haha), started to play the bass guitar. It all felt very natural and as we would have played together already for ages. The French word ‚Vague’ just seemed to fit the sound.

Q: Who are your influences?
A: I would say everything enlightening and ambiguous between Flaubert and the No Wave NY-Scene is an influence. But as we have all different approaches to art and music in general, I think it‘s impossible to sum anything up. And probably everyday life is influencing enough.

Q. Make a list of your favourite 5 albums of all time…
A: That changes everyday obviously because a specific choice is always a product of a specific moment with it‘s specific feel. But at the moment I’d say:
Can- Ege Bamyasi
Neil Young - On the Beach
Spacemen 3 - Sound of Confusion
Bob Dylan - Bringing it all back home
Velvet Underground - White Light/White Heat

Q. How do you feel playing live?
A: Right now there is no better feeling imaginable for us than the one we get playing live, in front of people, of a crowd. It is special every time - again and again. It feels like you are creating energy together with the audience. A musical performance - that‘s the real thing. So much is happening at concerts, when the drift is getting you. I could go on like this forever haha.

Q. How do you describe Vague sounds?
A: The Vague sound really seems to generate itself. We like keepin it simple and basic: chords, delays, feedbacks, melodies, floating drums, not too many effects, transformed noise. The songwriting is another thing. Vocals are important and we try to use them as an instrument. If you want to categorize, you could say that it feels like a crazy mixture of New Wave, Rhythm and Blues, Psychedelic-rock / Spacepop- Thing. But anyway: we just try to avoid these terminologies and tend to call it Alternative Music.


Q: Tell us about the process of recording the songs
A: The thing is that we recorded songs for two albums (which will be released together very soon) on our own, without a producer or an audio technician. We really went in for the DIY experience, from start to finish. Maybe that‘s a more difficult way to do it, but because of that, we maintain total artistic freedom, which is totally worth all the work. So ultimately the recordings turned out to be pretty exciting. You gotta learn how to use the microphones and computer programs in a way, that you get the sound you want but you can do almost anything with the right equipment these days anyhow. That was very interesting for us to see as well. And it’s always a real fun time, hanging out together working on songs, smoking cigarettes...

Q. Which new bands do you recommend?
Homeshake, Connan Mockasin, Parquet Courts, Nisennenmondai, Younghusband, DIIV, Kurt Vile(not really new though, but always good)…there´s a lot of good, new stuff out there!

Q: Which bands would you like to make a cover version of?
A: We´ve never really done covers, and probably never will, but to answer your question: right now I‘d like to play 'North by North' by The Bats.

Q: What´s the plans for the future....
A: Get the release of the albums done and play as much as possible with it. And writing new material of course. I‘m also moving to Berlin in autumn and excited for the cool and varying music scene there.

Q: Any parting words?
A: Thanks for having us. we would love to come overseas soon to play in amazing cities, such as São Paulo. Have a nice summer ending everybody!
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Thanks guys

https://soundcloud.com/vague1000
https://www.facebook.com/vague1000

quarta-feira, 3 de setembro de 2014

Filthy Psychedelia with Terminal Cheesecake - An Interview


Das cinzas do Purple Things, MARRS surgiu em 1988 uma das maiores insanidades musicais formada durante um show do Pussy Galore no mesmo ano, o Terminal Cheesecake é verdadeiro patrimônio da esquizofrenia noise. Um mix de noise, psicodelia bruta, hardcore, free jazz, punk e tudo mais que você pode considerar musical esta dentro desde insano caldeirão de referencias que talvez pela primeira vez aterriza em algum veículo (sic) de música neste pais, sem falsa modéstia, mérito pro TBTCI.

Desde o primeiro EP Bladdersack de 1988 até o derradeiro King of All Spaceheads, passando pelos dementes e infernais, Johnny Town-Mouse, VLC, Angels in Pitgails, a receita é desconstrução em alto e bom som, quer dizer bom som não, um sonoridade que conforme meu amigo Ricardo Bola me confidenciou, o TC ao vivo era uma das mais barulhentas atrocidades musicais que ele já viu, e note o currículo dele é de se fazer inveja.

Mas, até que o mundo esta nos ofertando uma chance, o TC esta novamente nos palcos, aterrorizando os tímpanos de quem estiver presente. Haverá em breve um festival psych na Holanda, onde teremos TC em conjunto com as grandes e insanas bandas psych da atualidade leia-se,  Gnod, Radar Men from the moon, Sonic Jesus, Wall of Death, Cosmic Dead e por aí vai....

Precisa dizer mais alguma coisa, precisa, preste atenção na última resposta e quem puder e tiver culhão que nos brinde com TC por essas terras, os tímpanos agradeceriam....


***** Interview with Terminal Cheesecake *****


Q. When Terminal Cheesecake started, tell us a story?
TC formed in 88 at a Pussy Galore gig .. Russ and Mick from a band called "Lager Damage " ( like Godflesh but much louder and more insane) and John and Jary from the psych band - The Purple Things . We started recording demos and rehearsing and within 6 months we played our first gig at The Sir George Robey venue in London... It was totally mad, full of people ( mainly friends )

Q. What are your influences?
Loads of influences ; Garage punk, punk, psych, Jazz, Soul, Classical, etc etc etcetc.. 3 of us worked in record shops so we listen to a lot of varied stuff..

Q. What represented the pos punk scene for you?
We never considered ourselves part of any scene and pos punk never really existed in London as a scene as such so I guess thats a tricky question to answer. We mainly played shows with hardcore and noise bands so were connected with that type of scene..

Q. How were the shows at that time?
Shows were Ok, I suppose, very difficult to get booked.. Too much stuff was indie and a bit lightweight.. We tended to frighten promoters and we struggled to get shows except in London . In London we always seemed to pull a good crowd ! We played shows with Prong, extreme Noise Terror, Godflesh many many times but mainly headlined our own ..


Q. What is your favorite Terminal Cheesecake´s musics / album's ?
I still actually like them all but my favourite tracks, personally are : VCL, lazy Hard on and Johnny Townmouse, and Bladdersack etc etc ... Best Lp is the new one which will be released next year !

Q. Terminal Cheesecale in active again, what is the motive for the back?
The motive for reforming was to finish unfinished business.. TC is too enjoyable not to do, it is our responsibility to carry on in the name of filthy psychedelia !

Q. What are your plans for the future?
We have formed the ultimate line up of Tc in the sense that we seem very motivated for playing live and recording new stuff .. We also enjoy each other's company and seem to inspire one another.. also we enjoy spending time getting smashed in each other's company .. Just have to carry on and go head on .. flat out to make up for lost time !

Q. Some final words?
Look out for the new Lp and also we have some friends in Brazil so maybe we will make it over one day soon, who knows ? IWe'd love to play Rio, .. yes, that would be the absolute business !
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Thanks TC

http://www.terminalcheesecake.com/
https://www.facebook.com/pages/Terminal-Cheesecake

Almost Prayed with The Proper Ornaments - An Interview



Aaaaah o pop perfeito, a incansável busca pela música perfeita!!

Nos primórdios da Creation e lá naqueles longínquos anos no meio dos 80´s, uma infinidade de bandas surgiam em busca dessa máxima, The Loft, Weather Prophets, Biff bang Pow!, Jasmine Minks e outros tantos cansados daquela mesmice de tecnopop buscaram nas melodias 60´s e na postura punk a base para a criação de inúmeras pérolas pop.

E nos tempos de hoje algumas bandas calcadas nessa mesma máxima buscam a realização de criarem gemas deliciosamente cantaroláveis e pop sem soar cafona.

Caso dos londrinos do The Proper Ornaments, pegue o ep Taking the Gamble out of buying e as quatro canções resultam num brilhantismo pop perfeito.

Par sair caminhando, olhando os detalhes por onde você passa e saber que o mundo ainda vale a pena.


***** Interview with The Proper Ornaments *****



Q. When did Proper Ornaments starts, tell us about the history...
It all started when james and i met. we started hanging out, doing illegal things and naturally began to write songs together.

Q: Who are your influences?
We bonded over our love for the velvets, beatles beach boys etc

Q. Made a list of 5 albuns of all time…
Difficult question, will tell the first 5 that come to my mind:

1 Marquee Moon, Television
2 Beatles For Sale
3 Dreams Less Sweet, Psychic Tv
4 Raw Power, the stooges
5 The velvet underground, The velvet Underground.

Q. How do you fell playing alive?
it always changes, but its great when things connect.


Q: Tell us about the process of recording the songs ?
we meet at the studio, have tea, go through the songs with the band and record them. we spend time writing them, the playing is generally straight forward.

Q. Which new bands do you recommended?
Grimm Grimm, Niqab, Cop.

Q: Which bands you love to made a cover version?
Wipers

Q: What´s the plans for future....
will tour Europe and Uk in November, and start another record soon.

Q: Any parting words?
We'd like to send our love to Brazil, thanks for Jobim, os mutantes, Ellis and hi to Boogarins!
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Thanks guys

terça-feira, 2 de setembro de 2014

Echo Forever with Radar Men From The Moon - An Interview



Facilmente uma das mais intensas e instigantes bandas da atualidade o Radar Men From The Moon, vem diretamente dos Países Baixos vem ensurdecendo os aficionados em kraut, psych, shoegazer, experimentalismo e stoner, note bem, o RMFTM viaja entre todos os estilos citados oras deveras furioso e insano por outras navegando em ondas calmas e cristalinas.

Com três álbuns irrepreensíveis, Intergalatic Dada and Space Trambones (2011), Echo Forever (2012) e Strange Wave Galore (2014) os dois últimos lançados pela espetacular Fuzz Club Records.

Primeiramente como um trio e atualmente um quarteto o RMFTM é definitivamente para iniciados e adoradores de músicas nocivas e viciantes, Strange Wave Galore para este que vos escreve é um dos grandes álbuns deste cruel 2014.

E com exclusividade nestas terras RMFTM nas páginas do TBTCI.....


***** Interview with Radar Men From The Moon *****


Q. When did RMFTM starts, tell us about the history.. .
We started early 2011 as a threesome. We have the idea that we constantly have to re-invent ourselves to keep it interesting so in 2014 we added a fourth member to the band. He adds excitement.

Q: Who are your influences?
Friedrich Nietzsche, Martin Heidegger, Albert Camus, Michel Foucault, Jean Baudrillard, Comte de lautreamont, Franz Kafka, TS Eliot, Marcel Duchamp and the list goes on


Q. Made a list of 5 albuns of all time…
Sonic Youth - Sister,
The Fall - Hex eduction hour,
Melvins - Houdini,
Captain Beefheart - Trout mask replica,
Throbbing gristle - a second annual report,
Lou Reed - Transformer,
Cocteau Twins - Garlands

(whoops we've done seven favorite albums, sorry!)

Q. How do you fell playing alive?
Sweaty and confused

Q. How do you describe RMFTM sounds?
Repetitive nihilism and danceable cacophony


Q: Tell us about the process of recording the songs ?
Recording the basic drums, bas and guitar. After that the fun part begins with a lot of knob twisting madness with effects and experiments. Essentially we write the songs before we hit the studio, but lately we try to come up with new material as we’re recording it. We like to have the freedom to experiment with sounds and stuff.



Q. Which new bands do you recommended?
The Woken Trees, Lightning Glove, Black Puss, Elektro Guzzi, POW!, Shit & Shine, Lola colt.


Q: Which bands you love to made a cover version?
The Cure, New Order or Cocteau Twins

Q: What´s the plans for future....
We're in the middle of our writing process, so we want to record a new record/project. Something special, it's going to sound quite different from our previous work. After that we’ll be hitting Europe again.


Q: Any parting words?
Thanks for your interest and support in RMFTM!
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Thanks Tony

Dreams Less Sweet with Vólkova - An Interview



Impressionante é a palavra pra descrever a intensidade gélida calcada na cold wave e minimal sounds do duo Vólkova, Cesar e Paula em 2013 casualmente se encontraram num show em Buenos Aires e assim surgia o Vólkova

Três disquinhos no currículo sendo que Traumas and Dreams lançado em junho desde ano mostra a qualidade dos dois. Canções que penetram lentamente e te jogam diretamente para os gélidos anos do início dos 80´s sem soar datado, muito pelo contrário, tanto que a nova cena da cold wave e minimal sounds esta cada vez mais forte e intensa.

Não a toa o Vólkova tem uma série de shows na Europa com gente do calibre de Sixth June, Klinik entre outros.

Pra ficar de olhos abertos.

***** Interview with Vólkova *****


Q. how did Vólkova come together?, tell us aboutll the history...
César: We met on March 2013 at the Hanin Elias concert in Buenos Aires. I was working with my label (Tacuara Records) and looking for a new formula for my musical curiosities. With my previous band, Plan Quinquenal, I was in deep work with industrial and experimental music. On one side, I was submerged under a chaos of compositions, while on the other I was searching for a way to synthesize ideas in a more audible format. With Paula we came together rather quickly. She recorded her own vocal tracks at the same time I was making my compositions , a mix of a permanent struggle between cold, dark, melancholic melodies and some irreverent compositions of punk and industrial music.

Paula: I remember that before we met each other at that concert, Cesar and I talked by Internet and he asked me about a female singer because of his intentions with a new proyect and I answered him that I would recommend someone else because I wanted to sing but I was in treatment because of a throat disease. (I´m sure Cesar doesn´t remember this, ahah). When we met in person I heard what he was composing and I knew that would be a joint project and my voice and limitations would adapted to this.

Q: What are your influences?
C: Art is so broad and it regenerates constantly. Many things motivate and give us ideas, things like past literature or old time melodies. I learned to play guitar with partitures of Black Sabbath , and fell into electronic music, perhaps out of curiosity. I am not an expert with synthesizers, I am an autodidact. There are a lot of people with full knowledge about synthesizers, but I just follow my instincts and use them as a tool to make music.

P: I believe that influences are all that we absorb during all our life, even the things that we can´t remember but are still there in our unconscious.

Anyway, I always relate music with images and we are big fans of films, so I think that´s a big influence too.

Q. Make a list of 5 albums of all time…
C: 1-Psychic Tv- Dreams less Sweet
2-Einstuerzende Neubauten - Kollaps
3-Smashing Pumpkins - Mellon Collie and the infinite Sadness
4-Black Sabbath - Paranoid
5-Babasonicos - Dopadromo ( Argentina )

P: - Psychic Tv ( Dreams less Sweet)
The Cure (Pornography)
Einstuerzende Neubauten- Silence is sexy
Bjork ( Vespertine)
Blonde Redhead (Misery is a Butterfly)

Q. How do you feel when playing live?
C: Personally I feel a mix of nervousness, rage, catharsis and I try to maintain control on stage and play the best to my ability. In effect, I try to establish limits for myself, but I can´t always stay within them.

P: I feel catharsis, adrenaline and excitement. For me it's the only time that I have no control over myself.

Q. How do you describe Vólkova´s sounds?
C: I think it's something different from the current scene we find ourselves in. The sound is more aggressive, experimental, and we don't apply many of the old 80s sound. We have the capacity to regenerate and reinvent ourselves, which is noticeable when listening to our first three records.

P: I can´t answer how Vólkova sounds. I never liked the thing of putting music in genres. I believe that each album is the soundtrack of three moments of our lifes that “sound” very different.


Q: Tell us about the process of recording the songs ?
C: The process is always the same: I write the music and Paula adds the vocals, except when I mix mine. I try not to waste too much time making a song too elaborate with a thousand details and inaudible textures. I prefer things simple and direct for now. We usually do not do more than one vocal take, the spontaneity is a good way. I prefer to preserve that.

P: The process of recording is the composition process too, so the creation, the exchange of views and the recording is altogether. I think that is what keeps fresh the emotion that makes César to start composing and then add me.

Q. Which new bands do you recommended?
C: "Yus Yus", from Serbia, soon I will be working with them on their new record through my label and "Mismerizer" from France, she is an excellent composer that is a pleasure to listen to.

P: "Mujercitas Terror" from Argentina too.

Q: Which bands would you like to make a cover version?
C: Right now we have a version of Birds of Prey by Monte Cazazza. I don't know, there are many great songs out there, but we prefer to use our time composing our own songs.

Q: What´s the band´s plans for the future....
We have an extensive European tour coming up at the end of August and almost all of September sharing the stage with bands like Xotox, The Klinik, Sixth June, Tiers, Xiu and others. When we return to Buenos Aires, We will be looking for a larger label to edit our fourth album, and we have scheduled a show in Bs As, what is strange because we never play in our city.

Q: Any parting words?
P: Just thanks for the interview.
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Thanks Cesar & Paula

segunda-feira, 1 de setembro de 2014

Touch Me I´m Sick with Go!Zilla - An Interview



Barulheira de garagem e cheia de vestígios dos 90´s, esse é o Go!Zilla, que lançou um album frenético ano passado que atende pelo singelo nome de Grabbing a Crocodile, uma cacetada ruidosa bem no centro dos tímpanos e sem um segundo sequer pra relaxamento entre uma pancada e outra.

Os italianos preparem um epzinho que vai sair do forno já já e vem mais, o próximo lp vem no início do ano que vem, se você não tá ligado no Go!Zilla ainda, o TBTCI tem a manha de fazer você chegar mais dentro do que esses alucinados tem a dizer e principalmente a fazer.

E os caras estão malucos pra zoar com todos nós, isso se algum produtor tivesse culhão pra trazê-los pra cá....

***** Interview with Go!Zilla *****


Q. When did Go!Zilla starts tell us about the history...
Go!Zilla project born in january 2012, the first homonymous Ep was released later in June, after that we started playing around as a duo, more garage influenced. In January 2013 Fabio join the band as a drummer and the sound start to change, more punk, more grunge, and in some way more psychedelic as well. Mattia, the second guitar player, the jolly of the band, joined go!zilla january this year, he was lucky, the first show was the official New Years Party so he played in front of 35.000 people then we played together Mexico, a lot of shows in europe and italy as well..

Q: What are your influences?
Garage music from 60s and the new garage movement, then the big bands from 60-70 from the doors, till the beatles, from the stones till black sabbath, of course i think that nirvana and in some way the mudhoney's sound is part of our baggage too.

Q. Made a list of 5 albums of all time…
Revoler by the Beatles
Nevermind by Nirvana
Strange Days by The Doors
Nuggets psychedelic edition
Smile by Beach Boys

Q. How do you fell playing a live?
Live concerts are the favorite part of playing for bands like us, rocknroll music has to be shown in front of people, if people is excited, like its happening in france often , the sensations you feel on stage are so hard to describe, you can feel free, powerful, able to do everything. thet's how music can make you feel.

Q. How do you describe Go!Zilla sounds?
Currently we are working on something more melodic and powerful, so far go!zilla is playing a mix of punk, grunge, and psychedelic music. reason why we created the name "Acid Psychedelic Punk"

Q: Tell us about the process of recording the songs ?
Recording is a totally different way to approach music, generally we record all the instruments live, then we record some overdub (guitars, bass, keyboards or whatever) then we record vocals. Recording is magic, when you listen to your final product and you re satisfied by it it's like to see your baby ready to be listen by a lot of people. just magic!

Q. Which new bands do you recommended? Well, you probably know The Night Beats, recently we played with a very cool band formed by the sax player of King Khan and The Shrines, a very cool french garage rocknroll band called Weirdomen.


Q: Which bands you love to made a cover version?
We already covered a song by THE PANDORAS, a female band from the 80s. They wrote a very punk and fast song called "I Want Him". we just changed the title in "I Want Her" so we can get the right target ahah

Q: What´s the plans for future....
We just released "Magic Weird Jack EP", 6 songs 12" album out for Beast Records, a very cool label from france, our new family. We are currently working on the new LP that will be out in March or April 2015. be ready!

Q: Any parting words?
We recently played Mexico and it was one of the best experience of our lives so we are awaiting for a calling from Brasil. let's bring us there!!!!
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Thanks guys

Transcendental with Slipstream - An Interview



Abrindo o mês de setembro no TBTCI uma entrevista especialíssima com Mr. Mark Refoy que ao lado de John Mattock fundou o Slipstream lá no já longínquo 1994 após ambos terem participado da obra prima chamada Laser Guided Melodies do Spiritualized.

Após a saída de ambos da banda de Jason Pierce, Mark e John se jogaram nesta viagem chamada Slipstream algo entre o Spectrum e o Spiritualized, unindo elementos do experimentalismo de Sonic Boom e a verve hipnótica de J. Spacemen o Slipstream nos brindou com pelo menos dois álbuns sublimes, o homônimo de 1993 e o Transcedental de 2002, uma grande odisséia psicodélica até a medula que foi injustamente subestimado.

Mark ainda fez parte de outras grandes bandas do submundo naquela época como Levitation e posteriormente o Dark Star e para nosso deleite o Slipstream esta novamente na ativa compondo e em breve coisas deliciosamente lisérgicas devem aportar para os ouvidos mais atentos.

E o TBTCI com orgulho conversou com Mark a respeito de toda essa trip, boa viagem amigos.


***** Interview with Slipstream *****



Q. When did Slipstream starts, tell us about the history...
Slipstream started when Che records put out the first Slipstream single, Sundown, in 1994. They said I had to promote the single by playing live dates but I didn't have a band or a band name. It was just me and Jonny Mattock playing on the record and at the time we were both in Spiritualized. So I looked through my record collection for inspiration. The word Slipstream stuck out and stayed in my mind when I saw 2 Van Morrisson albums which feature the word Slipstream in the lyrics so I thought, "that will do." I assembled a band made up of local musicians from my home town in Northampton. That line up lasted until about 1998-'99.

Q: Who are your influences?
My influences are, chronologically from the ages of about 12 to 19; Slade, The Beatles, The Who, The Clash, Sex Pistols, New York Dolls, Joy Division/New Order, Velvet Underground, Kraftwerk. I've been very influenced in later life by The Beach Boys, Big Star and of course Spacemen 3. I've been influenced by so much music over the years, and still am today, but they are the main ones.

Q. Made a list of 5 albuns of all time…
The Clash - The Clash
Unknown Pleasures - Joy Division
Kraftwerk - Computer World
The Beatles - Revolver
The La's - The La's

Q. How do you fell playing alive?
I enjoy playing live. For a while it was just myself and Jonny Mattock with sequencers/computers etc but now we have a proper live band with Jason Holt on guitar and Tim Harries on bass. We don't play as much as we'd like to because we don't really have many gig offers and the rest of the band all have other commitments such as work, other bands etc.


Q. How do you describe Slipstream´s sounds?
Punkadelic! There's guitars along with techno/synth/computer sounds in the picture. I try and get a blend of human feel and electronica.

Q: Tell us about the process of recording the songs ?
I record at home using Logic and for the past 2 albums my friend Pete Gleadall, who works with Pet Shop Boys, mixes the songs at his studio in London. I initially get the ideas down and work up the songs but mixing and mastering isn't my forte so I let somebody else do that. Jason, Tim and Jonny will contribute their parts either by coming round to my place and recording their parts or they might do their parts at home and email them to me. Sometimes Jonny will record live drums at his place but mostly he embellishes what I do in Logic. Sometimes a song or an idea for a song will come when I'm aimlessly noodling on the guitar while watching tv. If I don't think then the ideas tend to flow and I rush to the computer to start recording. Sometimes the basis of a song will be an idea or piece of music that I've had for a very long time.

Q. Which new bands do you recommended?
I don't know many new bands, although I bought Temples album, that's really good.

Q: Which bands you love to made a cover version?
At the moment we're working on a song which is a cover of Blue Moon and Dream Baby Dream by Suicide in one version.

Q: What´s the plans for future....
Keep making music

Q: Any parting words?
You can check out our sounds at https://soundcloud.com/slipstreamuk Thanks and good luck,
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Thanks Mark